A repressed, middle-aged divorced U.S. Greek meets a young singer through a dating service and becomes smitten.A repressed, middle-aged divorced U.S. Greek meets a young singer through a dating service and becomes smitten.A repressed, middle-aged divorced U.S. Greek meets a young singer through a dating service and becomes smitten.
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Storyline
Did you know
- TriviaThe role of Sheila Shea was originally written for Sandy Dennis. Co-star Paul Dooley was seriously allergic to cats though. When cat-lover Dennis would come to the script readings with up to five cats at a time, he was briefly hospitalized. The role was then offered to Shelley Duvall, who had worked with director Robert Altman on six pictures, but she turned it down. As a result, Allan F. Nicholls then re-wrote the role of Sheila Shea from an earth mother type to the young singer-groupie played by Marta Heflin. Both stars had appeared in the director's previous film A Wedding (1978) which had premiered the previous year in 1978. Duvall and Altman would collaborate on a motion picture one more time the following year with Popeye (1980).
- Quotes
ER doctor: [to Alex] You've got to stay in bed for a while. Do you want some pain-killers?
Sheila Shea: Yes.
Alex Theodopoulos: No!
ER doctor: Some doctors don't like to give out pain-killers, but when you've seen as much pain as I have, it makes you want to kill it.
ER doctor: [to both] I don't think you two should be kissing while I'm suturing,
- SoundtracksRomance Concerto (Adieu Mes Amis)
Written by Tom Pierson (as Thomas Pierson) & Allan F. Nicholls (as Allan Nicholls)
Featured review
"Nashville" represented a critical and commercial high point for Altman. He followed it with a series of films that puzzled the critics and alienated his already slender audience (the critics loved his overlapping dialogue and generally unhappy endings but audiences didn't). "Buffalo Bill and the Indians", "A Wedding", and worst of all, "Quintet".
Altman was running out of studio backing and critical support. He had never really been a money maker and by 1979 with "Jaws" and "Star Wars" Hollywood had discovered the special effects summer blockbuster. It was tired of auteurs like him and Bogdanovich and Coppola, particularly auteurs who didn't make money (auteurs who remain the darlings of the critics like Woody Allen and Scorsese and don't cost too much money are OK.). Altman needed to show Hollywood that he could make money.
"A Perfect Couple" and "Popeye" were Altman's attempts to make movies he hoped would reach out to the general audience and be hits at the box office.
Altman was running out of studio backing and critical support. He had never really been a money maker and by 1979 with "Jaws" and "Star Wars" Hollywood had discovered the special effects summer blockbuster. It was tired of auteurs like him and Bogdanovich and Coppola, particularly auteurs who didn't make money (auteurs who remain the darlings of the critics like Woody Allen and Scorsese and don't cost too much money are OK.). Altman needed to show Hollywood that he could make money.
"A Perfect Couple" and "Popeye" were Altman's attempts to make movies he hoped would reach out to the general audience and be hits at the box office.
- Tarasicodissa
- Aug 29, 2004
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Details
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- Budget
- $1,500,000 (estimated)
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