American marathon runner Michael Andropolis sets his heart on representing his country at the Olympic games. Meanwhile his marriage has fallen apart and his children have no respect for him... See full summary »
Steven Hilliard Stern
Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.
While doing a series of reports on alternative energy sources, an opportunistic reporter Kimberly Wells witnesses an accident at a nuclear power plant. Wells is determined to publicise the incident but soon finds herself entangled in a sinister conspiracy to keep the full impact of the incident a secret.Written by
Dave Jenkins <email@example.com>
The only film that year to be nominated for Best Actor and Best Actress Oscars. See more »
The emergency lights in the control room did not go on when the second plant accident occurred just after the SWAT team broke in. This was clearly for dramatic effect; in reality they would be on a backup power source just as the plant controls were. See more »
Evan Mc Cormack:
...and let this lunatic wipe out a billion dollar investment? At least this buys time; it will take the press an hour to get here.
I wouldn't count on it.
Evan Mc Cormack:
I'm counting on you to take care of the God damn press. Now you do your Job, and let me do mine.
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"The China Syndrome" is perhaps the first horror film that is not necessarily following the rules of the genre. It takes place in the contemporary '70's, and features people in the normal profession of broadcast television news. But, when a news story about the leakage of nuclear energy breaks; let's just say - there is your monster.
Jane Fonda is absolutely superb as Kimberley Wells, an ambitious Los Angeles reporter relegated only to fluff pieces by her sexist boss (Peter Donat). She wants something juicier, and gets it, in the form of an accident at a nuclear power plant facilitated by Jack Godell (Jack Lemmon with expressions too numerous to count). Her hippie radical cameraman (Michael Douglas, who also produced) photographs the incident without the plant's knowledge and they both agree that public safety is a valid story. The network brass doesn't think so, and soon both Fonda and Douglas are entangled in a web of legalities concerning the tape.
The crux of the film is Lemmon's character. A man torn between loyalty to his company and telling the truth - even in the face of grave consequences. What makes this horror scenario so compelling is that these are true flesh-and-blood people stuck in the most extraordinary of circumstances faced with both a threat of cosmic proportions as well as a human one.
This is a remarkably chilling thriller, and I'm disappointed that it's not taken more seriously (as both art and tract).
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