7.4/10
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4 user 24 critic

Shan zhong zhuan qi (1979)

A scholar, tasked to copy a sutra, meets with a mysterious old lady and her daughter in the mountains.

Director:

King Hu

Writers:

Ling Chung (screenplay), King Hu

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5 wins & 4 nominations. See more awards »

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Cast

Credited cast:
Chun Shih ... Ho Qingyun
Feng Hsu ... Melody
Sylvia Chang ... Cloud
Rest of cast listed alphabetically:
Hui Lou Chen ... Taoist priest Yang
Rainbow Hsu Rainbow Hsu ... Madam Wang
Chun Lu Chun Lu
Yueh Sun ... General Han
Feng Tien ... Old Chang
Lin Tung ... Adviser Tsui
Chia-Hsiang Wu ... Woodcutter
Ming-Tsai Wu ... Lama (as Ng Ming-Choi)
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Storyline

A scholar, tasked to copy a sutra, meets with a mysterious old lady and her daughter in the mountains.

Plot Summary | Add Synopsis

Plot Keywords:

ghost | See All (1) »


Certificate:

Not Rated | See all certifications »
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Details

Language:

Mandarin

Release Date:

4 October 1979 (Hong Kong) See more »

Also Known As:

A hegy legendája See more »

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Box Office

Gross USA:

$7,640, 5 April 2018
See more on IMDbPro »

Company Credits

Production Co:

Feng Nian See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (cut)

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Featured in The Month in Movies: March 2018 (2018) See more »

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User Reviews

 
Chinese ghost story - the prequel?
17 July 2006 | by winner55See all my reviews

Ching Sui Tung, long time admirer of King Hu (he helped arrange Hu's direction of the first Swordsman film), was to take the bare bones of this film and make his legendary "Chinese Ghost Story" films. It's about a monk on retreat to an isolated temple in order to write a sutra, who thereby comes under the observation of two female ghosts who may or not actually fall in love him - Hu maintains a careful ambiguity on this and other issues, clearly conveying to the audience the very confusion of the scholar himself, who never quite gets a handle on what he's accidentally walked into here.

But in the last analysis, this is neither ghost story nor romance, but a determined effort on Hu's part to make a visually beautiful set-piece of open, well-lit Chinese landscape, and high-contrast, sharply defined interiors. In short, it is an attempt to make a beautiful work of art.

Because Hu's principle interest is just this visual beauty, the pacing of the film gets a little slow at times, and Hu shows no interest in "cutting to the chase" story-telling. Consequently, I think he has succeeded in this artistic perfectionism, but at a price, which is that the film is not going to appeal to a wide audience. But given some patience, it offers real rewards to the senses.


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