- Three erotic tales: 1) Raphael's muse poses as his lover, witnessing his final moments. 2) A young girl's disturbing obsession with a stuffed rabbit. 3) A wealthy woman is kidnapped, and her dog attempts a rescue mission.
- Three women and three erotic tales. 1- Margherita: Did the great Renaissance painter Raphael Sanzio die because of the cold he took in the ruins of Rome? Or was it out of pleasure? Only one person knew the truth: Margherita Luti, the ardent and ambitious Roman daughter of a baker who, posing as a model and being the artist's lover, witnessed her last moments of life. 2 - Marcéline: At the age of 14, Marcéline has never loved anyone or anything except a big rabbit with pink ears, transparent in the sun. She called him "Souci." Who could imagine that this angelic face hid a heroine of evil? 3 - Marie: The Paris of today also has its "heroines of evil." Marie, the wife of a rich art collector, is kidnapped by a gangster. César the dog, on his own initiative and in secret, decides to find his lover and avenge her.—X
- Brief narratives depict the compelling stories of three heroines of evil entangled in scandalous circumstances across different historical periods, utilising their sensuality to assert dominance over men. The first tale unfolds in Renaissance Rome, portraying a baker's daughter who assumes the role of a model for a Vatican artist and manipulates her influence over men perilously. Next up, the second story chronicles the vengeance of a Belle Époque adolescent following her parents' decision to separate her from her cherished pet rabbit. The last segment, set in contemporary Paris, delves into the abduction of a wealthy art collector's wife, revealing her Dobermann's unwavering loyalty in contrast to her husband's faltering devotion.—Nick Riganas
- The film is divided into three self-contained episodes, set in different periods and featuring female protagonists, whose names all begin with the letter "M" as in "evil" and who commit crimes of passion.
Margherita In 1520, painter Raphael Sanzio spies on his mistress Margherita Luti as she makes love to her lover Tomaso in the ruins of Rome. As she sits in the painter's studio, the wealthy banker Bernardo Bini spies on her through the keyhole. Raphael, noticing this, pierces Bini's eye with a paintbrush. In revenge, the banker seduces Margherita with jewels and incites her to murder Raphael with poisoned cherries. But Margherita, outwitting everyone, poisons Bini and Raphael, before returning with the jewels to her lover Tomaso.
Marceline In end of century in France, Marceline Cain, the promiscuous teenage daughter of a bourgeois family, spends all her time with her rabbit, with whom she enjoys intimate moments on the lawn. Her parents, annoyed by their inability to control her wild behavior, put the rabbit in the pan and serve it for dinner. Later that evening, Marceline visits local delivery boy Petrus at the abattoir where he works. There, Marceline loses her virginity in a sheep pen and faints at the sight of her own blood. Pétrus, mistakenly believing he has killed her, hangs himself, realizing his mistake just before he expires. Marceline returns home and slits her parents' throats. Placed in a convent for girls, she delights the other boarders with her macabre story.
Marie In contemporary Paris, Marie, the wife of a wealthy gallery owner, is kidnapped by the criminal Antoine outside a bookshop. She is gagged in a van, handcuffed and forced to phone her rich husband to demand a large ransom. She later meets her husband in a busy street. The kidnapper, guarding her through the sights of his gun, discovers that he hasn't yet paid the ransom, but was about to spend the money on a painting. He then takes her to a disused warehouse, where he rapes her in the van. Fortunately, Marie's black Doberman, César, who has followed her scent through the streets of Paris, comes to her rescue, unmasking Antoine and, when he unexpectedly appears, her husband too. Marie, still naked, embraces her savior.
Contribua para esta página
Sugerir uma alteração ou adicionar conteúdo ausente
