Biographical story of Loretta Lynn, a legendary country singer that came from poverty to worldwide fame. She rose from humble beginnings in Kentucky to superstardom and changing the sound and style of country music forever.
Emma is a divorced woman with a teen-aged son who moves into a small town and tries to make a go of a horse ranch. Murphy is the widowed town druggist who steers business her way. Things ... See full summary »
Like a lot of her family before her, Norma Rae works at the local textile mill, where the pay is hardly commensurate with the long hours and lousy working conditions. But after hearing a rousing speech by labor activist Reuben, Norma is inspired to rally her fellow workers behind the cause of unionism. Her decision rankles her family, especially her fiancé, Sonny, and provokes no shortage of contempt from her employers.Written by
The film is based on a real-life union organizing campaign at J.P. Stevens Mill in Roanoke Rapids, North Carolina. Norma Rae is based on Crystal Lee Sutton. Reuben Warshowsky, the union organizer, is based on Eli Zivkovich, a 55-year-old former West Virginia coal miner. In 1974, thanks to the efforts of Sutton and Zivkovich, workers at J.P. Stevens Mill voted to join the Amalgamated Clothing and Textile Workers Union. However, it took 10 years for the union to get a contract. Some real-life events are re-created verbatim in the movie, including Norma Rae holding up the "UNION" sign and the plant workers shutting down their machines, and Norma Rae waking up her children to tell them about her relationships with their fathers. See more »
In Reuben's hotel room, after Norma Rae has been hit, she takes an ice pack away from her nose. When the shot changes she takes it away a second time. See more »
More than one actress's tour-de-force, an indelible and moving human story
In trying to get the textile mill she and her family work for unionized, Sally Field's Norma Rae Webster also tries to earn self-respect at any cost. She's been leading a dead-end existence: a single mother, still living with her family, sleeping with married men who abuse her. But after being inspired by a union-organizer (Ron Liebman, in an Oscar-worthy supporting performance), Norma Rae is awakened to the possibilities of life, and, what's more, everything that is wrong with the mill that seems to suck the energy and hope from those who stand there day after day trying to earn an honest dollar. There are problems with the picture: Beau Bridges' role as new husband Sonny is treated in a trivial manner (he's supposed to be a voice of reason, but he's too smooth, maybe condescending, and it's an unconvincing character); Oscar-winner Field's fiestiness occasionally feels overdrawn and/or one-note, but in many of the scenes outside the factory she does indeed excel, seeming vibrantly natural and exuberant. Martin Ritt's direction is focused and firmly rooted (he never sugarcoats Norma Rae's character, and sometimes she's not that likable) and the script manages to sidestep preachiness to get its points across entertainingly. The art direction is really the second star of the film: vivid, palpably hot and sweaty, with bits of cotton floating about in the air. The mill in question becomes very familiar to us, as do the people who work there. "Norma Rae" is involved and long, yet it is memorably bittersweet, and with a simple, haunting finish. *** from ****
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