A government health inspector is dispatched to assess the damage a logging company is causing to a patch of forest claimed by Native Americans, and comes face to face with true terror wreaki... Read allA government health inspector is dispatched to assess the damage a logging company is causing to a patch of forest claimed by Native Americans, and comes face to face with true terror wreaking havoc in the woods.A government health inspector is dispatched to assess the damage a logging company is causing to a patch of forest claimed by Native Americans, and comes face to face with true terror wreaking havoc in the woods.
- Kelso
- (as Everett L. Creach)
- Black Woman
- (as Lyvingston Holms)
- Director
- Writer
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I don't dwell on plot in my reviews; I like to talk about what makes the movie worth expending your precious minutes or not, so here is what one geek loves about this silly, fun flick: Even with the overly intense performances, the Marcus Welby music, the clichéd-to-the-point-of-exasperation mean, old corporate polluters, the fact that Talia Shire's face seems to be melting off her head (cheap shot, I know), and the monster--think of Shaq in latex, p.o.'d, with fangs and Mad-Eye Moody peepers--you have a scary, fun, and interesting movie.
Hey, Stephen King liked it, although he was right in pointing out how silly it was to put the Indians in teepees in Maine.
I wonder if Robert Foxworth, Shire, and Armand Assante get fan mail for this 8th grader of a movie. Frankenheimer, God bless him, made this movie work, and passed away a few years ago (no causal relationship, of course). He was so serious and deep, a really, really skilled artist, but I also wonder how he would have responded to fan mail for Prophecy.
I hope all involved had or have senses of humor and when confronted with a request for an autograph on the VHS box, respond with, "Hey, thanks for your support, you geek!"
I saw "Prophecy" on a double bill with the original "Friday the 13th," another bloody romp in the forest. The Jason film was second on the bill, and would've been unimpressive on its own, but was rendered especially impotent to this viewer after having all the bejeezus scared out of me by "Prophecy."
Highly recommended!
I have such a fondness for this movie, one of the first horror movies I remember sitting through to completion as a kid. There's an awesome scene involving a sleeping bag.
Beautiful British Columbia scenery!
It starts out nicely with a violent sequence that proceeds to set up the main characters and plot; Native Americans are demonstrating against loggers working on a paper mill and taking away their land. The protagonist is a doctor who is called to the affair as an adviser and soon finds out that the plant is poisoning the water, the fish and the people who live of the land. To make matters worse there's something in the woods feeding on loggers and campers.
Now, I know this is a creature feature and the monster deserves a fair amount of screen time. It is kept in wraps throughout the film, making up for some genuinely suspenseful scenes. At first it's a mere side effect of the much bigger tragedy that the land and people are suffering. But by the end it takes over the movie, turning it into a gore fest and depriving it of its original atmosphere. All the subplots are dropped, characters vanished and the movie abruptly ends.
All in all, as far as echo-horror goes this is one of the most decent and fans of b movies will certainly be entertained. More stuff to look out for is the gorgeous Victoria Racimo, a young Armand Assante, those adorable mutated bear cubs and of course, the exploding sleeping bag scene.
The poster is probably the best thing about it, showing a creepy little mutant fetus floating in a womb. A movie about that thing? As an eight year old kid, I was the first on line! And, as an added bonus, it was PG, so I knew I could get in. Not to mention the fact that this was when Hollywood still had some balls, and a PG movie could still contain some hefty doses of gore and T&A.
I remember finding individual scenes to be pretty scary. A family is slaughtered while camping in one scene. A guy in an overturned jeep gets his head ripped off. And the giant mutant bear is, at times, genuinely freaky.
But even I, as a little kid, could tell that the movie was uneven and poorly paced. When the monster isn't attacking, it's yawn city, with Robert Foxworth pontificating endlessly to the point where, even though I agreed with every word he said, I wanted to bash his face in. And Talia Shire's eye-bugging and whining got pretty tiresome after a while as well.
You rarely, if ever, get a good look at the monster. That technique worked in ALIEN, but, whereas ALIEN kept the monster hidden through stylish photography and sly editing, PROPHECY is just poorly shot, badly lit, and sloppily put together.
Ridley Scott wanted to keep the alien partially hidden, so all you saw was teeth and claws and could put the thing together in your mind. I think John Frankenheimer just couldn't figure out how to hide the seams in the dime-store monster costume he had to work with, so just lit everything so dimly you could barely see anything. The monster is pretty grotesque and occasionally looks fearsome, but usually looks like nothing more than a big gray blob.
The baby monster bear that Shire cradles through the second half of the movie is much more freakish looking. PROPHECY is watchble enough if it shows up on cable one rainy day when there's nothing else to do. Just remember to watch it through an eight year old's eyes.
Did you know
- TriviaKatahdin, the mutant bear-monster, is portrayed by 7"2' actor/stuntman Kevin Peter Hall who went on to play other memorable man-in-a-suit monsters of the 80s including the giant egg-headed alien in Without Warning (1980), the titular creature in Predator (1987) and Predator 2 (1990), and Bigfoot in Harry and the Hendersons (1989).
- GoofsWhen Maggie Verne is seen leaving the helicopter during the rain storm there is a wire visible holding her handkerchief in place so it doesn't get lost in in the winds when she purposely lets it fall out of her pocket
- Quotes
Maggie Verne: Rob, what is it?
Dr. Robert Verne: It's methylmercury poisoning, that's what it is. This whole place has been contaminated.
Maggie Verne: How do you know?
Dr. Robert Verne: The Indians eat the fish, and they behave like they're drunk when they haven't had a drop of liquor. That raccoon convulsing and turning vicious, its brain turned to mush. Even that old man, that Indian, you saw the burns on his fingers.
Maggie Verne: Is that from mercury?
Dr. Robert Verne: It's from cigarettes; the reason he didn't feel it is from mercury. You see, it acts on the nervous system; it destroys the brain.
- Alternate versionsUK cinema and video versions received 8 secs of mandatory cuts by the BBFC to remove the shots of the raccoon writhing on the floor outside the cabin before the attack scene (the animal had been genuinely poisoned).
- ConnectionsFeatured in Sneak Previews: Prophecy/Bloodline/Moonraker/Dracula/Nightwing (1979)
- SoundtracksSweet Ride
Written by Lionel Job and Delwin Gillman
Performed by Southroad Connection
Courtesy of Fourth World Productions
- How long is Prophecy?Powered by Alexa
Details
- Release date
- Countries of origin
- Language
- Also known as
- Prophecy: The Monster Movie
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $8,000,000 (estimated)
- Gross US & Canada
- $18,389,402
- Gross worldwide
- $18,389,402
- Runtime1 hour 42 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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