The members of an expedition in search for the last faithful of Kito, the cannibal god, land on a small island in the Moluccas (East Indies) and are soon hunted by cannibals and zombies, these being created by a sinister Doctor O'Brien who is experimenting with corpses. Suzan, a sexy lady in the expedition team, eventually takes a hold on things, as she is accepted as queen of the cannibals, and direct them against the mad scientist and his army of zombies.Written by
Covered in Red Letter Media's Best of the Worst Plinketto #1 See more »
When Dr. Obreo / Dr. Butcher is using the medical saw on the girl you can hear it spinning very fast but when you look at the blood stains around the edge of the saw you can see that it is not moving and only moves (very slowly) when he traces around the top of her head. See more »
I could easily kill you now, but I'm determined to have your brain!
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USA version was re-edited and altered by distributor Aquarius Releasing Inc. and re-titled "Doctor Butcher, M.D.". Among the changes:
A new, completely pointless and unrelated opening title sequence featuring a zombie rising from a grave, which is actually taken from an unfinished anthology "Tales To Rip Your Heart Out".
The bulk of the original "serious-sounding" musical score was overlapped with a cheesy and a wonderfully irritating synthesizer one. There are even moments where you can still hear Nico Fidenco's original score muffled under the replacement score.
Some dialogue and character "development" were deleted for pacing reasons.
Being an obsessive-compulsive fan of old-fashioned Euro-gore for several years now, I've come to expect the absurd (and usually nonsensical) plots, the constant 'borrowing' from other films, and the over-the-top gore, all mixed together to form what is usually an enjoyably trashy cocktail. I picked up "Zombie Holocaust" with some optimism and a little knowledge of its reputation, and after watching it, could only help but wonder what had just happened. No, it wasn't the incoherently surreal thrill of watching "City of the Living Dead," but a general, head-scratching confusion that raised questions such as: "How was this awful waste of time ever released?" As Tom Servo would say: "Meanwhile, in YET ANOTHER MOVIE..." "Zombie Holocaust" doesn't have a brain in its head (even though the title Doctor is a deranged neurosurgeon)--it's a low-budget splatter flick without even the slightest hint of innovation. It borrows settings and characters from Fulci's "Zombie" (not to mention a few actual snippets from that film), jungle savages from "Make Them Die Slowly," and a couple bronze-faced zombies that look an awful lot like the wooden-toothed wonders in "Burial Ground." Sounds like a swinging good time, but the movie is downright distracting in its own indecisiveness, flipping back and forth between these awkwardly, incompetently blended genres without a hint of wit or style. Perhaps this is attributable to Fabrizio de Angelis, who is known less for his screen writing capabilities than as a producer on Lucio Fulci's most notable works. It is conceivable that the producers wanted to churn out a genre-bending smörgåsbord knowing they would get some return on it, but the utter ridiculousness of the finished product is an endurance test for the viewer's patience.
Ian McCulloch (his usual stuffy self) and Alexandra Delli Colli ("New York Ripper") venture off to some faraway island to investigate a doctor's odd practices. Along the way, they encounter hostile natives, zombies, and an climax that looks suspiciously like another, better zombie flick. Eyeballs are gouged out, entrails are eaten, and Delli Colli is painted in the nude for a "Laugh-In" audition.
There's ultimately nothing in "Zombie Holocaust" that hasn't been done before, and better. Pass.
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