The In-Laws (1979) - News Poster

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Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)

Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask)

Blu-ray

Twilight Time

1972 / 1:85 / Street Date July 18th, 2017

Starring: Woody Allen, Gene Wilder, Tony Randall, Burt Reynolds

Cinematography: David M. Walsh

Film Editor: Eric Albertson

Written by Woody Allen

Produced by Jack Brodsky, Elliott Gould

Music: Mundell Lowe

Directed by Woody Allen

A how-to book for fledgling libertines, David Reuben’s bestselling Everything You Always Wanted to Know About Sex (But Were Afraid to Ask) was the kind of sex manual that could remain on the coffee table when the in-laws arrived. An everyman’s guide to the birds and the bees, it ambled through its range of racy topics, from sodomy, cunnilingus to, um, plastic surgery for the genitalia, with both commonsensical and alarmingly retrograde attitudes, dispensing its advice with all the excitement of an insurance agent’s visit. When Woody Allen was given the opportunity to adapt it,
See full article at Trailers from Hell »

Freebie and the Bean

Here’s how one pushed the limits of good taste in 1974. James Caan and Alan Arkin run the gamut of racist, raunchy, sexist & homophobic jokes as bad boy cops breaking the rules, and director Richard Rush delivers some impressive, expensive action stunts on location in San Francisco. Does it get a pass because it’s ‘outrageous?’ The public surely thought so. If the star chemistry works the excess won’t matter. With Valerie Harper, Loretta Swit and Jack Kruschen.

Freebie and the Bean

Blu-ray

Warner Archive Collection

1974 / Color / 2:40 widescreen / 113 min. / Street Date August 8, 2017 / available through the WBshop / 21.99

Starring: Alan Arkin, James Caan, Valerie Harper, Loretta Swit, Jack Kruschen, Mike Kellin, Paul Koslo, Linda Marsh, Alex Rocco.

Cinematography: Laszlo Kovacs

Film Editors: Michael MacLean, Fredric Steinkamp

Original Music: Dominic Frontiere

Written by Robert Kaufman, Floyd Mutrux

Produced and Directed by Richard Rush

‘Buddy’ pictures have been around forever, but I
See full article at Trailers from Hell »

Alan Arkin On His Comic Turn For Going In Style -- Interview

Actor Alan Arkin has had a successful third act in his career ever since he won an Oscar for his role in the Sundance favorite, Little Miss Sunshine. A few years later, he was nominated for another Oscar for Ben Affleck’s thriller Argo, again playing a comedic role in a more serious thriller.

For the upcoming remake of the 1979 crime-comedy Going in Style, Arkin is teamed with another popular Oscar-winning octogenarian in Michael Caine, and the slightly younger Morgan Freeman. They play three friends having a difficult time financially, who decide to plot an elaborate bank robbery. Not only does Arkin get to work with two of his contemporaries, but he also gets a love interest in the movie in none other than Ann-Margret, who hasn’t been seen on the big screen in anything high profile in quite some time.

Lrm got on the phone with Arkin last
See full article at LRM Online »

Newswire: R.I.P. John Hostetter, Murphy Brown actor and voiceover performer

As reported by Deadline, character actor John Hostetter—who had a recurring role on Murphy Brown and did voiceover work for a handful of anime films—died last week from “cancer complications.” He was 69.

Born in Brooklyn but raised in Maryland, Hostetter was a stage actor before making the transition to film and TV. His first movie role came in the 1979 Arthur Hiller comedy The In-Laws, and from there he moved onto a whole bunch of minor roles in big shows like CHiPs, T.J. Hooker, Knight Rider, Remington Steele, Family Ties, and Moonlighting, as well as the occasional movie role in stuff like Into The Night, Heartbreak Ridge, and the Bill Cosby vehicle Leonard Part 6. However, his most recognizable role came in 1988 when he joined the cast of CBS’s Murphy Brown. The show went on to become a big hit for the network, and ...
See full article at The AV Club »

Criterion Review: The In-Laws

  • CineVue
★★★★☆ Alan Arkin and Peter Falk send up their dramatic personae to great effect in Arthur Hiller's 1979 The In-Laws, a wonderfully balanced and often hilarious comedy that benefits from the formidable talents of its leads. Sheldon Kornpett (Arkin) is a successful dentist excited about his daughter's impending wedding. Little does he know that the father of the groom (Falk), is waist-deep in organised crime, having recently pulled off the heist of the century. Invariably, Sheldon quickly becomes tied up with his new in-law Vince's nefarious dealings, forcing the pair to go on the lam in Honduras and attempt to hawk Vince's stolen Us Mint imprints to loopy military dictator General Garcia (Richard Libertini).
See full article at CineVue »

Arthur Hiller (1923-2016) and "Making Love"

Arthur Hiller with his Jean Hersholt Huminatarian AwardOscar nominated Canadian born Hollywood director Arthur Hiller died yesterday at 92 years of age. Though he's best remembered for the 1970 mega-hit Love Story  -- so popular in its day it would have been equivalent to a Jurassic World at the box office today (no really) -- his career was actually quite varied. He did dramas, romances, buddy comedies, period pieces, you name it.

Among his best known films which is your favorite?

The Americanization of Emily (1964) The Out of Towners (1970) Love Story (1970) Plaza Suite (1971) Man of La Mancha (1972) Silver Streak (1976) The In-Laws (1979) Making Love (1982) Author! Author! (1982) Outrageous Fortune (1987) See No Evil, Hear No Evil (1989) 

Outrageous Fortune was probably my favorite of his films - Bette Midler & Shelley Long were so funny together --  but the film that's the most interesting, historically, is Making Love as it was the very first mainstream Lgbt film.
See full article at FilmExperience »

Daily | Arthur Hiller, 1923 – 2016

"Arthur Hiller, an Academy Award-nominated director whose long career began in live television and flourished in the movies in the 1970s with crowd-pleasers like the phenomenally successful Love Story, died on Wednesday in Los Angeles," writes Dave Kehr for the New York Times. As Patrick Hipes notes at Deadline, Love Story would lead "to a streak of big movies for Hiller that spanned especially comedy including The Hospital, penned by Paddy Chayefsky (who also wrote The Americanization of Emily); Silver Streak with Gene Wilder and Richard Pryor; The In-Laws with Peter Falk and Alan Arkin; The Lonely Guy with Steve Martin; and Outrageous Fortune starring Shelley Long and Bette Midler. He also helmed the film adaptations of Neil Simon’s The Out of Towners and Plaza Suite." We're collecting remembrances. » - David Hudson
See full article at Keyframe »

Daily | Arthur Hiller, 1923 – 2016

"Arthur Hiller, an Academy Award-nominated director whose long career began in live television and flourished in the movies in the 1970s with crowd-pleasers like the phenomenally successful Love Story, died on Wednesday in Los Angeles," writes Dave Kehr for the New York Times. As Patrick Hipes notes at Deadline, Love Story would lead "to a streak of big movies for Hiller that spanned especially comedy including The Hospital, penned by Paddy Chayefsky (who also wrote The Americanization of Emily); Silver Streak with Gene Wilder and Richard Pryor; The In-Laws with Peter Falk and Alan Arkin; The Lonely Guy with Steve Martin; and Outrageous Fortune starring Shelley Long and Bette Midler. He also helmed the film adaptations of Neil Simon’s The Out of Towners and Plaza Suite." We're collecting remembrances. » - David Hudson
See full article at Fandor: Keyframe »

Director Arthur Hiller, whose 'In-Laws' was a perfect comedy, dies at 92

  • Hitfix
Director Arthur Hiller, whose 'In-Laws' was a perfect comedy, dies at 92
Arthur Hiller was never the coolest filmmaker in the room. He leaves behind a list of films that were genuinely loved by audiences and an ocean of collaborators and friends who speak of him in glowing terms, and honestly, as a storyteller, what more could anyone ask? There’s certainly some cachet in the idea that you’re breaking new ground stylistically or you’re doing things that other people are ripping off or you’re part of some formal movement of deconstructionists. I like plenty of filmmakers who chase cool like it is oxygen, necessary for their entire existence. Arthur Hiller, though, was a meat and potatoes kind of guy, and he made movies that spoke to his optimistic view of who we could be as people, shot through with just a hint of cynicism at times. My personal favorite of his movies is The In-Laws, which I just rewatched a few weeks ago.
See full article at Hitfix »

Arthur Hiller, 'Love Story' Director, Dead at 92

Arthur Hiller, 'Love Story' Director, Dead at 92
Arthur Hiller, the director of Love Story, The Out-of-Towners, The In-Laws, The Hospital, among others, died Wednesday of natural causes, the Academy of Motion Picture Arts and Sciences announced. Hiller, who served as the Academy president between 1993 and 1997, was 92.

Hiller is best known for directing 1970's Love Story, the Oscar-nominated drama starring Ali MacGraw and Ryan O'Neal. Filmed on a shoestring budget of $2 million, the film went on to gross over $106 million, or $659 million in today's adjusted box office. As The Hollywood Reporter notes, the success of Love Story, considered one of cinema's greatest tearjerkers,
See full article at Rolling Stone »

Arthur Hiller, Director of ‘Love Story,’ Dies at 92

Arthur Hiller, Director of ‘Love Story,’ Dies at 92
Canadian-born director Arthur Hiller, who spent more than a decade mostly working in television before a career in feature helming that included “Love Story,” “The Americanization of Emily” and comedy “Silver Streak,” died Wednesday. He was 92.

Love Story,” based on the bestseller by Erich Segal, was an enormous box office hit in 1970 and was nominated for seven Oscars, including best picture. Though many critics dismissed the movie as too sentimental, it is No. 9 on the AFI’s list of the most romantic films of all time.

Hiller served as president of the Directors Guild of America from 1989-93 and of the Academy of Motion Picture Arts & Sciences from 1993-97. He received the Jean Hersholt Humanitarian Award at the 2002 Academy Awards ceremony.

The Academy of Motion Picture Arts and Sciences issued a statement. “We are deeply saddened by the passing of our beloved friend Arthur Hiller,” said Academy president Cheryl Boone Isaacs. “I
See full article at Variety - TV News »

Arthur Hiller, Director of ‘Love Story,’ Dies at 92

Arthur Hiller, Director of ‘Love Story,’ Dies at 92
Canadian-born director Arthur Hiller, who spent more than a decade mostly working in television before a career in feature helming that included “Love Story,” “The Americanization of Emily” and comedy “Silver Streak,” died Wednesday. He was 92.

Love Story,” based on the bestseller by Erich Segal, was an enormous box office hit in 1970 and was nominated for seven Oscars, including best picture. Though many critics dismissed the movie as too sentimental, it is No. 9 on the AFI’s list of the most romantic films of all time.

Hiller served as president of the Directors Guild of America from 1989-93 and of the Academy of Motion Picture Arts & Sciences from 1993-97. He received the Jean Hersholt Humanitarian Award at the 2002 Academy Awards ceremony.

The Academy of Motion Picture Arts and Sciences issued a statement. “We are deeply saddened by the passing of our beloved friend Arthur Hiller,” said Academy president Cheryl Boone Isaacs.
See full article at Variety - Film News »

Review: Dwayne Johnson gets weird in surprisingly enjoyable 'Central Intelligence'

  • Hitfix
Review: Dwayne Johnson gets weird in surprisingly enjoyable 'Central Intelligence'
Buddy comedies are a Hollywood staple at this point, and they’re fairly easy to execute at a baseline level of competence. Sometimes it’s a script that distinguishes one, sometimes it’s the easy chemistry between the stars, and sometimes it’s a director who elevates things. In the case of Central Intelligence, several things work better than I would have suspected, and as a result, I genuinely enjoyed the movie. Color me shocked. First and foremost, The Rock has become one of the most reliable brands in modern movies, and, yes, I am aware that I just called him a brand. I think he’s more than “just” a movie star. He’s an overall force of personality that exists to just shine positivity and humor and good energy into the world via movies, TV, wrestling, and social media. If The Rock didn’t exist, we’d have to invent him.
See full article at Hitfix »

Alan Arkin to Receive CinemaCon’s Lifetime Achievement Award

Alan Arkin to Receive CinemaCon’s Lifetime Achievement Award
Alan Arkin will receive the CinemaCon Lifetime Achievement Award in recognition of his five decades of bigscreen work in the likes of “Little Miss Sunshine” and “The Russians Are Coming, the Russians Are Coming.”

He will pick up his honor at the annual exhibition industry conference taking place this April in Las Vegas. Other honorees include “Pitch Perfect 2″ director Elizabeth Banks, “Trainwreck” star Amy Schumer and “The Hunger Games: Mockingjay – Part 2″ director Francis Lawrence.

Arkin won an Oscar for his work in “Little Miss Sunshine,” and has also appeared memorably in such movies as “The Heart Is a Lonely Hunter,” “Argo” and “The In-Laws.” This year, he co-stars in “Love the Coopers” alongside Ed Helms and Diane Keaton.
See full article at Variety - Film News »

I Have Never Seen ‘The Rocketeer’

Here’s the thing that blew my mind about The Rocketeer: about two-thirds of the way into this movie, I couldn’t stop wondering how this movie wasn’t more of a respected classic instead of a “Hey, remember The Rocketeer?” kind of film. It had good characters, a cool story, it nailed the feel of 1940s serials. Man! And then I watched the last third. But we’ll get to that. For now, let’s talk about what the movie did right, like the cast. Let me begin by going on record as saying that I love Alan Arkin in basically everything he does. There’s just something about his performances that makes him feel like an old relative. Maybe it’s because, growing up, my parents loved The In-Laws, which was one of the few movies we actually owned, and they watched it pretty frequently. 1980s and 90s Jennifer Connelly was also excellent in
See full article at FilmSchoolRejects »

Arthur Hiller, Director of 'Love Story,' Dies at 92

Arthur Hiller, Director of 'Love Story,' Dies at 92
Arthur Hiller, the Oscar-nominated director who transitioned from television to helm such classic films as Love Story, The Out-of-Towners and The In-Laws before serving four terms as president of the Academy of Motion Picture Arts and Sciences, has died. He was 92. Hiller, the 2002 recipient of the Academy’s Jean Hersholt Humanitarian Award for his lifetime of charitable efforts, died Wednesday in Los Angeles of natural causes, AMPAS announced. A native of Edmonton, Alberta, Hiller started out in radio and then television, directing scores of episodes of such series as Perry Mason, Alfred Hitchcock Presents and The

read more
See full article at The Hollywood Reporter - Movie News »

What is Jerry Seinfeld's 'Gigantic' Secret Project? 5 Possibilities

What is Jerry Seinfeld's 'Gigantic' Secret Project? 5 Possibilities
Jerry Seinfeld and Larry David have a secret. Or so Seinfeld said yesterday in his Reddit Ama. Asked what the most mundane thing is that he and David (co-creators of Seinfeld) have obsessed over, he replied, "We never obsess over anything that isn't mundane. Most recent was intentional mumbling. We wrote this script for this thing that you will eventually see but I can't reveal what it is at this time. All I can do is tell you that it's big, huge, gigantic. Even bigger than that Amazon package." (He
See full article at Rolling Stone »

Identity Thief Review

Need endorphins? The box office stands ready to accommodate. Ribald, relentless, and eminently enjoyable, Identity Thief offers the off-color comedy enthusiast sumptuous fare indeed. From director Seth Gordon (Horrible Bosses) comes this raucous road movie starring Jason Bateman as Sandy Patterson, financial manager and loving family man, who finds himself facing down Melissa McCarthy’s Sandy Patterson, aka Diana, aka the identity thief who dismantled his life with a recent unauthorized shopping spree.

When the justice system fails him, Sandy figures his best chance of recovery is to recover her himself, and thus begins this latest of the genre, reminiscent of the gold standard Midnight Run (if you haven’t seen that, queue it up for after). This of course proves exponentially more difficult than Sandy had imagined, as naturally Diana resists the idea and has two other interested and dangerously single-minded parties already in hot pursuit.

With Horrible Bosses,
See full article at We Got This Covered »

Ian Gomez: 'Cougar Town' Will Be Back!

Ian Gomez: 'Cougar Town' Will Be Back!
The only people more flummoxed than fans over Cougar Town's inability to gain traction -- or respect -- with the bulk of America are the stars.

Everyone from Courteney Cox to Ian Gomez have expressed disbelief that simply having a shoddy title would keep people away from (what is in this writer's opinion) one of TV's most intelligent, heartfelt and uproarious shows. To hopefully lure a couple (million) more of you into watching tonight's episode, I chatted with Ian about Mel Gibson's "cameo," what you can expect from the season finale and how the cast is feeling about their season four prospects.

Insider.com: When I chatted with you on set a month ago, the general vibe was one of excitement -- and while the episodes have been incredible, the ratings have not been. How are you feeling about the show today?

Ian Gomez: Obviously we wish more people were watching the show. It
See full article at The Insider »
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