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Henry IV Part II (1979)

The Second Part of King Henry the Fourth, including his death and the coronation of King Henry the Fifth (original title)
Not Rated | | Drama | TV Movie 16 December 1979
Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed "Hotspur"). Henry's son Hal, the Prince ... See full summary »

Director:

David Giles

Writer:

William Shakespeare (play)
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Cast

Cast overview, first billed only:
Jon Finch ... King Henry the Fourth
David Gwillim ... Henry, Prince of Wales
Rob Edwards Rob Edwards ... Prince John of Lancaster
Martin Neil Martin Neil ... Prince Humphrey of Gloucester
Roger Davenport Roger Davenport ... Thomas, Duke of Clarence
Bruce Purchase Bruce Purchase ... Earl of Northumberland
David Neal ... Scroop, Archbishop of York
Michael Miller Michael Miller ... Lord Mowbray
Richard Bebb Richard Bebb ... Lord Hastings
John Humphry John Humphry ... Lord Bardolph
Salvin Stewart Salvin Stewart ... Sir John Colville
David Strong David Strong ... Travers
Carl Oatley Carl Oatley ... Morton
Rod Beacham Rod Beacham ... Earl of Warwick
David Buck David Buck ... Earl of Westmoreland
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Storyline

Henry Bolingbroke has now been crowned King of England, but faces a rebellion headed by the embittered Earl of Northumberland and his son (nicknamed "Hotspur"). Henry's son Hal, the Prince of Wales, has thrown over life at court in favor of heavy drinking and petty theft in the company of a debauched elderly knight, Sir John Falstaff. Hal must extricate himself from some legal problems, regain his father's good opinions, and help suppress the uprising.

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

UK

Language:

English

Release Date:

16 December 1979 (UK) See more »

Also Known As:

The Complete Dramatic Works of William Shakespeare: Henry IV, Part II See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

Part of the long running BBC Television Shakespeare project which ran between 1978 and 1985. See more »

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User Reviews

 
Quayle's Towering Falstaff
12 August 2006 | by tonstant viewerSee all my reviews

This video features a towering performance by Anthony Quayle as Falstaff that will live in your memory.

99% of actors want to be loved by the audience, even the villains. The part of Falstaff is written with so many opportunities for funny tableaux, then finishing off with a heart-rending bid for tears, that it brings out the shameless exhibitionist in just about anyone who's ever tried the role.

Anthony Quayle does something completely different. He constructs a Falstaff with top, bottom and sides, with every action and reaction motivated as something the man might do, rather than as yet another chance to seduce the audience with a cute bit of business, or as the Gaels refer to it, shtik.

Given Anthony Quayle's vinegary, often bilious stage persona, the result is a Falstaff who calculates, ruthlessly exploits all around him, relies on his charm to lie his way out of scrapes, and thoroughly deserves his humiliation at the end.

In other productions, Falstaff is often an endearing Santa Claus-like scamp who is wronged by a callous and arbitrary King (see Orson Welles in the wonderful "Chimes at Midnight"). However, as embodied by Anthony Quayle, we accept that it is absolutely necessary and understandable that Hal reject Falstaff. We feel for the rogue knight and regret his collapse, but we also know that the new King is right to do what he does. In this way, Quayle's Falstaff is remarkable.

The rest of the proceedings are not quite on this level. Jon Finch's performance as Henry IV was sturdy in Part 1, but unravels along with the King's health in Part 2. When Finch errs, he does on the side of moistness, and much his work here strikes me as squishy and sentimental. Your mileage may differ, but I grew impatient with his less-than-royal wallowing.

Otherwise, I don't know whether to admire Gordon Gostelow's Bardolph more for his acting or his makeup - either way he's quite a picture. And Bryan Pringle's Pistol seems almost more Dickensian than Shakespearean. Brenda Bruce continues to bring out the humanity in Mistress Quickly, and Frances Cuka's Doll Tearsheet is surprisingly contemporary.

Finally, an impatient note about the sound. With all the attention paid to restoring the image of a 25-year old video for DVD release, it's a crime that the quality of the audio was not remedied as well. It's not that people upstage are more distant from the microphone (which they are), it's that the volume level is all over the place, and it's difficult to find a setting that will not have you leaping out of your seat to fix roaring or whispering, sometimes both in the same sentence. Keep your remote handy.


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