Two lovers stationed at a remote base in the asteroid fields of Saturn are intruded upon by a retentive technocrat from Earth and his charge: a malevolent eight foot robot.
A young farmer sets out to recruit mercenaries to defend his peaceful planet, which is under threat of invasion by the evil tyrant Sador and his armada of aggressors.
Directors:
Jimmy T. Murakami,
Roger Corman
Stars:
George Peppard,
Robert Vaughn,
Richard Thomas
In the distant future, a federation marshal arrives at a research lab on a remote planet where a genetic experiment has gotten loose and begins feeding on the dwindling scientific group.
Two lovers stationed at a remote base in the asteroid fields of Saturn are intruded upon by a retentive technocrat from Earth and his charge: a malevolent eight-foot robot. Remember, in space, no one can hear you scream.Written by
Keith Loh <loh@sfu.ca>
Harvey Keitel had one other movie out in the same year as this one, Death Watch (1980), and like this movie, it was also a science fiction movie. See more »
Goofs
When Adam jumps into the wastewater with Hector, it is clearly a stuntman wearing a bad wig. See more »
Quotes
[first lines]
Announcement:
Captain James, your presence on pad 73, immediate, urgent.
See more »
Alternate Versions
A scene of Adam and Alex taking a recreational blues pill was cut from the original UK cinema version in order for the film to receive an 'A' (PG) certificate. The scene was restored for the later 15-rated video version. See more »
Two lovers stationed on a remote moon base of Saturn are intruded upon by a murderous man and his malevolent 8-ft robot.
Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.
The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.
It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.
It's flawed and inconsistent but still worth viewing for the concept alone.
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Two lovers stationed on a remote moon base of Saturn are intruded upon by a murderous man and his malevolent 8-ft robot.
Its production issues, changing of directors (one of which was the late great John Barry) and budget cuts aside for a film that was made in 1980 it feels like late 60s/70s. That said, the sets that take a leaf from Alien (1979) are partially effective and the blue ominous lighting works but is sadly used sparingly.
The late Farrah Fawcett is still a major draw and although there's a cringe worthy age gap between leads it is fitting to the narratives themes. Acting legend Kirk Douglas is a little inconsistent and not on form possibly due to the script or production woes. Harvey Keitel has been unconventionally re-dubbed which is a shame, but he still is effective as the homicidal sociopath, off beat, boorish Earth Captain Benson. Although choppy, there's some great setups with the interestingly designed Hector robot and Elmer Bernstein's score if fantastic.
It's not purposely ambiguous, but it leaves many questions and loose ends. It's by no means the worst science-fiction movie, John Barry's story offers some great ideas and has clearly influenced subsequent scifi's notably the Matrix (1999) plug-in.
It's flawed and inconsistent but still worth viewing for the concept alone.