Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to ...
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A Swiss sailor jumps ship in Lisbon, tired of the noisy engine room, the ship "a floating factory of crazy people." He rents a room and does little. He writes letters to his lover, ... See full summary »
Two men, arty though somewhat staid, are drawn to the spirited and quixotic Rosemonde, a young working-class woman whom they meet because they're writing a teleplay about a minor but ... See full summary »
The European equivalent of "The Return of the Secaucus 7," this Swiss film looks at the lives of several men and women in their 30s as they confront the slim gains of the "revolutionary" ... See full summary »
On the 100th anniversary of the founding of a watchmaking company in Geneva, Charles Dé the founder's 50-year-old grandson has had it: he speaks eccentrically to a reporter, recognizing his... See full summary »
Paul is married, a successful engineer, and a conservative candidate in an upcoming local election. He falls in love with Adriana, a café waitress from Italy. Paul's party is very critical ... See full summary »
An ode to liberated speech and to the power of words, "those one speaks to others, those one speaks in silence", Alain Tanner's third film is inspired by a poet and a poetic text which deeply affected him as a young director.
Two young women from very different backgrounds journey into the countryside seeking respite from unsatisfactory lives and relationships, but ultimately find that there is no way back to the world they once knew.Written by
Mark Doran <email@example.com>
Messidor is not only the original Thelma and Louise, in my opinion, it is far more realistic and believable in its plotting and action. I thoroughly enjoyed the film from start to finish and would recommend it to anyone who enjoyed Thelma and Louise. However, the film also shows more of the realistic but negative side of the life of fugitives... though the cinematography of Messidor is fantastic, with panoramic views of the Swiss countryside, some of the longer visual sequences may seem extraneous to those who might be anticipating non-stop action. Yet the game of adventure that the girls play lacks the aftertaste of Hollywood artifice, seeming truly spontaneous, natural, and creating a more lasting impact with the resulting consequences. Moreover, the film's dialogue and characterization are strong. Having seen Messidor, I can now understand why this film is considered a classic.
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