5.2/10
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3 user 1 critic

Sabato, domenica e venerdì (1979)

Three episodes: an accountant marries a beautiful Japanese and follows her to Tokyo; a young man marries a Sicilian girl to save her from paternal wrath; a theatrical impresario marries her dancer so she can leave her place in the ballet.

Directors:

(as Castellano), | 2 more credits »

Writers:

(story) (as Castellano), (story) (as Pipolo) | 6 more credits »
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Cast

Cast overview, first billed only:
... Tokimoto, the Japanese engineer (segment "Sabato")
... Nicola La Brocca (segment "Sabato")
... Il direttore (segment "Sabato")
Lory Del Santo ... 'Baby' (segment "Sabato")
... Clelia (segment "Sabato")
... Enza (segment "Domenica")
... Mario (segment "Domenica")
... Enza's father (segment "Domenica") (as Antonio Ferrandiz)
... Enza's mother (segment "Domenica")
... Camillo (segment "Domenica")
Sergio Tardioli ... Carlo (segment "Domenica")
Salvatore Aiesi ... (segment "Domenica")
... Constantin (segment "Venerdì")
Lova Moor ... Jacqueline (segment "Venerdì")
Manuel Gallardo ... Fred (segment "Venerdì")
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Storyline

Three episodes: an accountant marries a beautiful Japanese and follows her to Tokyo; a young man marries a Sicilian girl to save her from paternal wrath; a theatrical impresario marries her dancer so she can leave her place in the ballet.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

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Details

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Language:

Release Date:

20 October 1979 (Italy)  »

Also Known As:

Ein total versautes Wochenende  »

Company Credits

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Technical Specs

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Italian censorship visa # 72450 delivered on 23-10-1979. See more »

Soundtracks

Ce Vuò ce fè
Written by Lernia, Castellano, Pipolo & Detto
Performed by Leone Di Lernia (as Leoni di Lernia)
See more »

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User Reviews

 
Gorgeous women, mediocre film
29 December 2004 | by See all my reviews

Three comic skits set in Milan. The first is lame, worth seeing only for a few glimpses of Edwige Fenech's body (I doubt that many Japanese women - she plays one here - wear what she wears after taking a shower). The second is the best: Michele Placido is by far the best comic actor in the film - he doesn't push for laughs, so he gets some. The third is pointless, and unfortunately the longest; an example of its idea of humor is the overdrawn homosexual caricature of Celentano's right-hand man.

Final recommendation: fast-forward through the first skit to get to the "good" Fenech bits, watch the second in its entirety and skip the third altogether. (**)


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