The Electric Horseman (1979)

A rodeo star past his prime steals his company's horse and rides into the desert, with a feisty reporter accompanying him.

Director:

Sydney Pollack

Writers:

Robert Garland (screenplay), Paul Gaer (screen story)

Stars:

Robert Redford, Jane Fonda, Valerie Perrine

Nominated for 1 Oscar. Another 1 win.

Cast

Cast overview, first billed only:
Robert Redford	...	Sonny
Jane Fonda	...	Hallie
Valerie Perrine	...	Charlotta
Willie Nelson	...	Wendell
John Saxon	...	Hunt Sears
Nicolas Coster	...	Fitzgerald
Allan Arbus	...	Danny
Wilford Brimley	...	Farmer
Will Hare	...	Gus
Basil Hoffman	...	Toland
Timothy Scott	...	Leroy
James Sikking	...	Dietrich (as James B. Sikking)
James Kline	...	Tommy
Frank Speiser	...	Bernie
Quinn K. Redeker	...	Bud Broderick (as Quinn Redeker)

Storyline

Sonny Steele used to be a rodeo star, but his next appearance is to be on a Las Vegas stage, wearing a suit covered in lights, advertising a breakfast cereal. When he finds out they are going drug the horse in case its too frisky, he rides off into the desert...

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Plot Keywords:

las vegas nevada | horse | cowboy | media | journalist | 

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Genres:

Comedy | Drama | Romance | Western

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Certificate:

PG

Details

Country:

USA

Language:

English

Release Date:

21 December 1979 (USA)

Also Known As:

Electric

Filming Locations:

Santa Clarita, California, USA

Box Office

Budget:

$12,500,000 (estimated)

Gross USA:

$61,801,971

Company Credits

Production Co:

Wildwood Enterprises

Technical Specs

Runtime:

121 min

Sound Mix:

Mono

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

One of two contemporary westerns genre pieces that actress Jane Fonda starred in during the 1970s. The films were Comes a Horseman (1978) and The Electric Horseman (1979). Both featured the word "Horseman" in the title.

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Goofs

After Hallie Martin tapes a statement by Sonny Steele in the great outdoors, she drives back to town, sees that it's crawling with cops and returns to warn Steele that he can't go back to town because it's crawling with cops. So what do they do? Ditch her car, get in the camper and drive right into town.

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Quotes

Hallie Martin: I'm just trying to be pleasant. You get so worked up about everything.
Sonny Steele: What have I got to be worked up about? I've only got a stole horse; everybody except the Coast Guard is after me; I've got nothin' but miles of open country to cross; and now I'm carrying a crazy woman around wearin' shoes from Bloomingbirds who thinks she's seen a rattlesnake round up.

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Alternate Versions

The film's original soundtrack has been changed in different ways for its two DVD releases:

• The Image DVD replaces Dave Grusin's beautiful "Freedom Epilogue" score music (where the horse is set free) with a reprise of "My Heroes Have Always Been Cowboys" by Willie Nelson, originally heard during the opening credits. This actually works well, though one wonders why a piece of original score had to be changed.
• The newer Universal release goes a step further, removing "My Heroes Have Always Been Cowboys" from the opening credits (and in fact from the film completely) as well as "Freedom Epilogue" and replaces them both with a very inappropriate generic harmonica-driven instrumental which is meant to sound like a Willie Nelson song.

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Connections

Referenced in Laura Lansing Slept Here (1988)

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Soundtracks

Hands on the Wheel
(uncredited)
Composed by Bill Callery

User Reviews

The horse fairy-tale

I like Pollack. I'm not sure there's anything that I wouldn't at least give a chance, as long as he had an important part in the making of it. This is probably the most formulaic thing I've seen of his... which isn't to say that it's necessarily bad. It's just that, well, if you don't see the majority of what happens in this, coming, the likeliest explanation is that you haven't seen one of the many films that follow essentially the same plot. It's not exactly unpredictable. The points of it are also made in a pretty see-through manner, with poignant speeches and the like. But with those in mind, and the fact that this isn't necessarily meant to be taken too seriously, this isn't bad. The direction is effective. Its editing and cinematography are well-done. The acting leaves little to be desired. The writing is good. The characters are at least average. The music is very fitting. That would be the original version, with Willie Nelson performing it, not the other kind. There is a limited amount of language in it, of varying degree, not a lot of which is terribly harsh. The drug/alcohol material is vague, and the sexuality tends to be tastefully done(for being partially set in Las Vegas, this is mighty clean). I recommend this to any lovers of the four-legged animal, Redford, Fonda and/or anyone else who helped create this. 6/10