Best friends Dave, Mike, Cyril and Moocher have just graduated from high school. Living in the college town of Bloomington, Indiana, they are considered "cutters": the working class of the town so named since most of the middle aged generation, such as their parents, worked at the local limestone quarry, which is now a swimming hole. There is great animosity between the cutters and the generally wealthy Indiana University students, each group who have their own turf in town. The dichotomy is that the limestone was used to build the university, which is now seen as being too good for the locals who built it. Although each of the four is a totally different personality from the other three, they also have in common the fact of being unfocused and unmotivated in life. The one slight exception is Dave. Although he has no job and doesn't know what to do with his life, he is a champion bicycle racer. He idolizes the Italian cycling team so much he pretends to be Italian, much to the chagrin...Written by
The "Cutters" team won the race in 2004, the 25th anniversary of the film in a much similar fashion to the ending of the film by beating out the "ATO" team (but the team was made up of non-Greek students, two of which were Bloomington locals who were attending Indiana University). See more »
I believe I saw on a campus scene a large "I" which I think is the logo for the University Of Illinois whereas the movie is in Indiana. See more »
God-damned see-thru coffee!
He was very sickly until he started riding around on that bicycle.
Yeah... well... now his body's fine, but his mind is gone.
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This film was a pleasant surprise. No sex, no violence, no special effects. Just an incredibly literate and humorous script (which won an Oscar for Steve Tesich) and fantastic performances by the four leads. This is a film for those who still believe that good cinema requires meaningful dialogue and acting that is achingly real in its sincerity. Don't get me wrong: sex and violence have a very real and justifiable place in film; but this movie would have suffered from such a gratuitous inclusion. Peter Yates, the director, has done a fantastic job of pacing the film, and the score, consisting mostly of Rossini overtures, and excerpts from Mendelssohn's "Italian" Symphony (#4 in A Major, Op. 90), is an inspired touch, adding precisely the right atmosphere. This is the kind of low-budget triumph that the film community constantly extols for P.R. purposes, yet never supports with actual awards.
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