An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
Mr. Devereaux is a powerful man. A man who handles billions of dollars every day. A man who controls the economic fate of nations. A man driven by a frenzied and unbridled sexual hunger. A ... See full summary »
Reno is an artist struggling to survive in NYC. He draws inspiration from scenes of daily street life and occasional random violence. Under pressure to finish his oft-delayed grand masterpiece, his psychotic alter-ego takes over and he begins killing random vagrants to boost his creativity, not quite realizing that it is happening in reality. When an art dealer grimly rejects Reno's finished masterpiece, Reno's mental condition quickly deteriorates.Written by
Could have easily escaped the UK 'video nasty' list if the original pre-VRA video cover wasn't so graphic. it featured a very bloody close-up of a drill boring into a man's head with lots of blood. The video cover was featured in video catalogues and received many complaints. See more »
While the Driller Killer prepares to drill a homeless man in the head, the homeless man continuously changes position between shots, in spite of sleeping soundly enough to not hear the Driller Killer revving his drill. See more »
No, no, no, no. This isn't right. This is nothing. This is shit! Where's the impact? It's just a goddamn Buffalo!
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Movie opens with message "THIS FILM SHOULD BE PLAYED LOUD." See more »
The uncut version of this film had been banned on three occasions by Australian censors, in September 1982, July 1983, and November 1984. It was finally awarded an R rating in September 1985, after some violence was trimmed, most notably the scene depicting a drill through the forehead. This version was released widely on VHS. The Australian DVD released by Umbrella Entertainment is still the cut version even though a sticker on the cover clearly states PREVIOUSLY BANNED NOW RELEASED UNCUT. The artwork shows as rated MA but the disc shows rated R. The actual runtime is 94.20min whereas the unrated 2 disc region 1 version runs for 95.57min. See more »
This is probably best looked at in the context of Ferrara's other work, rather than in the context of the rest of the British video nasties list, because it is actually a surprisingly good film. Rather than a mere body count movie, Ferrara's first movie is a Repulsion-style portrait of a man's descent into psychosis; a bleak yet darkly comic urban paranoia movie with actually far less graphic bloodletting than its detractors would have us believe. Despite the obvious low budget, the acting and cinematography are all perfectly competent in evoking the claustrophobically squalid milieu which leads to the breakdown of the protagonist (played by the director himself). The film's power lies in its accumulation of individual scenes and images, though unfortunately it fails to maintain the tense atmosphere, as interest begins to wane towards the end. This is an interesting and technically accomplished film from a first-time director, introducing the same distinct visual style and themes which have dominated his later films. As a piece of late-70's low-budget independent exploitation cinema, it is head and shoulders above the rest.
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