5.9/10
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15 user 9 critic

Chapter Two (1979)

George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off, and just when things are moving along, the memory... See full summary »

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(play), (screenplay)
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Nominated for 1 Oscar. Another 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
... George Schneider
... Jennie MacLaine
... Leo Schneider
... Faye Medwick
... Lee Michaels
Judy Farrell ... Gwen Michaels
... Marilyn
... Customs Officer
Imogene Bliss ... Elderly Lady in Bookstore
Barry Michlin ... Maitre d'
... Gary
Greg Zadikov ... Waiter
Paul Singh ... Waiter (as Dr. Paul Singh)
Sumant ... Waiter
Cheryl Bianchi ... Electric Girl
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Storyline

George Schneider is an author whose wife had just died. His brother Leo gives him the number of Jennie Malone, and somehow they hit it off, and just when things are moving along, the memory of his first wife comes between them. Written by <rcs0411@yahoo.com>

Plot Summary | Plot Synopsis

Taglines:

It's not supposed to happen twice in your life, but it can. See more »

Genres:

Comedy | Drama | Romance

Certificate:

PG | See all certifications »
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Details

Country:

Language:

Release Date:

30 August 1980 (Taiwan)  »

Also Known As:

Neil Simon's Chapter Two  »

Filming Locations:

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Company Credits

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Technical Specs

Runtime:

Sound Mix:

Color:

(Metro Color)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The name of the novel that George Schneider (James Caan) was writing was "Falling into Place". See more »

Quotes

George Schneider: Is it Jugens or Yurgens?
Jennie MacLaine: Neither, it's MacClaine, Jennifer MacClaine.
George Schneider: [Peering at the note] No, that's wrong.
Jennie MacLaine: I could show you my Driver's License.
See more »

Connections

Featured in Reel Bad Arabs: How Hollywood Vilifies a People (2006) See more »

Soundtracks

I'm On Your Side
Music by Marvin Hamlisch
Lyrics by Carole Bayer Sager
Sung by Marilyn McCoo
See more »

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User Reviews

Will make you GLAD you're not in a relationship.
4 May 2004 | by See all my reviews

Let's get this out of the way first. Marsha Mason is the type of actress that puts a great deal of herself into every part she plays. What Diane Keaton and Mia Farrow were to the writing skills of Woody Allen, Mason was to Neil Simon. An actress who possessed an instinct for the writers mind and interpreted his material better than anyone. In CHAPTER TWO, Mason is at her best when delivering clever Neil Simon one liners. And although she gives it her all, she cannot on her own be expected to put across some of the stickiest dialogue ever written by Neil Simon. Particularly the self righteous overly emotional speech at the end. Not even Meryl Streep could pull that one off !! Simon had written a similar speech for Mason in THE GOODBYE GIRL. About how the character likes herself now and how far she had come in her life and how grown up and wonderful she feels. Mason should have put her foot down with this monologue in CHAPTER TWO. There is no way short of a miracle that any actor can pull gooey dialogue off like that without setting nervousness up in the viewer. This is not to say that Neil Simon has failed with this piece. Some of his words hit a nice autobiographic mark and I like the confessional speech that George (James Caan) gives about all the reasons why he resents marriage the second time around. It's too bad Caan never becomes the part. He's so wooden and uncomfortable in this. Not as the character, but as an actor who can't find his way through the part. Caan looks to Mason knowing she's carrying the weight of the picture and he's hoping her performance will carry him too. The chemistry between them doesn't jell the way it did in Cinderella LIBERTY. Probably due to some of the icky dialogue displayed here. Fortunately there's top notch supporting work by Valerie Harper and Joseph Bologna. Both are at the top of their game here. Simon seems to have written the best scenes for them. While I can forgive Robert Moore's soapy direction, I cannot for my life excuse the awful music score. Indicative of most music in movies between the decade of 1976 through 1986. Inappropriate and sappy in the worst sense.

Why would anyone want to be in love after watching this picture and hearing it's sticky music? The feeling of this movie is like one of those old butter commercials with the two lovers running in slow motion towards each other. I must admit to feeling lonely before watching CHAPTER TWO. After it was over I was extremely happy that I was not in a relationship and quite content to be single for a while. Thanks Neil !!


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