The lives of an English working-class family are told out of order in a free-associative manner. The first part, "Distant Voices", focuses on the father's role in the family. The second part, "Still Lives", focuses on his children.
A rather loose adaptation of the P. D. James novel. Cordelia Gray, the survivor of a partnership in a detective agency, is asked by the assistant of James Calendar to investigate the ... See full summary »
A young woman is invited by her girlfriend, who lives in an English country mansion, to stay there with her. The estate, however, isn't quite what it seems--and neither is the friend who issued the invitation.
José Ramón Larraz
When British filmmaker Andrew Kotting decided to tour the perimeter of Great Britain with his grandmother Gladys and his daughter Eden, he brought a film crew along. The result is this often humorous and picturesque documentary.
An episodic look at a young man's life in Mexico's national highway patrol. We follow Pedro Rojas from cadet training and his rookie assignment in a northern border area, to his quick ... See full summary »
A chief police inspector investigates the disappearance of a 25-year-old, intellectually disabled woman, the daughter of a lonely widower. After she turns up dead, the cops race to find the... See full summary »
Jamie and Tommy are separated by the death of their grandmother; Jamie with another relative and Tommy to a welfare home. Now Jamie is all alone and his life is not at all happy taken over by silence, rejection and violence.
Jean Taylor Smith
This is one of Britain's forgotten films (only 4 IMDb reviews at the time of writing these comments, nearly 30 years after it was made). The first film by the then film critic Chris Petit, made in 1979, it conveys accurately the bleakness - and the depressing music - of the late 1970s.
The plot is minimal. A morose, alienated man learns of his brother's death and travels from London to Bristol to find out more. The 'quest' is half-hearted and his encounters on the road and in Bristol are unsatisfactory and unfulfilled. Nothing seems worthwhile following through. whether it is his investigation into his brother's life and death, his encounter with a German woman or even his relationship with his antique Rover car.
The B/W photography is splendid, matching perfectly the mood of alienation and the bleak picture of a part of England in the winter of 1979. The influence of Wim Wenders (the producer) is clear but it is very distinctively an English film, worth seeing and listening to if only to remind us of the dismal '70s - but having seen it, that's enough. Interesting, but not a classic.
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