At a boarding school in the pre-war Austro-Hungarian Empire, a pair of students torture one of their fellow classmates, Basini, who has been caught stealing money from one of the two. The ... See full summary »
An almost accidental romance is kindled between a German woman in her mid-sixties and a Moroccan migrant worker around twenty-five years younger. They abruptly decide to marry, appalling everyone around them.
Rainer Werner Fassbinder
El Hedi ben Salem,
The end of the 19th century. A boat filled with Swedish emigrants comes to the Danish island of Bornholm. Among them are Lasse and his son Pelle who move to Denmark to find work. They find ... See full summary »
Max von Sydow,
Danzig in the 1920s/1930s. Oskar Matzerath, son of a local dealer, is a most unusual boy. Equipped with full intellect right from his birth he decides at his third birthday not to grow up as he sees the crazy world around him at the eve of World War II. So he refuses the society and his tin drum symbolizes his protest against the middle-class mentality of his family and neighborhood, which stand for all passive people in Nazi Germany at that time. However, (almost) nobody listens to him, so the catastrophe goes on...Written by
There are several references (on the English soundtrack/ subtitles) to 'Kashubians'. Jan Bronski is referred as a Kashubian by Alfred Matzerath. Kahsubia is an ethnic group, centred on north-central Poland, with the nominal capital being Gdansk (Danzig). Kashubians were considered by the Nazis as of German stock/ extraction. See more »
In the basement scene where the Russian soldiers gang-rape Lina while the others watch helplessly, the attractive Maria, Oskar's adoptive mother, is left alone as she clings to him in a corner. However, the reality of the Red Army occupation was such that she very likely would not have been spared that indignity. According to a Soviet war correspondent covering the downfall of Berlin in 1945, the occupying forces were raping "every German female from 8 to 80". See more »
You must join us, you must!
You know, Mr. Bebra... to tell the truth, I prefer to be a member of the audience, and let my little art flower in secret.
My dear Oskar, trust an experienced colleague. Our kind must never sit in the audience. Our kind must perform and run the show, or the others will run *us*. The others are coming. They will occupy the fairgrounds, they will stage torchlight parades, build rostrums, fill the rostrums, and from those rostrums preach our destruction.
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Although reluctant to do so the BBFC were forced to remove 19 secs from UK cinema and video versions under the Protection of Children Act to remove a scene showing Oskar pressing his face against Maria's pubic region. The cuts were waived in 2003 when it was decided that the scene did not constitute an indecent image. See more »
"That day, thinking about the grown-up world and my own future, I decided to call a halt. To stop growing then and there and remain a three-year-old, a gnome, once and for all" - Oskar Metzertath
The Tin Drum is based on Gunter Grass's highly acclaimed novel which used magic realism to capture the madness of war, and the folly of the people who made it possible. This movie only tackles the first two sections of the novel, leaving out the post-war events. The film won the Academy Award for Best Foreign film in 1980, and the Palm d'Or at Cannes. It was also banned in Oklahoma as "child pornography". Despite moments of brilliance, The Tin Drum left me feeling incomplete and curiously unmoved.
It is a very different kind of film from the others I saw this week, using satire and surrealism to explore people's reactions during the period from 1939 to 1945. It seems to be saying that it is all right to stop growing (that is, participating in the world) as a protest against the cynicism and corruption of the adult world. The setting for the majority of the film, Danzig (now Gdansk) is a major northern port town in Poland. Danzig was a free and independent city until September 1, 1939, when it became the first region taken by Germany at the outset of WWII. After the war, Danzig became a part of Poland again.
The Tin Drum is the story of Oskar Matzerath, a boy who grows up in Eastern Germany before and during World War II. Oskar decides the only way to protest being part of the adult world is by banging on his drum and remaining a child forever. This is his rebuttal of society and his tin drum is his protest against the mentality of his family and neighborhood, or perhaps against all passive people in Nazi Germany at that time. Oskar tries to shock the world out of its inhumanity. His life reflects Germany's struggle to free itself from its own dream of Teutonic superiority and find peace in the national soul.
David Bennent as Oskar gives an outstanding performance, creating a character that is both haunting and frightening. He looks like a little man in a child's body but his eyes are deep and have a very knowing look that seemed to be looking right through me.
Oskar is not a cute little updated version of Peter Pan. Since age three (when he was given his first tin drum), Oskar can scream with such a high pitch that he can shatter any piece of glass. He even controls his scream to the point where he can break windows on the other side of the city, or etch writing into glass. Oskar uses his ability to manipulate and control the adult world, often using vicious and cynical snide comments about the insanity around him. At one point, he disrupts a Nazi rally by changing the beat of his tin drum to the Blue Danube which the band then follows. The ensuing scene where the crowd breaks into a dance and the rain comes down leaving the Nazi soldiers bewildered is one of the best in the film.
I found the scenes where Oskar joins a midget troupe and finds loving companions of his own kind to be very tender and moving. However, the film became morally ambiguous for me when Oskar and his troupe decide to entertain the Nazi soldiers at the front lines. Schlondorff never really makes it clear what his motivations are and Oskar's actions seems to contradict his essentially anarchist protest for most of the film. The Tin Drum also contains some objectionable scenes of childhood sexuality and grotesque depictions of slithering eels being caught using a severed horse head as bait. The result, needless to say, is stomach churning.
I found The Tin Drum to be absorbing and thought provoking yet, despite moments of brilliance, for me it did not add up to a totally satisfying experience.
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