| Cast overview, first billed only: | |||
| Oliver Reed | ... | Dr. Hal Raglan | |
| Samantha Eggar | ... | Nola Carveth | |
| Art Hindle | ... | Frank Carveth | |
| Henry Beckman | ... | Barton Kelly | |
| Nuala Fitzgerald | ... | Juliana Kelly | |
| Cindy Hinds | ... | Candice Carveth | |
| Susan Hogan | ... | Ruth Mayer | |
| Gary McKeehan | ... | Mike Trellan | |
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Michael Magee | ... | Inspector |
| Robert A. Silverman | ... | Jan Hartog (as Robert Silverman) | |
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Joseph Shaw | ... | Coroner |
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Larry Solway | ... | Lawyer |
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Reiner Schwarz | ... | Dr. Birkin |
| Felix Silla | ... | Creature | |
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John Ferguson | ... | Creature |
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods. Written by Ed Sutton <esutton@mindspring.com>
A great early film from the one and only, "Baron of Blood."
A husband is going through a hard time in his life when he must care for his daughter after his wife was sent away to a mental institution. The doctor running the institution is respected in his field, but controversial in his methods and there is a smell of something foul in the air. Things only get worse for the husband when his in-laws are killed some strange little monsters and his daughter winds up with scars after visiting her mother in the hospital. Added to that the doctor refuses to talk about the man's wife and he seems to treat her as somewhat of a prized patient giving her special care. He goes, on his own to investigate and discovers the horror behind everything that happened... The Brood.
The story is told in a very classical sense of the word horror, almost like Poe with a slow beginning, a sense of doubt and confusion in the middle, and a shocker and a kicker of an ending. And, as all good horror, there is some great visceral metaphor mixed in to the story. With this film David Cronenberg put himself on the road to the ranks of the horror film-making elite. 8/10
Rated R: violence, gore, and some profanity