In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.
- Awards
- 7 wins & 8 nominations
Storyline
Did you know
- TriviaMost of the extras used in the film were paid in beer.
- GoofsWhen Jessie walks to the car Max is repairing she is wearing sneakers. When she walks around to the passenger side of the car she has on boots with sheepskin trim. When she walks off to the beach she is wearing the deck shoes again.
- Quotes
[the Kid is handcuffed to a car that's about to explode]
Max: The chain in those handcuffs is high-tensile steel. It'd take you ten minutes to hack through it with this. Now, if you're lucky, you could hack through your ankle in five minutes. Go.
[the hacksaw is dropped next to The Kid, and Max limps off]
- Alternate versionsThe original UK cinema and certified video releases (American dub) were cut by 48 seconds by the BBFC to keep an X (18) rating and to prevent the film from being banned, as X was the highest rating. They edited the scene where the bikers tear up the hot-rod with the terrified couple inside. Instead, the scene cut to black as the bikers smashed the first window and resumed on the bird hovering overhead. Though the original uncertified 1982 video release of the American dub from Warner Home Video was released uncut, the cut was re-instated on the 1986 18-rated VHS, but was restored in 1992 when the Australian dialogue version was finally released in the UK and to all later releases with the same rating (although Warner's budget labels SCREEN CLASSICS still put out the American dub with the cut scene well into the 90s). In April 2015, the film was passed with a 15 rating uncut, because of "(the scene's) implied nature and lack of visual detail of the acts themselves". The same reason was given for passing it at 18 uncut back in 1992.
- ConnectionsEdited into Mad Max 2: The Road Warrior (1981)
- SoundtracksLicorice Road
(uncredited)
Written and Produced by Nic Gazzana
Performed by Robina Chaffey
Sung by Creenagh St. Clair
Featured review
A Rawness That's Hard to Beat
Mad Max (1979) *** (out of 4) Set in Australia in the near future, the country is pretty much lawless with only a few police officers trying to protect what's left. A vicious and cruel motorcycle gang pretty much rule the streets but they make a mistake when they attack the family of a cop named Max (Mel Gibson).
George Miller's MAD MAX was a pretty big success when it was first released and it's easy to see why because when it was released in America there really hadn't been anything like it before. I'm not sure you'd consider this Ozploitation but there's no question that Miller brought a new type of hero to the screen and he also managed to create some of the most intense action scenes that you're ever going to witness. The story itself really isn't anything we haven't seen before but there's no question that there's a certain raw nature that makes the film impossible not to like.
What really sets the film apart is the style that Miller brings to it. More times than not there are just sequences that eventually fade to black and then a new one will start up.
This really works in the film because each sequence tries to out-do what came before it and it quickly builds up to a rather violence but very memorable ending. The style of the film also shines during the action sequences, which are downright thrilling to say the least. There are countless car chases, crashes and motorcycle chases but none of these scenes are built through editing. Instead, we get very long sequences where the action pretty much unfolds in front of our eyes with the camera usually staying in one place and the action coming to it.
There are several times where the camera is stationed in a fast moving car that shows you have fast everything is going and then the "action" cars speed up and move past the camera at an even fast speed. This here just creates a very realistic feel to where you know you're watching a movie but at the same time you're waiting for some stunt to go wrong. It's rather amazing to watch these stunts and be amazed that no one was killed. These action scenes are certainly the highlight of the picture and it leads to a terrific ending.
The performances are another plus here as Gibson is extremely good in the role of the cop who turns "mad" at the end. I thought Gibson was very believable in the early scenes as the normal guy and even better towards the end. The supporting players like Joanne Samuel, Steve Bisley, Hugh Keays-Byrne and the rest of the actors playing the motorcycle creeps are all very good.
MAD MAX has been copied and imitated countless times since it's release but it remains a high-speed and intense action picture that still has a rawness that makes it quite original.
George Miller's MAD MAX was a pretty big success when it was first released and it's easy to see why because when it was released in America there really hadn't been anything like it before. I'm not sure you'd consider this Ozploitation but there's no question that Miller brought a new type of hero to the screen and he also managed to create some of the most intense action scenes that you're ever going to witness. The story itself really isn't anything we haven't seen before but there's no question that there's a certain raw nature that makes the film impossible not to like.
What really sets the film apart is the style that Miller brings to it. More times than not there are just sequences that eventually fade to black and then a new one will start up.
This really works in the film because each sequence tries to out-do what came before it and it quickly builds up to a rather violence but very memorable ending. The style of the film also shines during the action sequences, which are downright thrilling to say the least. There are countless car chases, crashes and motorcycle chases but none of these scenes are built through editing. Instead, we get very long sequences where the action pretty much unfolds in front of our eyes with the camera usually staying in one place and the action coming to it.
There are several times where the camera is stationed in a fast moving car that shows you have fast everything is going and then the "action" cars speed up and move past the camera at an even fast speed. This here just creates a very realistic feel to where you know you're watching a movie but at the same time you're waiting for some stunt to go wrong. It's rather amazing to watch these stunts and be amazed that no one was killed. These action scenes are certainly the highlight of the picture and it leads to a terrific ending.
The performances are another plus here as Gibson is extremely good in the role of the cop who turns "mad" at the end. I thought Gibson was very believable in the early scenes as the normal guy and even better towards the end. The supporting players like Joanne Samuel, Steve Bisley, Hugh Keays-Byrne and the rest of the actors playing the motorcycle creeps are all very good.
MAD MAX has been copied and imitated countless times since it's release but it remains a high-speed and intense action picture that still has a rawness that makes it quite original.
helpful•72
- Michael_Elliott
- May 14, 2015
Reboots & Remakes
Reboots & Remakes
Take a side-by-side look at some of Hollywood's biggest reboots and remakes.
Details
- Release date
- Country of origin
- Language
- Also known as
- Bolides hurlants
- Filming locations
- Seaford Beach, Seaford, Victoria, Australia(Toecutter gang beach scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $300,000 (estimated)
- Gross US & Canada
- $8,750,000
- Gross worldwide
- $8,773,197
- Runtime1 hour 28 minutes
- Sound mix
- Mono(original release)
- DTS
- Dolby Digital
- Aspect ratio
- 2.39 : 1
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