Nosferatu the Vampyre (1979)

Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror.

Director:

Werner Herzog

Writer:

Werner Herzog

Stars:

Klaus Kinski, Isabelle Adjani, Bruno Ganz

5 wins & 8 nominations.

Cast

Cast overview, first billed only:
Klaus Kinski	...	Count Dracula
Isabelle Adjani	...	Lucy Harker
Bruno Ganz	...	Jonathan Harker
Roland Topor	...	Renfield
Walter Ladengast	...	Dr. Van Helsing
Dan van Husen	...	Warden
Jan Groth	...	Harbormaster
Carsten Bodinus	...	Schrader
Martje Grohmann	...	Mina
Rijk de Gooyer	...	Town official (as Ryk de Gooyer)
Clemens Scheitz	...	Clerk
Lo van Hensbergen	...	Harbormaster's Assistent
John Leddy	...	Coachman
Margiet van Hartingsveld	...	Vrouw
Tim Beekman	...	Coffinbearer

Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Wismar where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Wismar, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die.

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Plot Keywords:

vampire | plague | transylvania | rat | melancholy | 

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Genres:

Horror

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Certificate:

PG

Details

Country:

West Germany France

Language:

German English Romany

Release Date:

17 January 1979 (France)

Also Known As:

Nosferatu the Vampyre

Filming Locations:

Tatra Mountains, Slovakia

Box Office

Cumulative Worldwide Gross:

$2,874

Company Credits

Production Co:

Werner Herzog Filmproduktion, Gaumont, Zweites Deutsches Fernsehen (ZDF)

Technical Specs

Runtime:

107 min 96 min (theatrical)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

This was one of five Dracula films released in 1979, the other four being Dracula (1979), Love at First Bite (1979), Nocturna (1979) and Dracula Blows His Cool (1979). In the same year, Vlad Tepes (1979), a Romanian film concerning the historical figure on whom the Count was based, was released. 1979 also saw the release of two other vampire films: Thirst (1979) and Salem's Lot (1979)

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Goofs

The rooftops are seen to be covered with TV antennae in the final shot of the town.

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Quotes

Count Dracula: Death is not the worst. There are things more horrible than death.

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Alternate Versions

Two versions of the film were shot back-to-back, one in German, the other in English.

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Connections

Referenced in Crazy Moon (1987)

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Soundtracks

Sanctus
by Charles Gounod
Performed by Vokal-Ensemble Gordela (uncredited)
Conducted by Jean-Claude Hartemann (uncredited)

User Reviews

A pretty fine go at "Dracula"

This Herzog adaptation of the Dracula story, filtered through the memory in particular of Murnau's "Nosferatu: A Symphony of Horrors", is largely a successful film. It is great in parts and in aspects, but doesn't quite amount to a whole that approaches superlative status. Klaus Kinski is rather good, but not quite spellbinding, in the much-donned cape of the old Count. He is not quite up to the vastly contrasting interpretations I have seen - Schreck and Lugosi. Isabelle Adjani? Hers is far from a terrible performance, as one commentator has said; she is, indeed, reasonable in a role often lacking embellishment in other adaptations. Of course, her striking good looks are certainly far from unwelcome. The chap playing Renfield (the madman, so amusingly and vividly portrayed by Dwight Frye in the 1931 Universal "Dracula") is effective in portraying an outright giggling madman - his laugh is one of *the* most absurd and insane sounds I have heard in film...! The use of music is wonderful, as is Herzog's visual direction - the plague scenes leave quite an impression on the mind, and most scenes are accorded impressive backdrops and appropriate visual textures. Popol Vuh's musical textures are dreamily beguiling, setting just the right tone for Herzog's imagery. The film's downside has to be in the dramatics really; the dialogue and subsequent delivery of, are far from great, perhaps owing to the fact that most of the performers' native tongues are not English, and here they have to speak just that language. There is never quite enough dramatic tension induced by the script or the acting; at times the Renfield chap and Kinski are compelling, but only fitfully.

Having said all this, it is a fine rendition on film of a rather old and, frankly, enduring story. Herzog must take the credit for its effective atmosphere, but perhaps also the blame for the lacking dramatics. Certainly an enjoyable, generally impressive film.

Rating:- ****/*****