With the help of a talking freeway billboard, a wacky weatherman tries to win the heart of an English newspaper reporter, who is struggling to make sense of the strange world of early 1990s Los Angeles.
Richard E. Grant
Navin is an idiot. He grew up in Mississippi as adopted son of a black family but on his 18th birthday he feels he wants to discover the rest of the world and sets out to St. Louis. There everyone exploits his naivety, but then a simple invention brings him a fortune.Written by
Tom Zoerner <Tom.Zoerner@informatik.uni-erlangen.de>
The idea for the film came from a stand-up routine of Steve Martin (included on his debut comedy album, 'Let's Get Small'), in which he claimed to have been "born a poor black child" and how, after hearing his first Mantovani record, he "decided to become white." See more »
When the new phone books arrive, Navin finds his name on a right-hand page in the phone book. However, when the madman randomly chooses a name to be his victim, he points to Navin's name on a left-hand page. See more »
Navin R. Johnson:
Huh? I am *not* a bum. I'm a jerk. I once had wealth, power, and the love of a beautiful woman. Now I only have two things: my friends, and... uh... my thermos. Huh? My story? Okay. It was never easy for me. I was born a poor black child. I remember the days, sittin' on the porch with my family, singin' and dancin' down in Mississippi...
See more »
Pig Eye Jackson - Cat Juggler (Steve Martin) See more »
Commercial and standard cable TV prints edit out the classic scene of Navin's "Dad" telling him the difference between "shit" and "shinola." See more »
Overwhelmingly and brilliantly funny with genius throwaways.
To enter the realm inhabited by Martin's blissfully original caricatures, you must first be tested for wit, intellect and an innocent revelry in life itself. If you qualify, you will be led on to a rollercoaster of oxygen-sapping gags, stupendously clever motifs, brilliant performances and an absolutely fabulous script. There are gags here so new and surprising that to try and emulate them could only court failure. The joy of true love accompanied by him on the ukelele and on the last stanza by her on the........ trumpet: and a beautiful little song. Is it the humour or the innocence brings a tear to your eye? Don't call the dog "life saver", call him "s***head" - and for evermore, he is. The white man who is distraught to discover that he is not black. The goodbye note and Martin reading bits of words as they are washed away. The seminal "all I need" scene which is milked to the point of asphixia. The Jerk is simply the funniest most understatedly clever movie ever produced. There has simply never been anything this good, nor will there ever be. The message is simple and is a very old one: the buffoon as saint. From Bottom in Shakespeare, to Tristram Shandy, to Chaplin, to the genius understatement of Cary Grant, to Norman Wisdom: they have all touched on and come tantalisingly close, but they have all lacked one ingredient, an ingrediant calledSteve Martin. Like Orson Welles and Kane or Frederick Forsyth and the Jackal or Men at Work and Land Down Under, Martin has played his best shot first, unfettered, undisciplined, unconstrained genius. Let us all be better, brighter, cleverer and genuinely funnier by being the jerk. And if that's too frightening, just watch it.
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