The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' ...
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Sometime in the future, the Canadian Academy for Erotic Inquiry is investigating the theories of parapsychologist Luther Stringfellow. Seven young adults volunteer to submit to a form of ... See full summary »
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The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' Brocker. When Adamson makes a deal with Lonnie's competitor Gary 'The Blacksmith' Black, he takes the funny car from Lonnie and Billy. But they decide to steal the car and run independently in the next race. But Adamson intends to use any means to stop Loonie.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In the race between Lonnie and Gary in the funny cars the wheel rims change. At the start they are full dish wheels then at the finish of the race they have changed to five spoke star wheels. See more »
Fast Company (1979) is an interesting film by David Cronenberg. He took a departure from his clinical horror films and made a quasi mainstream film dealing with hot rods and the sleazy sideshow aspect of them. Unlike most films of this genre, Cronenberg takes a look at the shady business that the promoters of the drivers do to try a make a buck whenever they can. Most times at the expense of the driver's safety and welfare. I wasn't expecting much from this movie but I was quite surprised at the results. All-American tough guy William Smith plays the lead whilst John Saxon co-stars as his shady promoter/ manager.
In the hands of any other director, this movie wouldn't have been that watchable. But Cronenberg works with what he has and creates a visually appealing movie. The inside shots of the driver was very well done. In some scenes the driver looks as if he's part of the machine! The camera catches the action and you can feel yourself being dragged along at 200 plus miles an hour. The film follows these drivers as the go from one small town to another performing in front of small crowds. This movie neither glamorizes or denegrate the "sport". It just documents it.
Like I said in the beginning, I wasn't expecting much (maybe because this movie wasn't widely released if at all in the U.S.A.) but I was surprisingly pleased with the end results. I would have to recommend this film for Cronenberg and William Smith fans.
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