An unimpressive but well intending man is given the chance to marry a popular actress, of whom he has been a hopeless fan. But what he doesn't realize is that he is being used to make the actress' old flame jealous.
At the height of his fame, Oscar Wilde angers the Marquis of Queensberry by having what is (correctly) believed to be a romantic relationship with Queensberry's son Lord Alfred Douglas ("... See full summary »
Sickened to see his students always sleeping in class, a teacher with a colleague and an anarchist start a war against the television. They climbed on Paris roofs to coat the T.V. antennas ... See full summary »
Although Sherlock Holmes is a fictional character, and Sir Arthur Conan Doyle never wrote a story about Jack the Ripper, the idea of Holmes working on that case is not entirely without basis in fact. Joseph Bell, who inspired the character of Sherlock Holmes, was consulted by Scotland Yard on the case. See more »
About 90 minutes into the film, Holmes and Watson are looking for Mary Kelly and walk past a sign with a bell-shaped logo. After a right turn and a left turn, they are shown walking under the same sign. The street is shown from a different angle and dressed up with a cart to make it seem like a different block, but it is clearly the same part of the set seen few seconds earlier even though the characters were shown to be walking away from it. See more »
When people are frightened, they turn to God, and when they have no help from him, they look to the Devil.
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Several sources, including a loud and proud quotation on the DVD-cover itself, claim that "Murder by Decree" is the best Sherlock Holmes movie ever made. Like most opinions are, this is highly debatable. Me personally, for example, I'm a big fan of the 1940's Holmes series starring Basil Rathbone as the superiorly intelligent detective and Nigel Bruce as his goofy sidekick Dr. Watson. Some of the entries in that franchise, like "The Scarlet Claw" and "House of Fear" to name just two, are near-brilliant and, in my humble opinion, even better than this film. One fact that remains inarguable, however, is that "Murder by Decree" is the most special and unclassifiable Sherlock Holmes movie ever made. The script actually takes the fictional characters created by Arthur Conan Doyle and places them amidst all the convoluted speculations and grotesque conspiracy theories surrounding the mystery of the unsolved Jack the Ripper murders. "A Study in Terror" was the first attempt to blend the characters of Holmes and Jack the Ripper, nearly fifteen years earlier in 1965, but Bob Clark's film digs a whole lot deeper and makes a lot more efforts to come across as plausible and convincing. "Murder by Decree" is a unique Sherlock Holmes film for yet another reason, namely the depiction of our heroic protagonists. Christopher Plummer portrays the most humane Holmes in history, with a regular sense of humor instead of witty remarks that ooze with superiority as well as feelings sadness and compassion. He even wipes away an emotional teardrop at one point! On the other hand, there's James Mason illustrating the most anti-stereotypical Watson ever, as his lines and contributions are sharp and savvy instead of silly. Sherlock Holmes is called in for help by the Whitechapel store owners after the third Jack the Ripper murder. The crimes are despicable and the locals fear that the police aren't making enough efforts to capture the killer since the victims are "only" prostitutes working in a poor London neighborhood. Thanks to his amazing investigating talents, careful observing senses and stupendous deductive skills, Holmes gradually uncovers a complex conspiracy that almost solely involves elite culprits like politicians, Freemasons and even British royals. He has to operate with extreme caution, though, as his investigation might lead the Ripper to more targeted victims. The script of "Murder by Decree" is clever. Too clever, in fact, as I presume you're not even supposed to guess along for the Ripper's identity. Holmes is always several steps ahead of you and the film ends with a long monologue in which the detective explains the entire murderous scheme – in great detail – to a trio of eminent conspirators. Although puzzling, the story remains fascinating and absorbing the whole time. Bob Clark, a multi-talented genre director especially in the seventies, also masterfully captures the exact right Victorian ambiance. The film is literally filled with dark and foggy London alleys, uncanny old taverns and marvelous horse carriages. I only detected a couple of minor details, actually, and they're mainly personal opinions. The film doesn't properly epitomize the "horror" of the Jack the Ripper case (hardly any nasty images or sinister moments) and the sub plot revolving on Donald Sutherland as a paranormally gifted witness affects the credibility in a negative sort of way.
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