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Manhattan (1979)

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The life of a divorced television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.

Director:

Woody Allen
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Popularity
4,654 ( 194)
Nominated for 2 Oscars. Another 15 wins & 21 nominations. See more awards »

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Cast

Cast overview, first billed only:
Woody Allen ... Isaac
Diane Keaton ... Mary
Michael Murphy ... Yale
Mariel Hemingway ... Tracy
Meryl Streep ... Jill
Anne Byrne Hoffman ... Emily (as Anne Byrne)
Karen Ludwig ... Connie
Michael O'Donoghue ... Dennis
Victor Truro Victor Truro ... Party Guest
Tisa Farrow ... Party Guest
Helen Hanft ... Party Guest
Bella Abzug Bella Abzug ... Guest of Honor
Gary Weis Gary Weis ... Television Director
Kenny Vance Kenny Vance ... Television Producer
Charles Levin Charles Levin ... Television Actor #1
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Storyline

Forty-two year old Isaac Davis has a romanticized view of his hometown, New York City, most specifically Manhattan, as channeled through the lead character in the first book he is writing, despite his own Manhattan-based life being more of a tragicomedy. He has just quit his job as a hack writer for a bad television comedy, he, beyond the ten second rush of endorphins during the actual act of quitting, now regretting the decision, especially as he isn't sure he can live off his book writing career. He is paying two alimonies, his second ex-wife, Jill Davis, a lesbian, who is writing her own tell-all book of their acrimonious split. The one somewhat positive aspect of his life is that he is dating a young woman named Tracy, although she is only seventeen and still in high school. Largely because of their differences a big part of which is due to their ages, he does not see a long term future with her. His life has the potential to be even more tragicomical when he meets journalist Mary... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

Woody Allen's New Comedy Hit

Genres:

Comedy | Drama | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

25 April 1979 (USA) See more »

Also Known As:

Manhetenas See more »

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Box Office

Budget:

$9,000,000 (estimated)

Opening Weekend USA:

$485,734, 29 April 1979, Limited Release

Gross USA:

$45,700,000
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Included among the American Film Institute's 1998 list of the 400 movies nominated for the Top 100 Greatest American Movies. See more »

Goofs

Mark Linn-Baker appears to be credited as Mary Linn-Baker. See more »

Quotes

[first lines]
[music: the opening of Gershwin's Rhapsody in Blue. Voiceover]
Isaac Davis: Chapter One. He adored New York City. He idolized it all out of proportion. Eh uh, no, make that he, he romanticized it all out of proportion. Better. To him, no matter what the season was, this was still a town that existed in black and white and pulsated to the great tunes of George Gershwin. Uh, no, let me start this over.
Isaac Davis: Chapter One: He was too romantic about Manhattan, as he was about everything else. He thrived on...
[...]
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Crazy Credits

One of the very few Woody Allen films to not have traditional opening credits, save the production company bumper (United Artists), and the film title MANHATTAN is seen as a long vertical flashing bright neon sign, located on the side of a New York City building, and is seen for under seven seconds just before Woody Allen narrates his first line. See more »


Soundtracks

I've Got a Crush on You
(1930)
Music by George Gershwin
Performed by New York Philharmonic (as The New York Philharmonic)
Music director: Zubin Mehta
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Frequently Asked Questions

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User Reviews

 
Not as I remembered
17 February 2003 | by TonyG-7See all my reviews

On the basis of one viewing about 20 years ago, I always considered this my favorite Woody Allen film. Upon further review, I am not so impressed. The cinematography is wonderful (I'm a sucker for New York, too), the acting is ok (Mariel Hemingway better than ok), and there are some good one liners, but, overall I found it boring and self-indulgent, especially in the directing. This film has no real reason for being...it's ultimately inconsequential. That makes me sad and now I have to watch my other favorites to see if they hold up. I still have hopes for Hannah, Misdemeanors, Purple Rose, & Love & Death. This one isn't in the pantheon anymore.


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