Gonzo is contacted by his alien family through his breakfast cereal. But when the men in black kidnap him, it's up to Kermit and the gang to rescue Gonzo and help him reunite with his long-lost family.
Big Bird is sent to live far from Sesame Street by a pesky social worker. Unhappy, Big Bird runs away from his foster home, prompting the rest of the Sesame Street gang to go on a cross-country journey to find him.
While living the quiet life in a swamp, Kermit the Frog is approached by a Hollywood agent to audition for the chance of a lifetime. So Kermit takes this chance for his big break as he makes the journey to Hollywood. Along the way, Kermit comes across several quirky new friends including comedic Fozzie Bear, beautiful but feisty Miss Piggy and the Great Gonzo. But Kermit must also watch out for ruthless Doc Hopper, who plans to use him as his spokesman for his Frog Legs food chain.Written by
It took three Kermit the Frogs to do the opening "Rainbow Connection" scene. One of the Kermits used in "The Rainbow Connection" was a mechanical; you can tell by the way it strums the banjo, and the colors of Kermit's "skin". See more »
When Fozzie and Kermit the Frog are looking at the map, before they run off the road at the church, the road in the background makes two turns, but the steering wheel stays in basically the same position. See more »
I'm Waldorf. We're here to heckle "The Muppet Movie".
Gentlemen, that's straight ahead. Private screening room D.
Yeah, they're afraid to show it in public.
[they laugh as their car proceeds forward]
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Over first few credits, Sweetums bursts out of the screen, followed by many Muppet gags See more »
The theatrical and Magnetic Video releases show the Associated Film Distribution logo and a Rated G MPAA rating screen after the credits. But on further releases, the AFD logo is plastered by the Jim Henson Pictures logo, and the rating screen is edited out. See more »
Misunderstood classic remains one of Henson's finest and most personal films. It may seem funny to call a movie as beloved as this one 'misunderstood,' but people do seem to remember this one mostly for Jerry Juhl's snappy screenplay and Paul Williams's knockout songs. Now while these things are admittedly great, as is the movie's formal playfulness (screenplay-within-the-screenplay, film break, etc.), what distinguishes 'The Muppet Movie' from the other Muppet films is the serious, wistful thread that runs through the picture. It's a road movie, all right, but like most road movies, the pleasure is in the getting there, and the achievement of the characters' goals is tempered by uncertainty, and by the knowledge that they can never really go back again. Throughout the film, we are shown the down side of show business, even before the Muppets have 'made it': Piggy abandons Kermit without a second thought at a phone call from her agent, Gonzo expresses the loneliness and regret of a performer's life on the road in his haunting 'I'm Going to Go Back There Someday,' and, worst of all, Kermit is continually tortured and tested by Doc Hopper, who wants him to commercialize his art for the unholiest of purposes. (One can only wonder what Henson would have made of his family's management of the company after his death.) Kermit himself agonizes over his choices in the desert conversation scene, and the final 'Magic Store' number questions whether it's all been worth it, before concluding that it probably doesn't matter either way. All this is punctuated with the expected Muppet chaos and satire and deliciously awful jokes, and of course the serious stuff wouldn't work if it weren't. But 'The Muppet Movie' isn't just another jokefest, as the rest of the diminishing-return Muppet films would become. No, it's a lovely, gentle metaphor about the relationship between art and entertainment and business, and it's every bit as effective today as it was 25 years ago. 9.5 out of 10.
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