In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.In a self-destructing world, a vengeful Australian policeman sets out to stop a violent motorcycle gang.
- Awards
- 6 wins & 8 nominations total
Featured reviews
Dr. George Miller's low budget Mad Max franchise impacted on Australian culture and altered the perception of Australia and Australians overseas in a way that no other Australian film had done. The films explores themes such as 'man and the environment', 'fear provoking post-apocalyptic future, family', 'masculinity in crisis', 'good versus evil (Max as an iconic hero), Australian ethos and car culture; themes often featured within Australian films yet presented in a stark and dramatic way. The cinematographic impact is powerful; the human and emotional appeal is timeless.
Australia's barren deserts presented the ideal setting for a post-apocalyptic environment. The film set is more identifiable as Australia as it was filmed around the city of Melbourne. Long deserted roads feature significantly in the film and the cinematographic device of taking long distant shots of Max demonstrates how small he is in the scale of the environment that he is living. It is a relentless, unforgiving environment which demands defeat or survival and marks the characters which play upon its stage.
Just as the physical setting is stark and desolate, the time setting and its associated events create an atmosphere of fear and foreboding which plays on the minds and emotions of contemporary viewers. In this fear provoking post apocalyptic future the few survivors of the nuclear holocaust are in warfare with one another, the rebel bikers and the police.
Good versus evil is a dominant discourse in many film genres and one which embraces the Australian ethos. Max possesses some highly valued "Australian" traits; in particular, those of the underdog, the battler, the hero. External forces beyond his control stop him from "winning" completely. Contrary to the Hollywood hero, the Australian hero is a pawn in the game of others, which explains why Max can never quite "win" in absolute terms. There is little public glorification of success in Australia; heroes are remembered for their style rather than for their achievements. (Venkatasawmy, 1996) Mad Max represented a tradition hero, a hero to whom many diverse cultures are able to relate, as a story of a lone hero is a story that goes back through centuries of storytelling, and as a consequence the film achieved colossal success within Australian and around the world. The Australian cultures and lifestyles shown throughout these films give Australians an understanding of their country in the landscape, the language, and the way we treat people, life and life in exceptional circumstances.
Reference Venkatasawmy, R. (1996), Australian Film in the Reading Room: The Hybridity of Film-making in Australian National Cinema: Formulating a Cinematic Post-Diaspora. Retrieved March 14, 2005, from http://wwwmcc.murdoch.edu.au/ReadingRoom/rama/CHAPT4.htm
Australia's barren deserts presented the ideal setting for a post-apocalyptic environment. The film set is more identifiable as Australia as it was filmed around the city of Melbourne. Long deserted roads feature significantly in the film and the cinematographic device of taking long distant shots of Max demonstrates how small he is in the scale of the environment that he is living. It is a relentless, unforgiving environment which demands defeat or survival and marks the characters which play upon its stage.
Just as the physical setting is stark and desolate, the time setting and its associated events create an atmosphere of fear and foreboding which plays on the minds and emotions of contemporary viewers. In this fear provoking post apocalyptic future the few survivors of the nuclear holocaust are in warfare with one another, the rebel bikers and the police.
Good versus evil is a dominant discourse in many film genres and one which embraces the Australian ethos. Max possesses some highly valued "Australian" traits; in particular, those of the underdog, the battler, the hero. External forces beyond his control stop him from "winning" completely. Contrary to the Hollywood hero, the Australian hero is a pawn in the game of others, which explains why Max can never quite "win" in absolute terms. There is little public glorification of success in Australia; heroes are remembered for their style rather than for their achievements. (Venkatasawmy, 1996) Mad Max represented a tradition hero, a hero to whom many diverse cultures are able to relate, as a story of a lone hero is a story that goes back through centuries of storytelling, and as a consequence the film achieved colossal success within Australian and around the world. The Australian cultures and lifestyles shown throughout these films give Australians an understanding of their country in the landscape, the language, and the way we treat people, life and life in exceptional circumstances.
Reference Venkatasawmy, R. (1996), Australian Film in the Reading Room: The Hybridity of Film-making in Australian National Cinema: Formulating a Cinematic Post-Diaspora. Retrieved March 14, 2005, from http://wwwmcc.murdoch.edu.au/ReadingRoom/rama/CHAPT4.htm
Mel Gibson is Mad Max in, well, "Mad Max!" This is the film that made Mel an international superstar. In his starring debut, Mel plays Max, a leather-clad cop in the near future who fights to control security on the road from vicious bikers and road thugs. When the thugs lead by the psychotic Toecutter kill Max's wife and baby, our hero is livid with vengeance. Armed with his armor-plated muscle car and a sawed-off shotgun, Max wreaks turbo-powered revenge on the murderous punks.
Though a bit dated compared with the action films we have today, "Mad Max" still stands out as a very impressive movie. For one thing, this film had a tiny budget. Well, as proven in "El Mariachi," a movie doesn't need a $1 million budget if you have a creative story and imagination. "Mad Max" stands out as a classic low-budget flick that made it big without the intense u
Though a bit dated compared with the action films we have today, "Mad Max" still stands out as a very impressive movie. For one thing, this film had a tiny budget. Well, as proven in "El Mariachi," a movie doesn't need a $1 million budget if you have a creative story and imagination. "Mad Max" stands out as a classic low-budget flick that made it big without the intense u
Honestly I have to admit I was left slightly bewildered after watching this film for the first time in many many years.
I didn't really get the post apocalyptic vibe from this film, granted it's incredibly low budget but still it felt more like an outback set film.
I also found some of the musical choices a bit odd. The scenes with Max and his family had this TV movie vibe thanks to the bizarre choice of music. Also the music at times drowning out the dialogue was very off putting.
I did enjoy elements of this film, in particular the set pieces and action parts of this film, despite it being a low budget affair I have to say I was impressed. It's also worth bearing in mind this film was made in the late 1970's so for me that makes the action scenes all that more impressive.
Mad Max is a slightly odd low budget action flick that has a certain charm but is let down by down by questionable editing, musical score and acting.
I didn't really get the post apocalyptic vibe from this film, granted it's incredibly low budget but still it felt more like an outback set film.
I also found some of the musical choices a bit odd. The scenes with Max and his family had this TV movie vibe thanks to the bizarre choice of music. Also the music at times drowning out the dialogue was very off putting.
I did enjoy elements of this film, in particular the set pieces and action parts of this film, despite it being a low budget affair I have to say I was impressed. It's also worth bearing in mind this film was made in the late 1970's so for me that makes the action scenes all that more impressive.
Mad Max is a slightly odd low budget action flick that has a certain charm but is let down by down by questionable editing, musical score and acting.
Mad Max is 70's type of classic dystopian action film the film that started it all and became the first in a series that launches some awesome great sequels. Max Rockatansky is iconic hero till it's day he is a true legend. Mad Max settle Mel Gibson a sure path to superstardom this highly acclaimed crazy collide o-scope of highway of mayhem cinematically defined the post apocalyptic landscape. Featuring eye- popping stunts that are electrifying and very convincing and an authentically nihilistic spirit this unforgettable actioner from Director George Miller is pure cinematic poetry.
In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing Innocent civilians while tearing up the streets, the ruthless gang laughs in the face of police force hell-bent on stopping them. But they underestimate one officer: Max (Gibson). And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live for - revenge! Also staring Joanne Samuel,Hugh Keays-Byrne he later started in Mad Max: Fury Road as an Immortan Joe another villain. This actor is fantastic and makes TERRIFIC job of been one of the best villains in the movie history ever. Also starring Steve Bisley, this rugged race car of a film runs on comic book volatility... exhilarating, rowdiness and visual intensity.
I love this film not much as I love Mad Max 2: The Road Warrior and Mad Max: Furry Road but I still love it. The plot doesn't start until 1.hour ago after Max family is attacked and killed. I love Max's car V8 Interceptor, high speed chases action sequences, that I guarantee you want see in any Action film today. There is any cgi in this film I didn't see them at all. The chases between Max and Toecutter on a motorcycle is fantastic, the crash and death Toecutter scene is AWESOME. I love this movie, I love it. As an dystopian action film is a fantastic that remains a true classic till it's day. The film has one problem that is focusing on max and his love life which is drama that hurts the movie and the plot starts really slow in the film. And between the film becomes very boring.
The high speed chases on the road makes this movie interesting so that you don't fall asleep. I still don't get that hate for this film, some people are comparing Thunderdome to this film, clamming that is better than Mad Max is and this is the worst one and the weakest film in the franchise which is not. I highly disagree with all of the haters of this film. It Is still good so much better than Thunderdome ever was. I will always take this film over Thunderdome,I have tried many times to take this film as the best one in the series but I couldn't because it does have some problems.
NOTE: The film is not a revenge flick like some people are saying, it is a film about car and motorcycle gang on a road it is Australian post apocalyptic dystopian action film. 7/10 B-
In the ravaged near future, a savage motorcycle gang rules the road. Terrorizing Innocent civilians while tearing up the streets, the ruthless gang laughs in the face of police force hell-bent on stopping them. But they underestimate one officer: Max (Gibson). And when the bikers brutalize Max's best friend and family, they send him into a mad frenzy that leaves him with only one thing left in the world to live for - revenge! Also staring Joanne Samuel,Hugh Keays-Byrne he later started in Mad Max: Fury Road as an Immortan Joe another villain. This actor is fantastic and makes TERRIFIC job of been one of the best villains in the movie history ever. Also starring Steve Bisley, this rugged race car of a film runs on comic book volatility... exhilarating, rowdiness and visual intensity.
I love this film not much as I love Mad Max 2: The Road Warrior and Mad Max: Furry Road but I still love it. The plot doesn't start until 1.hour ago after Max family is attacked and killed. I love Max's car V8 Interceptor, high speed chases action sequences, that I guarantee you want see in any Action film today. There is any cgi in this film I didn't see them at all. The chases between Max and Toecutter on a motorcycle is fantastic, the crash and death Toecutter scene is AWESOME. I love this movie, I love it. As an dystopian action film is a fantastic that remains a true classic till it's day. The film has one problem that is focusing on max and his love life which is drama that hurts the movie and the plot starts really slow in the film. And between the film becomes very boring.
The high speed chases on the road makes this movie interesting so that you don't fall asleep. I still don't get that hate for this film, some people are comparing Thunderdome to this film, clamming that is better than Mad Max is and this is the worst one and the weakest film in the franchise which is not. I highly disagree with all of the haters of this film. It Is still good so much better than Thunderdome ever was. I will always take this film over Thunderdome,I have tried many times to take this film as the best one in the series but I couldn't because it does have some problems.
NOTE: The film is not a revenge flick like some people are saying, it is a film about car and motorcycle gang on a road it is Australian post apocalyptic dystopian action film. 7/10 B-
After not seeing it for about seven years, I just saw it on DVD for the first time. I remembered it as an exciting near-chaos-future adventure with highway cops in muscle cars and one insane biker gang. It's great how it keeps on standing the test of time. High speed and raw power are of every age, past and future. The way the highway action is shot in this movie simply stays exhilarating, putting it in the top ranking of best high-speed-chase movies ever. Seeing the camera follow the highway marker at high speed, along with the sound of a bike- or V8-engine delivers a Mad and chaotic but really cool result. The pace of the movie remains considerably high, without many slow moments.
Some aspects of the movie have (understandably) dated. Obviously the 70's clothing and hair styles. Sometimes the acting is a little over the top, and some characters could come directly from a comic book. And of course the story is not that deep or difficult. It's partly action-thriller, partly science fiction adventure. All weaknesses are covered and compensated by lots of a-moral fun though.
At the heart of this one of a kind look movie, there is a hero character named Max. This speed-demon-cop is at the top of his game on the highway, ruthlessly dealing with maniacs ravaging his jurisdiction. But he is also a happy family man with his wife and son. This duality makes the character human, timeless and very memorable. In some scenes you can clearly see Mel Gibson was only just getting into acting. For a rookie he was doing a good job nonetheless.
Others strengths lie within the scary nature of the biker gang. An extravagant rag-tag band of maniacs, led by the iconic villain The ToeCutter. To this day, their actions remain tough and very disturbing. It will have you staring at the screen dead serious, making Max' battle against them even more gratifying.
There is much to say about this movie, but first and foremost it is a must see. A cult classic still as enjoyable as it was nearly 30 years ago.
Some aspects of the movie have (understandably) dated. Obviously the 70's clothing and hair styles. Sometimes the acting is a little over the top, and some characters could come directly from a comic book. And of course the story is not that deep or difficult. It's partly action-thriller, partly science fiction adventure. All weaknesses are covered and compensated by lots of a-moral fun though.
At the heart of this one of a kind look movie, there is a hero character named Max. This speed-demon-cop is at the top of his game on the highway, ruthlessly dealing with maniacs ravaging his jurisdiction. But he is also a happy family man with his wife and son. This duality makes the character human, timeless and very memorable. In some scenes you can clearly see Mel Gibson was only just getting into acting. For a rookie he was doing a good job nonetheless.
Others strengths lie within the scary nature of the biker gang. An extravagant rag-tag band of maniacs, led by the iconic villain The ToeCutter. To this day, their actions remain tough and very disturbing. It will have you staring at the screen dead serious, making Max' battle against them even more gratifying.
There is much to say about this movie, but first and foremost it is a must see. A cult classic still as enjoyable as it was nearly 30 years ago.
Storyline
Did you know
- TriviaMost of the extras used in the film were paid in beer.
- GoofsWhen Jessie walks to the car Max is repairing she is wearing sneakers. When she walks around to the passenger side of the car she has on boots with sheepskin trim. When she walks off to the beach she is wearing the deck shoes again.
- Quotes
[the Kid is handcuffed to a car that's about to explode]
Max: The chain in those handcuffs is high-tensile steel. It'd take you ten minutes to hack through it with this. Now, if you're lucky, you could hack through your ankle in five minutes. Go.
[the hacksaw is dropped next to The Kid, and Max limps off]
- Alternate versionsThe original UK cinema and certified video releases (American dub) were cut by 48 seconds by the BBFC to keep an X (18) rating and to prevent the film from being banned, as X was the highest rating. They edited the scene where the bikers tear up the hot-rod with the terrified couple inside. Instead, the scene cut to black as the bikers smashed the first window and resumed on the bird hovering overhead. Though the original uncertified 1982 video release of the American dub from Warner Home Video was released uncut, the cut was re-instated on the 1986 18-rated VHS, but was restored in 1992 when the Australian dialogue version was finally released in the UK and to all later releases with the same rating (although Warner's budget labels SCREEN CLASSICS still put out the American dub with the cut scene well into the 90s). In April 2015, the film was passed with a 15 rating uncut, because of "(the scene's) implied nature and lack of visual detail of the acts themselves". The same reason was given for passing it at 18 uncut back in 1992.
- ConnectionsEdited into The Road Warrior (1981)
- SoundtracksLicorice Road
(uncredited)
Written and Produced by Nic Gazzana
Performed by Robina Chaffey
Sung by Creenagh St. Clair
Details
- Release date
- Country of origin
- Language
- Also known as
- Pobješnjeli Max
- Filming locations
- Seaford Beach, Seaford, Victoria, Australia(Toecutter gang beach scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $300,000 (estimated)
- Gross US & Canada
- $8,750,000
- Gross worldwide
- $8,774,013
- Runtime1 hour 28 minutes
- Color
- Sound mix
- Mono(original release)
- DTS
- Dolby Digital
- Aspect ratio
- 2.39 : 1
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