A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
James Bond is back for another mission and this time, he is blasting off into space. A spaceship traveling through space is mysteriously hi-jacked and Bond must work quickly to find out who was behind it all. He starts with the rockets creators, Drax Industries and the man behind the organisation, Hugo Drax. On his journey he ends up meeting Dr. Holly Goodhead and encounters the metal-toothed Jaws once again.Written by
Sir Roger Moore arrived a few days late for the shoot in Rio de Janeiro, Brazil, due to a kidney stones attack in France. Moore had also had a renal colic attack while filming Live and Let Die (1973). Once he arrived in Rio, he literally walked off the plane, went into make-up and hair, got fitted out, went back onto the plane, and was then filmed arriving in Rio as James Bond for the movie. See more »
During the initial airplane fight scene where Bond and the pilot are fighting in the open door, during an external shot, the outline of the parachute under Bond's coat is obvious. See more »
How are we doing, Richard?
We should pass over the English coast 15 minutes ahead of time, sir.
Wow! With this load on our back, that's good going.
Just trust the RAF, sir.
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[Filmed at ...] Pinewood Studios (London) and on location in Italy, Brazil, Guatemala, U.S.A. and Outer Space! See more »
"Moonraker" was the most expensive Bond ever, but after the success of "The Spy Who Loved Me", the producers were confident enough to take a step into the top budgets, also contemplating that after the blockbuster hit "Star Wars", a technical show up in space would sell. The movie was an immediate success, but apparently didn't become one of the most popular for the fans in long term, admittedly it has a few ups and downs. A very silly bit is the gondola, driving on land in Venice. The centrifuge, on the other hand, was a terrific idea. The opening sequence is a classic again: Bond falls out of a plane without a parachute, so he has to get one on the way down! The duel between Bond and Jaws (returned from "The Spy Who Loved Me") in the dizzying height of the cable railway is breathtaking. So is the beauty of Corinne Clery; not easy for Lois Chiles afterwards to get Bond's attention, but "take me around the world one more time" is a beautiful line. We get a Goldfinger type of villain again, a more sophisticated person though: Drax meets Bond early on, we know he's the bad guy, but we don't know what his plan is. The musical score of "Moonraker" includes quite a few ironic comments, but the western reference was a bit too obvious. The set design for Drax' base is remarkably different from the rocket base in "You Only Live Twice". While the latter was covering a huge round crater, Drax' controls in "Moonraker" are crammed in a rather narrow triangle room, but with a hundred screens nonetheless.
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