6.7/10
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57 user 110 critic

Long Weekend (1978)

Not Rated | | Horror, Mystery, Thriller | 29 March 1979 (USA)
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When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

Director:

Colin Eggleston

Writer:

Everett De Roche (original screenplay)
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5 wins. See more awards »

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Cast

Complete credited cast:
John Hargreaves ... Peter
Briony Behets ... Marcia
Mike McEwen Mike McEwen ... Truckie
Roy Day Roy Day ... Old Fisherman
Michael Aitkens Michael Aitkens ... Barman
Sue Kiss von Soly Sue Kiss von Soly ... City Girl
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Storyline

When a suburban couple go camping for the weekend at a remote beach, they discover that nature isn't in an accommodating mood.

Plot Summary | Add Synopsis

Taglines:

a trip that becomes a nightmare... (U.K. Theatrical) See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

Australia

Language:

English

Release Date:

29 March 1979 (USA) See more »

Also Known As:

Largo fin de semana See more »

Filming Locations:

Tasmania, Australia See more »

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Box Office

Budget:

AUD270,000 (estimated)
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

(original)

Sound Mix:

Mono

Color:

Color (Eastmancolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The Playboy Magazine that Peter looks at is from March, 1973. The cover photo is a montage of Mercy Rooney, the December, 1972 Playmate of the Month. See more »

Quotes

Peter: I'm sorry if we got...
Marcia: Shh!
See more »

Crazy Credits

The closing credits appear over a shot of the wilderness vegetation growing around the harpoon impaling Marcia. See more »

Alternate Versions

The UK Region 2 DVD, released in 2006, is slightly cut with one known cut when Peter (John Hargreaves) is hit by the truck at the very end. Some of the actual head collision is removed and after the end credits have rolled, some of the sound on black screen has been faded swiftly out. See more »

Connections

Featured in Ozploitation Trailer Explosion (2014) See more »

Frequently Asked Questions

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User Reviews

 
You'll never leave!
15 November 2007 | by MuldwychSee all my reviews

'Long Weekend' is a textbook definition of a forgotten classic. It's a horror/thriller without many of the traditional horror elements. It'll give you a sense of dread and wonder, and stick in your memory forever more. The only reason it dwells in obscurity is because it was a low-budget film made in Australia in 1978, whereas if it were some feeble US B-grade schlock, it would be in every rental store and listed in Netflix. Fortunately, it has at last made it to DVD. When you get yourself a copy, you'll see a truly claustrophobic two-hander that uses the wilds of the Australian bush and a lonely-looking coastline to spectacular effect.

At no point does the shoestring budget hamper the storytelling even when it occasionally becomes apparent. A well-crafted script that only lets the plot out in bite-size pieces across the duration ensures you're too busy wondering just what is going on between the film's two characters, and the bizarre situation they find themselves in. John Hargreaves and Briony Behets play Peter and Marcia, a married couple who are clearly a gnat's wing away from divorce, for reasons not immediately given. The tension between them is as thick as the strange and chilling atmosphere of the lonely beach Peter takes them to in a last-ditch attempt to recover what they've lost. Something there seems determined to destroy not only their chances of reconciliation, but also prevent them from ever leaving. What is the horrible wailing they keep hearing? Will what happened to the people who stayed there before them happen to them as well? Did they bring it upon themselves?

The excellent natural locations, coupled with some excellent camera work and the odd well-placed sound effect prove no dazzling visual wizardry is needed to make a scary film. Naturally, you also need conviction from your performers, which Hargreaves and Behets give most convincingly. Together, these elements ensure that no more than two characters are needed to provide a provoking character drama and an uneasy thriller - the two levels juxtaposing in ways that tellingly feed off each other, surely making 'Long Weekend' the memorable experience it is for those fortunate enough to have seen it. I was a little disappointed at one element of predictability near the end - one part of the climax I could see coming a mile off. Maybe that was just me. Nonetheless this should not deter you from pursuing 'Long Weekend' - a study in humanity, and a telling point in horror film-making.


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