During a rescue mission into the Amazon rainforest, a professor stumbles across lost film shot by a missing documentary crew.

Director:

Ruggero Deodato

Writers:

Gianfranco Clerici (story and screenplay), Giorgio Stegani (additional dialogue: Italian version)
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1,267 ( 178)

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Cast

Complete credited cast:
Robert Kerman ... Professor Harold Monroe
Francesca Ciardi ... Faye Daniels
Perry Pirkanen ... Jack Anders
Luca Barbareschi ... Mark Tomaso (as Luca Giorgio Barbareschi)
Salvatore Basile ... Chaco Losojos
Ricardo Fuentes Ricardo Fuentes ... Undetermined Role
Carl Gabriel Yorke ... Alan Yates (as Gabriel Yorke)
Paolo Paoloni ... 1st Executive
Lionello Pio Di Savoia Lionello Pio Di Savoia ... 2nd Executive (as Pio Di Savoia)
Luigina Rocchi Luigina Rocchi ... Undetermined Role
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Storyline

In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempts to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes, that no white has ever seen before, will soon start to take an interest in them. Inevitably, as the professor unearths more evidence about the fate of the film crew by sheer luck, a desperate battle to recover the raw footage that was paid in blood will commence--after all, the world must learn all about the savage and unspeakable atrocities captured on the riveting unedited footage. In the end, what has happened to the overambitious explorers, and the shocking final two reels? Written by Nick Riganas

Plot Summary | Plot Synopsis

Taglines:

Welcome to the jungle See more »

Genres:

Adventure | Horror

Certificate:

Unrated | See all certifications »

Parents Guide:

View content advisory »
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Did You Know?

Trivia

Filmmakers Oliver Stone and Eli Roth are fans of this movie. The village that burns down in Platoon bears a striking resemblance of the village in this movie. Eli Roth's Green Inferno is heavily inspired by cannibal holocaust. See more »

Goofs

During the impalement scene, the lower portion of the "stick" is perfectly smooth and straight, while the portion through her mouth is rough and somewhat jagged, like an actual tree limb. The upper part should also exit through her eye sockets. See more »

Quotes

[first lines]
PABS Reporter: Man is omnipotent; nothing is impossible for him. What seemed like unthinkable undertakings yesterday are history today. The conquest of the moon for example: who talks about it anymore? Today we are already on the threshold of conquering our galaxy, and in a not too distant tomorrow, we'll be considering the conquest of the universe, and yet man seems to ignore the fact that on this very planet there are still people living in the stone age and practicing cannibalism.
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Crazy Credits

In the end credits: "Projectionist John K. Kirov was given a two-month suspended sentence and fined $10,000 for illegal appropriation of film material. We know that he received $250,000 for the same footage." See more »

Alternate Versions

The 2-disc French Collector's Edition from Opening Distribution is uncut, but is also missing several seconds from The Last Road to Hell. See more »

Connections

References A Dog's Life (1962) See more »

User Reviews

Terminal cinema
9 April 1999 | by matt-201See all my reviews

The second word in the title is important. Ruggero Deodato's 1979 meta-snuff movie, far more than a chichi trinket like THE NIGHT PORTER, is the real Holocaust porn. Here the trigger is not frights, or even shocks, or even splatter. Atrocity is the name of Deodato's game--and the genius of this monsterpiece is that Deodato horrifyingly delivers the goods at the same time he coruscates his audience and himself.

This is a hard movie to recommend to any but those who would find it anyway; but it must be said that Deodato here created the most rigorous, critical, almost philosophical movie in the Italian horror canon. The audience's lust for Third World exoticism and envelope-pushing violence are gratified and held up to the painful light of day--and not necessarily in that order. The overwhelming feeling of this picture is of a pornographer pleading, "Stop me before I shoot again."

The conceit of the movie--an academic's journey into the Amazon to find the remains of a Western film crew devoured by cannibals--permits Deodato more Pirandellian boxes within boxes than a double bill of BLOWUP and THE PLAYER. But the atmosphere of the movie, despite scenes of cruelty so extreme you sometimes want to put out your eyeballs, is relentlessly elegiac--capped by Riz Ortolani's theme music. (It can be said with certainty that no romantic ballad was ever used underneath what Deodato stages here.)

CANNIBAL HOLOCAUST is the farthest edge of Extreme Cinema--as in Extreme Sports. It feels stuntlike, yet the combination of amplified bloodlust and world-weary regret is unique. Like Lucio Fulci's even more personal CAT IN THE BRAIN, it's an affecting enactment of an exploitation artist's conscience tearing apart.

It might make good viewing for Y2K Eve: it puts together the century's two salient words--holocaust and entertainment--as no other film did before or since.


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Frequently Asked Questions

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Details

Official Sites:

Grindhouse Releasing

Country:

Italy

Language:

English | Spanish

Release Date:

7 February 1980 (Italy) See more »

Also Known As:

Ruggero Deodato's Cannibal Holocaust See more »

Filming Locations:

Guri, Venezuela See more »

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Box Office

Budget:

$100,000 (estimated)
See more on IMDbPro »

Company Credits

Production Co:

F.D. Cinematografica See more »
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Technical Specs

Runtime:

| (heavily cut) | (animal cruelty-free) | (Québec)

Sound Mix:

Mono (RCA Sound System)| Dolby Digital (2001 re-release)

Color:

Color (Eastmancolor) (uncredited)

Aspect Ratio:

1.85 : 1
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