Nosferatu the Vampyre (1979)

Count Dracula moves from Transylvania to Wismar, spreading the Black Plague across the land. Only a woman pure of heart can bring an end to his reign of horror.

Director:

Werner Herzog

Writer:

Werner Herzog (book)

Stars:

Klaus Kinski, Isabelle Adjani, Bruno Ganz

5 wins & 8 nominations.

Cast

Cast overview, first billed only:
Klaus Kinski	...	Count Dracula
Isabelle Adjani	...	Lucy Harker
Bruno Ganz	...	Jonathan Harker
Roland Topor	...	Renfield
Walter Ladengast	...	Dr. Van Helsing
Dan van Husen	...	Warden
Jan Groth	...	Harbormaster
Carsten Bodinus	...	Schrader
Martje Grohmann	...	Mina
Rijk de Gooyer	...	Town official (as Ryk de Gooyer)
Clemens Scheitz	...	Clerk
Lo van Hensbergen	...	Harbormaster's Assistent
John Leddy	...	Coachman
Margiet van Hartingsveld	...	Vrouw
Tim Beekman	...	Coffinbearer

Storyline

Jonathan Harker is sent away to Count Dracula's castle to sell him a house in Wismar where Jonathan lives. But Count Dracula is a vampire, an undead ghoul living off of men's blood. Inspired by a photograph of Lucy Harker, Jonathan's wife, Dracula moves to Wismar, bringing with him death and plague... An unusually contemplative version of Dracula, in which the vampire bears the curse of not being able to get old and die.

---

Plot Keywords:

vampire | plague | transylvania | rat | melancholy | 

---

Genres:

Horror

---

Certificate:

PG

Details

Country:

West Germany France

Language:

German English Romany

Release Date:

17 January 1979 (France)

Also Known As:

Nosferatu the Vampyre

Filming Locations:

Tatra Mountains, Slovakia

Box Office

Cumulative Worldwide Gross:

$5,190,818

Company Credits

Production Co:

Werner Herzog Filmproduktion, Gaumont, Zweites Deutsches Fernsehen (ZDF)

Technical Specs

Runtime:

107 min 96 min (theatrical)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Originally Werner Herzog intended to film the Transylvanian scenes in Transylvania and even scouted and decided upon locations, but the Romanian government under the communist dictator Nicolae Ceausescu would not allow a the production of a film that associated Vlad II. Dracul - the namesake of the Bram Stoker's vampire - with anything but a heroic national hero.

---

Goofs

As Lucy Harker walks into the town square, she passes a 1970s single strut town bench concreted into the cobbles, and double yellow lines (no parking). When Lucy Harker shuts the front door of her house, there is a yale lock on it.

---

Quotes

Count Dracula: [Hearing howling] Listen...
[More howling]
Count Dracula: Listen. The children of the night make their music.

---

Connections

Referenced in The Phantom Hour (2016)

---

Soundtracks

Der Ruf der Rohrflöte
(uncredited)
(Featured in German and American film versions)
Written by Florian Fricke
Performed by Popol Vuh

User Reviews

The Most Complete of Vampire Films

The vampire genre has seen its share of lackluster films. Indeed, the centerpiece of the grand tradition, the Dracula legend, has seen so many remakes and revisionist attempts that one would be hard pressed to find a version of the tale that is original in its telling. Dracula, like it or not, is a cornerstone of Western society. And it is wholly unfortunate that Bela Lugosi is considered THE Dracula (although Hammer fans may contend that Christopher Lee holds the title since he played the good Count over twenty times).

With Werner Herzog's "Nosferatu: Phantom der Nacht" (also known as "Nosferatu: The Vampyre"), the old Hollywood rules seem to have been thrown out the window in favor of F.W. Murnau's striking silent film, the 1922 masterpiece "Nosferatu: Eine Symphonie der Grauens" ("Nosferatu: A Symphony of Terror"). While many purists of the genre balk at the idea of favoring the Nosferatu tale over the time-tested Tod Browning and Terence Fisher entries, one must realize that the cape-clad widow's peak Count has been sullied by a thousand parodies over time, and is simply not a frightening entity any longer. This was a matter much pondered by Francis Ford Coppola when considering his adaptation. While Gary Oldman's portrayal was serviceable and definitely different, something key was lacking from the tale.

This is what Herzog and his long-time "trouble and strife" lead man Klaus Kinski found when they ventured upon the "Nosferatu" remake. Herzog shifted the attention of the viewer away from the plot, which acts mostly as a backdrop for the imagery, and made it so the primary intake becomes a visual one. Kinski's Dracula is not the scowling insect of the Murnau film. He portrays the Count in a way that no other actor has quite grasped. In this film, Dracula is a suffering being, loathing every moment of his curse's continuation. Of course, as the good Count himself states, "Young men. You are like the villagers. and cannot place yourself in the soul of the hunter." The vampyre is trapped by his instincts, and Kinski's eyes betray harrowing madness (as they did in "Aguirre, der Zorn Gottes"), spiteful malice, and a sorrow so bottomless it defies description. It is as if the beast wishes to weep, but has forgotten how.

Filming on location in Germany, Herzog uses the same dreamlike camera angles, mixing them with a rich color palette and masterful lighting. There is a certain uneasiness that filters outward from the screen as you watch. As Jonathan Harker explores his surroundings during his lodging at Castle Dracula, there is inexplicably a young gypsy boy incessantly playing a scratchy violin under the archway. The surreality of the picture is only matched by its attention to the dark magic of the vampire. Like its predecessor, it actually seems to believe in the creatures, and respects them. It holds the legend, the plight of the people of Wismar, and the plight of the Count himself in deep reverence.

What can be extracted from the dialogue and plot is that this is not your average bloodsuckers extravaganza. In fact, the good Count only sets his fangs to the throat of the living once on screen, and when that occurs, it lends more of a feeling of sacrifice and sorrow than of terror. Indeed, the tone of the film is driven toward tragedy, and does not shift its course. One of the film's more telling moments is when Dracula, alone with Harker's beloved Lucy, ventures to plead with the beautiful lady, "Will you come to me. become my ally? Bring salvation to your husband. and to me. The absence of love. is the most abject pain." When she refuses, he does not lash out or decide to make a meal of her then and there. He instead moans with the intonation of a wounded animal and slinks off into the night.

"Nosferatu: Phantom der Nacht" is the most complete of vampire films, and towers over the genre. It could be considered a pity that the only film that sits upon its coattails is its predecessor of the same name. Under Herzog's direction (wisely choosing to avoid remaking classic shots), we get an entirely different film that exudes an entirely different feeling. It not only maintains the eerie horror that the genre deserves, but also achieves a beauty and mystique that has been lost over the years. A must-see.