The Rose (1979)

The tragic life of a self-destructive female rock star who struggles to deal with the constant pressures of her career and the demands of her ruthless business manager.

Director:

Mark Rydell

Writers:

Bo Goldman (screenplay), Bill Kerby (screenplay)

Stars:

Bette Midler, Alan Bates, Frederic Forrest

Nominated for 4 Oscars. Another 5 wins & 8 nominations.

Cast

Cast overview, first billed only:
Bette Midler	...	Rose
Alan Bates	...	Rudge
Frederic Forrest	...	Dyer
Harry Dean Stanton	...	Billy Ray
Barry Primus	...	Dennis
David Keith	...	Mal
Sandra McCabe	...	Sarah
Will Hare	...	Mr. Leonard
Rudy Bond	...	Monty
Don Calfa	...	Don Frank
James Keane	...	Dealer
Doris Roberts	...	Rose's Mother
Sandy Ward	...	Rose's Father
Michael Greer	...	Emcee
Kenny Sacha	...	Female Impersonator (as Claude Sacha)

Storyline

Bette Midler plays The Rose, a female rock star strikingly similar to Janis Joplin. This movie follows Rose's career during her last tour, as she's determined to return to her Florida hometown. Although a success, she's exhausted and lonely, but continued working by her gruff and greedy manager. Though loud and brassy, Rose is an insecure alcoholic and former drug user who seems to crave approval in her life. She begins a romance with a limousine driver, who's actually an A.W.O.L. Sergeant from the United States Army. Her rock and roll lifestyle of sex, drugs, and rock and roll, and constant touring, lead her to an inevitable breakdown.

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Plot Keywords:

roses | bath house | f rated | drugs | awol | 

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Taglines:

The Fastest Selling Sound Track Album in the Country

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Genres:

Drama | Music | Romance

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Certificate:

R

Details

Country:

USA

Language:

English

Release Date:

7 November 1979 (USA)

Also Known As:

The Tour

Filming Locations:

New York City, New York, USA

Box Office

Budget:

$8,500,000 (estimated)

Gross USA:

$29,200,000

Company Credits

Production Co:

Twentieth Century Fox

Technical Specs

Runtime:

125 min

Sound Mix:

Dolby (35 mm prints) 70 mm 6-Track (70 mm prints)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

At the start, a photographer takes a picture of a little girl. The resulting photo is of Midler as a little girl, growing up in Hawaii.

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Goofs

The Rose shoots up heroin in a phone booth, even though she has no water - a necessity for intravenous usage of a powdered narcotic.

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Quotes

Emcee: Thank you, Bitch... err, Butch!

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Crazy Credits

Lyrics of "The Rose" are displayed at the end of the credit crawl, scrolling to the ending of the song.

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Alternate Versions

CBS edited 14 minutes from this film for its 1984 network premiere.

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Connections

Featured in Biography: Bette Midler (2004)

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Soundtracks

Evil Lies
Music by Gregory Prestopino (as Greg Prestopino)
Lyrics by Gregory Prestopino (as Greg Prestopino) and Carol Locatell

User Reviews

An Emotionally Moving Story With One Electrifying Performance

As a pumped-up, neurotic 1960s rock star named Rose, Bette Midler energizes this film with a soulful, emotional performance deserving of Oscar recognition. Midler animates the character so well that, paradoxically, she rather overwhelms the film's plot about a famous singer who nonetheless is insecure and fragile.

I would estimate that roughly a quarter of the film's runtime consists of Midler on-stage singing and performing in front of an audience of hundreds, and in one case thousands, of extras as part of a real-life concert. The technical logistics of putting together such a believable event is quite impressive, with multiple cameras, special effects, complex lighting, and in only one camera take.

The non-concert plot has Rose in various states of emotional highs and lows, mostly lows, as she laughs and cries, whines and moans, and argues and fights with those around her. This is a lady who is controlled by emotion, not reason or logic. She laughs one minute, cries the next, then laughs, then cries some more.

As such, the plot trends emotionally repetitive, though we as viewers sense that all this enormous gushing of raw feeling can't continue indefinitely. And thus with great effect, the film has a dramatic ending, one that combines character resolution with stunning visuals, followed by end credits set against the musical backdrop of Amanda McBroom's moving, hymn-like title song, "The Rose".

By far the best element of the film is Midler's electrifying performance. Yet, the concert footage and film editing are also impressive. The weak link is a plot that, though acceptable, seems anemic in comparison to Midler and the stunning visuals.

Inspired by the unnerving musical career of Janis Joplin, "The Rose" presents viewers with an emotionally moving story, character driven, that is set within an overall film production that is technically both competent and credible.