An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
A timid and mute seamstress goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York City after dark and randomly shoots men with a .45 caliber pistol.
Strippers in Manhattan are being stalked and maimed by a psycho-killer. A conflicted ex-boxer-turned-talent-manager and his business partner and friend, who represent some of the girls, set out to find him before he strikes again.
Billy Dee Williams,
Reno is an artist struggling to survive in NYC. He draws inspiration from scenes of daily street life and occasional random violence. Under pressure to finish his oft-delayed grand masterpiece, his psychotic alter-ego takes over and he begins killing random vagrants to boost his creativity, not quite realizing that it is happening in reality. When an art dealer grimly rejects Reno's finished masterpiece, Reno's mental condition quickly deteriorates.Written by
Could have easily escaped the UK 'video nasty' list if the original pre-VRA video cover wasn't so graphic. it featured a very bloody close-up of a drill boring into a man's head with lots of blood. The video cover was featured in video catalogues and received many complaints. See more »
In one scene, the killer is drilling into the head of a victim at a bus stop with a cordless power drill. In the next scene, he's running down the street with a cord dangling from his drill. See more »
No, no, no, no. This isn't right. This is nothing. This is shit! Where's the impact? It's just a goddamn Buffalo!
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Movie opens with message "THIS FILM SHOULD BE PLAYED LOUD." See more »
The uncut version of this film had been banned on three occasions by Australian censors, in September 1982, July 1983, and November 1984. It was finally awarded an R rating in September 1985, after some violence was trimmed, most notably the scene depicting a drill through the forehead. This version was released widely on VHS. The Australian DVD released by Umbrella Entertainment is still the cut version even though a sticker on the cover clearly states PREVIOUSLY BANNED NOW RELEASED UNCUT. The artwork shows as rated MA but the disc shows rated R. The actual runtime is 94.20min whereas the unrated 2 disc region 1 version runs for 95.57min. See more »
The thin line between trash-exploitation and art-house cinema
Despite of its reputation and the repulsive sounding title, Abel Ferrara's The Driller Killer is more of a social drama about life in the big city than it is a horror shocker. Ferrara himself stars as Reno, an unbalanced painter slowly going crazy due to financial troubles, the noisy punk-band next door, demanding employers and housemates, and non-stop images of the pauperized city. He buys a tool and unleashes his fury on the numerous homeless in the area. Driller Killer is truly grim and as much shocking as the classic film it's clearly inspired on (namely: Taxi Driver) but it lacks a fitting tone and a appropriate background drawing. The film opens with a very confusing sequence in which the protagonist is standing at an altar while being approached by an elderly man. This footage is extra since the 1999 re-release and it looks like Ferrara wanted to supply his film with some kind of spiritual depth. It leads nowhere, though. In fact, take out the killings and you're left with a somewhat boring urban portrait. Driller Killer was included in the infamous list of 'video-nasties' and therefore automatically received a controversial cult-status without people even seeing it. Although the substance matter doesn't belong amongst the other titles in the list, The Driller Killer often wanders on the thin border between trash-exploitation and art-house cinema, as it features voyeuristic elements (a gratuitous lesbian shower sequence) as well as sheer close-ups of blood-puddles and whirring drills.
Abel Ferrara without a doubt is one of the most remarkable directors in American cinema history. I'm a huge fan of most of his films like 'The Addiction', 'Bad Lieutenant' and 'The Funeral' It's not that I didn't like 'the Driller Killer', I just think that the poor production values really show off and that Ferrara did not yet had the professionalism and talent to make up for it by adding the trademarks that made his later films so brilliant. If you're interested by the repertoire of this often discussed director, you better don't start by watching Driller Killer. You're appreciate it a lot more after seeing some of his 90's films.
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