The successful writer Benjamin "Ben" Mears returns to his hometown Salem's Lot, Maine, expecting to write a new novel about the Marsten House. Ben believes that the manor is an evil house that attracts evil men since the place has many tragic stories and Ben saw a ghostly creature inside the house when he was ten. Ben finds that the Marsten House has just been rented to the antique dealers Richard K. Straker and his partner Kurt Barlow that is permanently traveling. Ben meets the divorced teacher Susan Norton that is living with her parents and they have a love affair. Ben also gets close to her father Dr. Bill Norton and his former school teacher Jason Burke. When people start to die anemic, Ben believes that Straker's partner is a vampire. But how to convince his friends that he is not crazy and that is the truth?Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The map of Salem's Lot in Crockett's real estate office resembles the city of New Orleans. See more »
Just before the window in the Petrie's kitchen blows inward, a very visible wire can be seen pulling the frame of the window inwards. See more »
[reading from his speech]
1951. A fire started in the old mill. It spread rapidly on both sides of Griffin Road and burned towards the Marsten House on Pabiscuitti Hill.
See more »
The text of the opening credits appear and dissolve piece by piece into each other in a jigsaw puzzle fashion. See more »
The VHS 1987 version omits the scene where Ben and Mark are in Mexico, and a vampirized Susan is laying down on a cot in a hut. Then, Ben enters the room and impales her in the chest with a wooden stake. See more »
I was fourteen years old when this film was released, and it was really a shocker for its time. Although I can see the points raised by detractors of this film, nevertheless, it is, in my opinion, one of the most truly terrifying movies I have ever seen. The scenes in which first Ralphie and then Danny Glick appear in windows at night, scratching to be let in, were utterly horrifying, as were the scenes with Mike Ryerson in Jason Burke's guest bedroom ("Looooook at me ... I will see you sleep like the dead, teacher") and Marjorie Glick in the mortuary. Along with the original "Halloween," this is a film that really, really scared me, and I feel that a key element was the lack of gore (which is probably a disappointment to younger viewers used to explicit splatter). The nonverbal dialogue of expressions and actions, the music, and the significantly occurring silences resulted in the suspense which makes a film truly frightening in my opinion.
Having said this, I do feel that the book was much, much better than the movie, and I would recommend it as one of the best vampire stories ever written (sorry, Anne Rice, but it's true). But let's be fair and realistic. It's a rare film that excels the book on which it was based. Not one of Stephen King's wonderfully (and horribly) imaginative works has EVER been committed to film in a way that has equaled the written work. Never, ever, EVER. That is something that will just never happen. If it were possible, then nobody would bother to read his books, he would become a screenwriter, and that would be a real loss for the horror genre.
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