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Every Man for Himself (1980)

Sauve qui peut (la vie) (original title)
Not Rated | | Drama | 15 October 1980 (France)
An examination of sexual relationships, in which three protagonists interact in different combinations.

Director:

Jean-Luc Godard

Writers:

Anne-Marie Miéville (scenario), Jean-Claude Carrière (scenario)
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Cast

Cast overview, first billed only:
Isabelle Huppert ... Isabelle Rivière
Jacques Dutronc ... Paul Godard
Nathalie Baye ... Denise Rimbaud
Roland Amstutz Roland Amstutz ... Second client
Cécile Tanner Cécile Tanner ... Cecile
Anna Baldaccini Anna Baldaccini ... Isabelle's sister
Roger Jendly Roger Jendly ... 2nd Guy
Fred Personne Fred Personne ... First client
Nicole Jacquet Nicole Jacquet ... Woman
Dore De Rosa Dore De Rosa ... Elevator Attendant
Monique Barscha Monique Barscha ... Chanteur d'opéra
Michel Cassagne Michel Cassagne ... Piaget
Paule Muret ... Paul's ex-wife
Catherine Freiburghaus Catherine Freiburghaus ... Farm Girl
Bernard Cazassus Bernard Cazassus ... 1st Guy
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Storyline

An examination of sexual relationships, in which three protagonists interact in different combinations.

Plot Summary | Plot Synopsis

Plot Keywords:

sex | female nudity | See All (2) »

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Language:

French

Release Date:

15 October 1980 (France) See more »

Also Known As:

Every Man for Himself See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.66 : 1
See full technical specs »
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Did You Know?

Trivia

Jean-Luc Godard has dubbed this his "Second First Film". Coincidentally, this film was released exactly 20 years after the release of his first film, Breathless (1960). See more »


Soundtracks

Suicidio!
from opera "La Gioconda"
Written by Amilcare Ponchielli
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User Reviews

 
Rather Bland, Not Entertaining
6 March 2015 | by gavin6942See all my reviews

An examination of sexual relationships, in which three protagonists interact in different combinations.

In addition to Godard's typical refusal to keep viewers oriented through expository dialogue and continuity editing, the film is experimental in its use of the technique that Godard called "decomposition," which he first employed for the 1979 French television mini-series "France/tour/detour/deux/enfants". In the technique, there is a periodic slowing down of the action to a frame by frame advancement. The "slow motion" segments are somewhat obnoxious and really detract from the enjoyment of the film.

Film critic Vincent Canby, writing in The New York Times, described the film effusively as "stunning," "beautiful," and "brilliant". I don't feel as strongly.

An interesting side note: the appearance of the nationality sticker on the back of a car. In the United States, these did not really become popular until the 1990s or later, and yet they seem to be found somewhat commonly in 1980s Europe.


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