A dashing thief, his gang of desperadoes and an intrepid policeman struggle to free a princess from an evil count's clutches, and learn the hidden secret to a fabulous treasure that she holds part of a key to.
After successfully robbing the Monte Carlo Casino, Lupin The Third and Jigen Daisuke soon learn that their money is in fact counterfeit and they go after the man responsible: Count Lazare de Cagliostro. The two soon find out that the Count is behind something far worse than counterfeiting money for casinos: he has been keeping a family secret hidden deep in his castle. Can Lupin find out what this is and live to tell the tale? With the help of Jigen and the wise samurai Goemon Ishikawa XIII, Lupin is hell-bent on finding out the Cagliostro family's secret fortune and make it his own.Written by
This is Disney animator John Lasseter's favourite film. While hosting a party in 1985, he showed the film to his future wife Nancy Lasseter, whom he had earlier met at a computer graphics conference. She loved it, and they got married three years later. See more »
As Lupin is pointing out the Count's castle to Jigen, the time shown on the clock tower jumps from 7:10 to 7:20 between shots. See more »
We got five billion in various denominations! It's a shower of bills, look out!
[a pile falls on Lupin]
There's a lot of them, isn't there? More! Bury me with them!
[Jigen buries Lupin with the bills as ordered, but sees Lupin look downcast]
What's wrong, Lupin?
These are fakes. Good ones, but fakes.
These? It can't be! We stole these from the vault of the national casino!
[...] See more »
The opening credits is a montage of Lupin and Jigen traveling to Cagliostro. See more »
The remastered Manga Entertainment Region 1 DVD release in 2006 features an edited opening titles sequence that uses stills from the animation. This was apparently done at the request of TMS to remove the Japanese-language titles and credits. See more »
I have two Japanese animated feature films from 1979, this one and one of the sequels to Space Battleship Yamato. Compared to the animation in Yamato (which is flat and often motionless), Lupin is Snow White. There is so much movement (more than some of Miyazaki's later films), and there are some truly incredible "set" pieces (Lupin scaling a sheer castle wall, for instance). One of the things that has always been noted about Japanese animation is that while it's not as fluid as Disney animation (12 frames per second as opposed to 24, not to mention the animation is generally before the voice track), it has incredible style and originality in its design and cinematography. Lupin is a perfect example of this, and it's no wonder the movie is still so well revered in Japan.
30 of 36 people found this review helpful.
Was this review helpful to you?
| Report this