A young woman running a wildlife sanctuary in the Australian outback is in for trouble when she is confronted by three kangaroo hunters. Bored with killing kangaroos, they decide to kill ... See full summary »
In the Australian outback, a park ranger and two local guides set out to track down a giant crocodile that has been killing and eating the local populace. During the hunt, one of the guides... See full summary »
In the near future, a teenage couple are trapped in a drive-in theater which has become a concentration camp for social outcasts. The inmates are treated to drugs, exploitation films, junk food, and new wave music.
The girl Nam befriends the bullied boy Thongsook at the same room in the hospital and she tells that she likes horror films. Thongsook asks whether she would like to see ghosts and he ... See full summary »
The descendant of Elizabeth Bathory is abducted by a cult of self-proclaimed supermen who achieve this state of superiority by drinking from the "blood cows" (read: people) kept at the "dairy farm", and they try to get her to join them.
The closing credits appear over a shot of the wilderness vegetation growing around the harpoon impaling Marcia. See more »
The UK Region 2 DVD, released in 2006, is slightly cut with one known cut when Peter (John Hargreaves) is hit by the truck at the very end. Some of the actual head collision is removed and after the end credits have rolled, some of the sound on black screen has been faded swiftly out. See more »
'Long Weekend' is a textbook definition of a forgotten classic. It's a horror/thriller without many of the traditional horror elements. It'll give you a sense of dread and wonder, and stick in your memory forever more. The only reason it dwells in obscurity is because it was a low-budget film made in Australia in 1978, whereas if it were some feeble US B-grade schlock, it would be in every rental store and listed in Netflix. Fortunately, it has at last made it to DVD. When you get yourself a copy, you'll see a truly claustrophobic two-hander that uses the wilds of the Australian bush and a lonely-looking coastline to spectacular effect.
At no point does the shoestring budget hamper the storytelling even when it occasionally becomes apparent. A well-crafted script that only lets the plot out in bite-size pieces across the duration ensures you're too busy wondering just what is going on between the film's two characters, and the bizarre situation they find themselves in. John Hargreaves and Briony Behets play Peter and Marcia, a married couple who are clearly a gnat's wing away from divorce, for reasons not immediately given. The tension between them is as thick as the strange and chilling atmosphere of the lonely beach Peter takes them to in a last-ditch attempt to recover what they've lost. Something there seems determined to destroy not only their chances of reconciliation, but also prevent them from ever leaving. What is the horrible wailing they keep hearing? Will what happened to the people who stayed there before them happen to them as well? Did they bring it upon themselves?
The excellent natural locations, coupled with some excellent camera work and the odd well-placed sound effect prove no dazzling visual wizardry is needed to make a scary film. Naturally, you also need conviction from your performers, which Hargreaves and Behets give most convincingly. Together, these elements ensure that no more than two characters are needed to provide a provoking character drama and an uneasy thriller - the two levels juxtaposing in ways that tellingly feed off each other, surely making 'Long Weekend' the memorable experience it is for those fortunate enough to have seen it. I was a little disappointed at one element of predictability near the end - one part of the climax I could see coming a mile off. Maybe that was just me. Nonetheless this should not deter you from pursuing 'Long Weekend' - a study in humanity, and a telling point in horror film-making.
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