Vince Lombardi High School keeps losing principals to nervous breakdowns because of the students' love of rock 'n' roll and their disregard of education. The putative leader of the students is Riff Randell, who loves the music of the Ramones. A new principal, the rock-music-hating Miss Evelyn Togar, is brought in and promises to put an end to the music craze. When Miss Togar and a group of parents attempt to burn a pile of rock records, the students take over the high school, joined by the Ramones, who are made honorary students. When the police are summoned and demand that the students evacuate the building, they do so, which leads to an explosive finale.Written by
Rick Gregory <firstname.lastname@example.org>
When Angel Dust and Riff Randell are continuing to argue about who's in line first, the Ramones pull up. They begin to push and shove each other. Angel's hair starts being pulled up, neatly. As her and Riff push to get the Ramone's attention, Angel's hair falls down. But after the Ramones are done singing, their manager approaches Angel, and her hair is up neatly once again. See more »
There is one line from the film not included in the re-mastered DVD and video release. It is near the beginning where Tom is walking down the school hallway, and he bores some of the girls by talking about the weather ("I hear it's raining cats and dogs in Idaho"). When he sees Riff Randell, she scoots past him giving him a tease, and after he says her name, he takes a breather and exclaims, "I gotta get laid." This line is included in early video releases, and restored in the 2010 Shout! Factory DVD and Blu-Ray editions of the film. See more »
And this is a great rock'n'roll movie in itself. No matter how it evolved (at point being a movie about disco), it ended up as one of the ultimate movies in which kids want to rock out, but the principal stands in their way. Think back to those rock'n'roll movies of the 50's in which the day is saved when Alan Freed comes to town with Chuck Berry to prove that Rock & Roll Music is really cool and safe for the kids, and Tuesday Weld gets a new sweater for the dance. Forward to the 1979, repeat the same plot, but throw in DA RAMONES, whom no one then realized would become one of the most influential bands of the next quarter century (and then for the obligatory DJ guest shot, "The Real" Don Steele). Throw in, too, all the elements of a Roger Corman-produced comedy-exploitation film, except for the two-day shooting schedule, some of the familiar Corman repertory players like Clint Howard, Mary Wournow and Dick Miller (there since "Bucket of Blood"), and you've got one of the great stoopid movies of the day. One of the few films that uses deliberate cheesiness and gets away with it. I showed the new DVD to a friend who could only remember seeing parts of it through a stoner- induced haze at the drive-in, and he agreed that this is one of the great movies to be watching drunk, not the least for the lovely leading ladies and the great Ramones footage.
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