While living the quiet life in a swamp, Kermit the Frog is approached by a Hollywood agent to audition for the chance of a lifetime. So Kermit takes this chance for his big break as he makes the journey to Hollywood. Along the way, Kermit comes across several quirky new friends including comedic Fozzie Bear, beautiful but feisty Miss Piggy, and the Great Gonzo. But Kermit must also watch out for ruthless Doc Hopper, who plans to use him as his spokesman for his frog legs food chain.Written by
"I Hope That Somethin' Better Comes Along" is a rare duet between Rowlf and Kermit, because Jim Henson usually performed both characters. Kermit, a simple "glove" puppet, could be operated with one hand, but because of his design, Rowlf required two performers: Henson's right hand would control the mouth, his left hand would control Rowlf's left hand, while another puppeteer would operate the right hand--meaning that in order to perform both roles at once, Henson would need three hands. In order to achieve the duet, the two tracks were recorded separately by Jim, and then combined into one. Henson and another puppeteer performed Rowlf (who required a more dynamic performance), while Kermit, who only had to sit and "lip-sync" the number, was taken over by a third puppeteer, marking one of the rare times Henson entrusted Kermit's performance to someone other than himself. See more »
The colors of Gonzo's balloons change and rearrange during his flight. See more »
I'm Waldorf. We're here to heckle "The Muppet Movie".
Gentlemen, that's straight ahead. Private screening room D.
Yeah, they're afraid to show it in public.
[they laugh as their car proceeds forward]
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Over first few credits, Sweetums bursts out of the screen, followed by many Muppet gags See more »
A scene in which Fozzie Bear is menaced by a sailor brandishing a broken bottle was cut by the New Zealand censors as being too violent for children. See more »
Write your own ending: Existential awareness in hand puppets
In many ways, the perfect movie. The "Incredible Journey" and Horatio Alger tale come together for a positive spin on the usually depressing subject of existentialism. In essence, the travails of the muppets boil down to the finale song of the movie: "Life's like a movie, write your own ending, keep believing, keep pretending." They create their own reality, which has all the trappings of every epic tale: a lofty goal at the end of what is necessarily a obstacle-laden journey; an ever-increasing group of like-minded individuals for camaraderie; a nasty set of villians who are not beyond all redemption; and a big-budget Hollywood ending because, darn it all, they CAN.
Only Jim Henson could pull this off. He walks the line between sentimentality and philosophy without swerving too long or too hard into either. Of course it seems odd that invest such weight into a film starring puppets, but in the end perhaps they are the perfect, uh, puppet to make these points. The movie's atmosphere allows for the pure enjoyment of the Hollywood dream, the "happy" ending, unnecessary cameos, and bursting into song at the drop of a hat. Usually these aspects are anathema to quality in film, but the self-deprecating manner under which the story is delivered makes for guilt-free viewing. One of the few films that can truly be called "suitable for all ages."
The other muppet-related films (including "The Empire Strikes Back"), while palatable, do not touch the simple grace of this film. Take, for instance, the musical number "Hope that Something Better Comes Along," the duet of Kermit and Rowlf. Amusing in its vaudevillian goofiness, yet makes a bitingly crucial point about the motivations behind life choices. Brilliant.
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