Three friends out to disprove cannibalism meet two men on the run who tortured and enslaved a cannibal tribe to find emeralds, and now the tribe is out for revenge.
Director:
Umberto Lenzi
Stars:
Giovanni Lombardo Radice,
Lorraine De Selle,
Danilo Mattei
An aging porn star agrees to participate in an "art film" in order to make a clean break from the business, only to discover that he has been drafted into making a pedophilia and necrophilia themed snuff film.
Director:
Srdjan Spasojevic
Stars:
Srdjan 'Zika' Todorovic,
Sergej Trifunovic,
Jelena Gavrilovic
In World War II Italy, four fascist libertines round up nine adolescent boys and girls and subject them to one hundred and twenty days of physical, mental and sexual torture.
Director:
Pier Paolo Pasolini
Stars:
Paolo Bonacelli,
Giorgio Cataldi,
Umberto Paolo Quintavalle
An oil prospector is captured by a violent and primitive cannibal tribe in the Philippines' rain forest, but he manages to escape with a female hostage and tries to locate his missing companion and their plane in order to return home.
A mad scientist kidnaps and mutilates a trio of tourists in order to reassemble them into a human centipede, created by stitching their mouths to each others' rectums.
Director:
Tom Six
Stars:
Dieter Laser,
Ashley C. Williams,
Ashlynn Yennie
A young woman's quest for revenge against the people who kidnapped and tormented her as a child leads her and a friend, who is also a victim of child abuse, on a terrifying journey into a living hell of depravity.
A group of student activists travels to the Amazon to save the rain forest and soon discover that they are not alone, and that no good deed goes unpunished.
Two teenage girls heading to a rock concert for one's birthday try to score marijuana in the city, where they are kidnapped and brutalized by a gang of psychotic convicts.
In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempt to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes that no white has ever seen before will soon start to take interest in them. Inevitably, as the professor unearths more evidence about the fate of the film crew by sheer luck, a desperate battle to recover the raw footage that was paid in blood will commence--after all, the world must know the savage and unspeakable atrocities captured on the riveting unedited footage. In the end, what has really happened to the overambitious explorers, and the shocking final two reels?Written by
Nick Riganas
When the cannibals begin to mutilate Jack, his pants are down to his ankles. When they lay him on the ground, his pants are pulled back up. See more »
Quotes
[first lines]
PABS Reporter:
Man is omnipotent; nothing is impossible for him. What seemed like unthinkable undertakings yesterday are history today. The conquest of the moon for example: who talks about it anymore? Today we are already on the threshold of conquering our galaxy, and in a not too distant tomorrow, we'll be considering the conquest of the universe, and yet man seems to ignore the fact that on this very planet there are still people living in the stone age and practicing cannibalism.
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Crazy Credits
In the opening credits: "For the sake of authenticity some of the sequences have been retained in their entirety." See more »
Alternate Versions
The Professional Cine Media Laserdisc is also uncut at a running time at almost 92 min (PAL) from Holland. See more »
The second word in the title is important. Ruggero Deodato's 1979 meta-snuff movie, far more than a chichi trinket like THE NIGHT PORTER, is the real Holocaust porn. Here the trigger is not frights, or even shocks, or even splatter. Atrocity is the name of Deodato's game--and the genius of this monsterpiece is that Deodato horrifyingly delivers the goods at the same time he coruscates his audience and himself.
This is a hard movie to recommend to any but those who would find it anyway; but it must be said that Deodato here created the most rigorous, critical, almost philosophical movie in the Italian horror canon. The audience's lust for Third World exoticism and envelope-pushing violence are gratified and held up to the painful light of day--and not necessarily in that order. The overwhelming feeling of this picture is of a pornographer pleading, "Stop me before I shoot again."
The conceit of the movie--an academic's journey into the Amazon to find the remains of a Western film crew devoured by cannibals--permits Deodato more Pirandellian boxes within boxes than a double bill of BLOWUP and THE PLAYER. But the atmosphere of the movie, despite scenes of cruelty so extreme you sometimes want to put out your eyeballs, is relentlessly elegiac--capped by Riz Ortolani's theme music. (It can be said with certainty that no romantic ballad was ever used underneath what Deodato stages here.)
CANNIBAL HOLOCAUST is the farthest edge of Extreme Cinema--as in Extreme Sports. It feels stuntlike, yet the combination of amplified bloodlust and world-weary regret is unique. Like Lucio Fulci's even more personal CAT IN THE BRAIN, it's an affecting enactment of an exploitation artist's conscience tearing apart.
It might make good viewing for Y2K Eve: it puts together the century's two salient words--holocaust and entertainment--as no other film did before or since.
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The second word in the title is important. Ruggero Deodato's 1979 meta-snuff movie, far more than a chichi trinket like THE NIGHT PORTER, is the real Holocaust porn. Here the trigger is not frights, or even shocks, or even splatter. Atrocity is the name of Deodato's game--and the genius of this monsterpiece is that Deodato horrifyingly delivers the goods at the same time he coruscates his audience and himself.
This is a hard movie to recommend to any but those who would find it anyway; but it must be said that Deodato here created the most rigorous, critical, almost philosophical movie in the Italian horror canon. The audience's lust for Third World exoticism and envelope-pushing violence are gratified and held up to the painful light of day--and not necessarily in that order. The overwhelming feeling of this picture is of a pornographer pleading, "Stop me before I shoot again."
The conceit of the movie--an academic's journey into the Amazon to find the remains of a Western film crew devoured by cannibals--permits Deodato more Pirandellian boxes within boxes than a double bill of BLOWUP and THE PLAYER. But the atmosphere of the movie, despite scenes of cruelty so extreme you sometimes want to put out your eyeballs, is relentlessly elegiac--capped by Riz Ortolani's theme music. (It can be said with certainty that no romantic ballad was ever used underneath what Deodato stages here.)
CANNIBAL HOLOCAUST is the farthest edge of Extreme Cinema--as in Extreme Sports. It feels stuntlike, yet the combination of amplified bloodlust and world-weary regret is unique. Like Lucio Fulci's even more personal CAT IN THE BRAIN, it's an affecting enactment of an exploitation artist's conscience tearing apart.
It might make good viewing for Y2K Eve: it puts together the century's two salient words--holocaust and entertainment--as no other film did before or since.