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Dracula (1979)

In 1913, the charming, seductive and sinister vampire Count Dracula travels to England in search of an immortal bride.

Director:

John Badham

Writers:

W.D. Richter (screenplay), Hamilton Deane (play) | 2 more credits »
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Dracula is searching for a woman who looks like his long dead wife.

Director: Dan Curtis
Stars: Jack Palance, Simon Ward, Nigel Davenport
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Cast

Cast overview, first billed only:
Frank Langella ... Count Dracula
Laurence Olivier ... Prof. Abraham Van Helsing
Donald Pleasence ... Dr. Jack Seward
Kate Nelligan ... Lucy Seward
Trevor Eve ... Jonathan Harker
Jan Francis ... Mina Van Helsing
Janine Duvitski Janine Duvitski ... Annie
Tony Haygarth ... Milo Renfield
Teddy Turner ... Swales
Sylvester McCoy ... Walter (as Sylveste McCoy)
Kristine Howarth ... Mrs. Galloway
Joe Belcher ... Tom Hindley
Ted Carroll ... Scarborough Sailor
Frank Birch ... Harbormaster
Gabor Vernon ... Captain of Demeter
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Storyline

When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by Hillary Glendinning (jujbee_luna@yahoo.com)

Plot Summary | Plot Synopsis

Taglines:

The story of the greatest lover who ever lived, died, and lived again. See more »

Genres:

Horror | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Dutch | Romanian | Russian

Release Date:

20 July 1979 (USA) See more »

Also Known As:

Drácula See more »

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Box Office

Budget:

$12,164,000 (estimated)

Opening Weekend USA:

$3,141,281, 20 July 1979

Gross USA:

$20,158,970

Cumulative Worldwide Gross:

$31,235,812
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

When Dracula hypnotizes Mina, he uses the line, "When I will something, it should be done." A line once used by Bela Lugosi when he gave his "Great Vampire Bat Illusion" on an episode of "You Asked For It". See more »

Goofs

When undead Mina approaches Van Helsing in the mines under the graveyard, her reflection is seen in the water. When, two scenes later, Count Dracula comes into Mina's home and walks by a mirror, Van Helsing points out that he did not see Dracula in the mirror. That Lucy does cast a reflection in the water, where she ordinarily should not have, is explainable by the fact that, just before her reflection became visible, Van Helsing had dropped a crucifix into the water. That had the effect of sanctifying the water--of making it holy water, in other words; though they cast no reflections in glass or polished metals, vampires (according to one obscure detail of the superstitions about them) WILL reflect in holy water, which is the only substance capable of showing vestigial remnants of the souls they lost to damnation when they died as living beings. See more »

Quotes

Count Dracula: You are a wise man, Professor, for someone who has not lived even a single lifetime.
Prof. Abraham Van Helsing: You flatter me, Count.
Count Dracula: But not wise enough to return to Holland at once,now that you have learned what you have learned.
Prof. Abraham Van Helsing: I prefer to remain.
See more »

Connections

Referenced in There's Nothing Out There (1991) See more »

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User Reviews

 
A Gothic masterpiece. The quintessential vampire movie.
3 December 2002 | by budmasseySee all my reviews

After so many years, Lugosi's performance of Dracula wilts into camp, and the overblown Coppola version, while visually stimulating, comes across as so much hyperbole. Oldman was brilliant, but a few of his lines were poorly delivered, almost laughably so.

But Langella was the master of all vampires. His performance reels with sexual presence and a charm and sophistication that renders all other Dracula movies null and void. And why not? He had countless performances on Broadway to perfect his character, and perfect it he did. He insisted on touches, such as never wearing fangs, or never appearing with blood on his face, that added class to the vampire legend and places this version a cut above the rest.

Kate Nelligan (Prince of Tides) was so young and beautiful then and it was easy to believe that she could inspire a love that could transcend death and time. Olivier was already a ghost, and many of the scenes that involved activity no more strenuous than walking actually had to be shot with a stand in. It is rumored that Sir Larry's performance was so frail that impressionist Rich Little actually had to be called in to dub some of Olivier's lines, as he had done for David Niven in his final Pink Panther film, because the originals were virtually unintelligible given the poor health of the actors.

The brooding and regal score by John Williams drives the movie quite nicely. The film was edited by John Bloom, who a couple of years later would edit The French Lieutenant's Woman with a similar feel, and shot by Gil Taylor who shot, among other greats, the original Star Wars. Stoker would have been proud of the final result, particularly so with Langella's masterful and groundbreaking performance that launched a career. Dracula is a Gothic masterpiece that has never been given its due.

In 2004 director Badham decided to release a version in which the color had been drained from the movie, in much the same way as its central character drained color, blood and life from his victims, perhaps an intentional comparison. The "making of" featurette is delightful, and producer Mirisch's hilarious tongue in cheek observation of the "holy water" effect has already been misquoted by earnest IMDb reviewers. The remake is nice, but it was gilding the lily. And although the film was indeed improved by this modification, it had already surpassed any of its would be peers and remains the quintessential vampire movie.


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