| Complete credited cast: | |||
| Robert Kerman | ... | Professor Harold Monroe | |
| Francesca Ciardi | ... | Faye Daniels | |
| Perry Pirkanen | ... | Jack Anders | |
| Luca Barbareschi | ... | Mark Tomaso (as Luca Giorgio Barbareschi) | |
| Salvatore Basile | ... | Chaco Losojos | |
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Ricardo Fuentes | ... | Undetermined Role |
| Carl Gabriel Yorke | ... | Alan Yates (as Gabriel Yorke) | |
| Paolo Paoloni | ... | 1st Executive | |
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Lionello Pio Di Savoia | ... | 2nd Executive (as Pio Di Savoia) |
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Luigina Rocchi | ... | Undetermined Role |
In 1979, intent on venturing into the vast and unexplored areas of the virgin Amazon rainforest, a small American film crew attempts to make a documentary about the region's indigenous cannibalistic tribes, only to disappear without a trace. As the noted anthropologist, Harold Monroe, and his team of seasoned guides embark on a rescue mission to locate the missing documentarians in the heart of the Green Inferno, fearful tribes, that no white has ever seen before, will soon start to take an interest in them. Inevitably, as the professor unearths more evidence about the fate of the film crew by sheer luck, a desperate battle to recover the raw footage that was paid in blood will commence--after all, the world must learn all about the savage and unspeakable atrocities captured on the riveting unedited footage. In the end, what has happened to the overambitious explorers, and the shocking final two reels? Written by Nick Riganas
Cannibal Holocaust truly is one of the most disturbing and uncomfortable films I've ever seen. Released in 1980, the movie has gained a reputation over the years as being one of the most controversial films ever made, and I think it rightfully deserves that title. Now this is a hard film to recommend, especially considering all of the brutal onscreen violence, rape, dismemberment, genital mutilation, and of course the incredibly hard to watch real life animal killings. However, whether you love or hate the film you can't argue that it's very well crafted. As with most Italian movies the cinematography is great, the soundtrack beautiful and the locations exotic. The tropical scenery truly is stunning to watch and music even greater to listen to.
The film focuses on a group of young film makers who venture out into the Amazon Rainforest to make a documentary on the local tribes, and as to be expected they never return. A professor is destined to recover the lost footage to put the story to rest and hopefully find out what happened to the crew. What unravels next is an example of one of the earliest found footage horror films ever conceived, made nearly two decades before The Blair Witch Project, and similar to that film the director strived to convince the audience that what they were seeing was real, so much so that he had the actors sign contracts to disappear from the media for a year to let the realism of the film sink in which later lead to his arrest, as the courts were convinced that the deaths depicted in the movie were genuine. However once he was able to get in touch with the actors and have them appear in court all charges were dropped, other than a small fine for the animal killings.
From its shocking visuals to its gritty realism Cannibal Holocaust is a very effective film that, like many people have said, is very realistic and has a much deeper meaning to it than one might think. Director Ruggero Deodato's intention (or so I think) was to make a film that deglorified our civilized society, showing the viewer that we, the civilized people, are the true monsters, not the cannibals. The movies' pessimistic tone and negative outlook on society actually makes for an overall depressing and unpleasant experience, a film that truly makes you feel bad in the end.
The movie has quite a sporadic fan base, with famous directors like Oliver Stone, Quentin Tarantino and Sergio Leone all supposedly being confessed fans of it. So much in fact that Oliver Stone payed homage to the film by replicating one of the most famous scenes in his movie Platoon (1986) and Sergio Leone wrote a letter of gratitude to Deodato complimenting him on the realism and the ability to produce such an effective and encaptivating movie. If you're looking for a fun horror film to watch with friends this is definitely not it. The movie is very dark and unsettling, making the viewer feel horrible after watching. Approach with caution, this movie is not for the squeamish, faint of heart, or easily offended and I suggest that those younger than 17 should avoid completely, only recommended to the most hardcore of horror fans and exploitation enthusiasts. You have been warned.