At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
Laschen, a German journalist, travels to the city of Beirut during the fights between Christians and Palestinians to produce an essay about the situation. Together with his photographer, he... See full summary »
In the late nineteenth century Paris, Briton Charles Swann, a man of wealth and culture, runs among the social set. That life is threatened when he falls in love with Odette de Crécy, a ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on...Written by
The film was initially banned in Ireland. After an appeal, it was released theatrically, uncut, in 1981. See more »
When Oskar breaks the teacher's glasses, the pattern of spots on his face change. See more »
You must join us, you must!
You know, Mr. Bebra... to tell the truth, I prefer to be a member of the audience, and let my little art flower in secret.
My dear Oskar, trust an experienced colleague. Our kind must never sit in the audience. Our kind must perform and run the show, or the others will run *us*. The others are coming. They will occupy the fairgrounds, they will stage torchlight parades, build rostrums, fill the rostrums, and from those rostrums preach our destruction.
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Although reluctant to do so the BBFC were forced to remove 19 secs from UK cinema and video versions under the Protection of Children Act to remove a scene showing Oskar pressing his face against Maria's pubic region. The cuts were waived in 2003 when it was decided that the scene did not constitute an indecent image. See more »
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II.
This is very much a fantasy film. IMDb says it is a war drama, which is true enough, being set in the place and time that it is. But this is less about the war and more about Oskar, which I think makes it a fantasy film. His imagination is incredible, or perhaps more incredible is the idea that none of this is his imagination at all. His ability to alter the world around him is quite interesting.
The idea of a tin drum as a symbol of protest makes sense. It becomes even more interesting when put in the hands of a small child, protesting against life itself. Such an action is unheard of.
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