International favorite, David Chiang, stars as the great Chih Shim, the monk who saved the Southern Shaolin Temple. Joining him is Lo Lieh, the Shaws' first international star who returns to... Read allInternational favorite, David Chiang, stars as the great Chih Shim, the monk who saved the Southern Shaolin Temple. Joining him is Lo Lieh, the Shaws' first international star who returns to his famous role of Shaolin renegade Pai Mei. The result is a true martial arts epic.International favorite, David Chiang, stars as the great Chih Shim, the monk who saved the Southern Shaolin Temple. Joining him is Lo Lieh, the Shaws' first international star who returns to his famous role of Shaolin renegade Pai Mei. The result is a true martial arts epic.
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- Chi-Lung
- (as Hsiao-Chiang Hsu)
- (Guest star)
- (as Ping-Chang Pan)
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Featured reviews
An abbot from Shaolin, Chi San, is sent to learn the secrets of firearms from Er Mei, a Taoist priest in southern China. This is so the Shaolin monks can have a better method to fight the Manchu invaders. While there, the abbot learns soft kung fu from the elderly Er Mei and meets his daughter (?) Wu Mei. Spies hiding in the bushes learn about Shaolin's plans to build their own firearms and the Manchu/Tartar rulers send an army to destroy Shaolin. Returning to Shaolin, Chi San arrives too late to save the monks but the dying head abbot sends him back south to build a new Shaolin temple in southern China. There he comes into conflict with the evil brother to Er Mei, Pak Mei. Pak Mei supports the Manchus. There is also a Tibetian monk helping the Manchus. And so it goes....
While lively and competently directed by Meng Hua Ho, this film is very derivative of previous Shaw productions. The scenes where Chi San searches the town for students is very similar to the same scenes in "36th Chamber" and actually uses some of the same actors. A lot of the production panders to the HK audience by making bad guys of northern Chinese, Tibetians and anyone who studies Pak Mei kung fu. There are a number of lines praising the virtues of the southern Chinese. Kung fu students might want to see the film since a number of legendary kung fu instructors are characters but I assure you nothing is done with the characters. The martial arts are absurd at times but overall it delivers some above average choreography.
It's a short film at 78 minutes but you might find it fun. The ending is very abrupt.
David Chiang excelled as a star of many kung fu films in the 1970s, but I don't believe I've ever seen him as he is here--as a Shaolin monk with a shaved head--and it's quite a refreshing change of pace for him. Also in the cast are Lo Lieh, a frequent villain in these films; Lily Li, one of the better kung fu divas of the 1970s; and Norman Chu (Tsui Siu Keung), who plays one of the monk's students. Over all, this is a solid historical kung fu film, which compares favorably with earlier Shaw Bros. Shaolin films, such as HEROES TWO, FIVE MASTERS OF DEATH and MEN FROM THE MONASTERY, although it remains outclassed by the epic scope, big budgets and large casts of SHAOLIN MARTIAL ARTS, 1974 (listed on IMDb as Shao Lin Martial Arts) and SHAOLIN TEMPLE / DEATH CHAMBER (1976).
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- ConnectionsFollowed by Fists of the White Lotus (1980)
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