A young woman develops a taste for human blood after undergoing experimental plastic surgery, and her victims turn into rabid, blood-thirsty zombies who proceed to infect others, which turns into a city-wide epidemic.
After getting into a serious car accident, a TV director discovers an underground sub-culture of scarred, omnisexual car-crash victims who use car accidents and the raw sexual energy they produce to try to rejuvenate his sex life with his wife.
The famous drag racer Lonnie 'Lucky Man' Johnson is the star of the Fast Company, managed by the corrupt Phil Adamson Lonnie is the mentor of the promising funny car racer Billy 'The Kid' ... See full summary »
A man's wife is under the care of an eccentric and unconventional psychologist who uses innovative and theatrical techniques to breach the psychological blocks in his patients. When their daughter comes back from a visit with her mother and is covered with bruises and welts, the father attempts to bar his wife from seeing the daughter but faces resistance from the secretive psychologist. Meanwhile, the wife's mother and father are attacked by strangely deformed children, and the man begins to suspect a connection with the psychologist's methods.Written by
Ed Sutton <email@example.com>
In the watching after his daughter (Candy) going into the school doorway scene, the other leaving woman (Mother?: in red coat) there is shown turning and leaving from the shot: next shot from rear of (Candy's father) Frank (A. Hindle) at distance looking on, shows the same person (Mother?) still dropping off her child and once again turning to leave. See more »
The point isn't whether we win the Court Case, the point is to have it, so there's the association: "Psychoplasmics gives you Cancer".
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Special thanks to Dr. Denton: Sleepware. See more »
The U.S. DVD released by MGM is the full uncut version despite carrying an R rating. The English, French, Dutch and Japanese DVDs are all the cut R rated version although the French and Dutch discs are excellent quality. See more »
David Cronenberg has always possessed a flair for unique and disturbing visions infused with the trimmings of a genre that can be best referred to as "biohorror." "The Brood," his tale of hideous mutant children who do the bidding of mentally disturbed Nola (Samantha Eggar) under the care of new-wave psychiatrist Dr. Raglan (Oliver Reed, with a quietly sophisticated Peter Cushing sensibility), is buffered by fine performances that veer away from camp. In a way, one of Cronenberg's achievements is writing such outlandish material and making it entirely convincing and visceral, as opposed to merely settling on B-movie cheesiness, which I admire. As is the case with most Cronenberg films, here 'reality' is made the most atypical place where man can reside, and the clever script is always one careful step ahead of the audience.
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