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Dracula (1979)

In 1913, the charming, seductive and sinister vampire Count Dracula travels to England in search of an immortal bride.

Director:

John Badham

Writers:

W.D. Richter (screenplay), Hamilton Deane (play) | 2 more credits »
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ON DISC
1 win & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Frank Langella ... Count Dracula
Laurence Olivier ... Prof. Abraham Van Helsing
Donald Pleasence ... Dr. Jack Seward
Kate Nelligan ... Lucy Seward
Trevor Eve ... Jonathan Harker
Jan Francis ... Mina Van Helsing
Janine Duvitski Janine Duvitski ... Annie
Tony Haygarth ... Milo Renfield
Teddy Turner ... Swales
Sylvester McCoy ... Walter (as Sylveste McCoy)
Kristine Howarth ... Mrs. Galloway
Joe Belcher ... Tom Hindley
Ted Carroll ... Scarborough Sailor
Frank Birch ... Harbormaster
Gabor Vernon ... Captain of Demeter
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Storyline

When a ship is wrecked off Whitby, the only survivor, Count Dracula, is discovered lying on the beach by the sickly young Mina Van Helsing, who is visiting her dear friend Lucy Seward. Lucy, her fiancé Jonathan Harker (a solicitor), and her father Dr. Jack Seward (who runs the local asylum) try to make the Count feel welcome to England. The Count quickly takes the life of Mina, and proceeds to romance Lucy, with the intention of making her his greatest bride. Soon after the death of Mina, the Sewards call her father Dr. Abraham Van Helsing to come to their home. As Lucy falls deeper under the spell of the Count, Dr. Van Helsing almost immediately comes to understand that his daughter fell prey to a vampire and discovers the culprit to be none other than the Count himself. Dr. Van Helsing, Dr. Seward, and Harker work together to foil the Count's plans to take Lucy away to his native Transylvania. Written by Hillary Glendinning (jujbee_luna@yahoo.com)

Plot Summary | Plot Synopsis

Taglines:

Throughout eternity, no man has ever provoked such terrible fear, and such haunting desire. See more »

Genres:

Horror | Romance

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

UK | USA

Language:

English | Dutch | Romanian | Russian

Release Date:

20 July 1979 (USA) See more »

Also Known As:

Drácula See more »

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Box Office

Budget:

$12,164,000 (estimated)

Opening Weekend USA:

$3,141,281, 20 July 1979

Gross USA:

$20,158,970

Cumulative Worldwide Gross:

$31,235,812
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Early on during filming, Frank Langella was warned about Donald Pleasence's reputation for being an acting thief and deliberate scene-stealer. Pleasence would employ any means necessary to steal the spotlight. Any props available on the set, he would put to use. See more »

Goofs

After the vampire woman jumps through the window, Annie chases her down the corridor. Approaching the window (from her POV) we can see that the central part of the broken frame is dangling, and swinging from side to side. The view switches to outside the window (looking into the building), and the broken frame is suddenly no longer swinging. See more »

Quotes

Count Dracula: Listen to them - the children of the night. What sad music they make!
See more »

Alternate Versions

Director John Badham intended to film the movie in black and white but was forced by the studio to shoot in Technicolor. When the movie was re-released on laserdisc in 1991, at the behest of Badham, the lush color was drained from the film. All subsequent home video releases feature the desaturated print. See more »

Connections

Version of Dracula: The Impaler (2013) See more »

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User Reviews

 
To my mind, the best of all Draculas
24 September 2007 | by integralesixteenvalveSee all my reviews

Now, I'm going to forward a controversial comment. This is the BEST adaptation of Dracula yet seen and miles better than Coppola's version.

I liked this adaptation because it was a subtle take on the old legend, needing neither the overblown pretension of Coppola's rather lurid and purple-prosy presentation, nor the schlocky elements of the Hammer versions (as good as they are).

Frank Langella really was the definitive Count. He carried the role off with charm and calculation, making him far more rounded a character than Oldman did (but maybe not with the poignancy). What makes the difference though, is that Langella gets first-class back-up while (with the exception of Anthony Hopkins) Oldman was left on his own by the woodenly gruesome performances of the supporting cast (Wynona Ryder and especially Keanu Reeves were the chief culprits here). Kate Nelligan, Sir Larry and Donald Pleasance were in fine form and Trevor Eve made more of the Jonathan Harker character than Reeves ever could. Jan Francis made a believably frail Mina.

What really makes this film so good though is the superbly Gothic atmosphere. The set for the Count's castle was suitably creepy and the cinematography added to the feel of the period. Technically, Badham's version shows how much has now been lost by the reliance on CGI and digital add-ons.

That this Dracula takes it's cue from the stage adaptation rather than Stoker's original book adds a welcome element of variety. So what if it's not faithful? Does it matter? Very few films these days have this level of class and genuine skill injected into them. John Badham's version has been criminally underrated for years and slagged off by far too many ill-informed pedants. Judge for yourself. Maybe you will disagree about which adaptation is best but , pound to a penny, you won't regret watching it.


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