The Black Stallion (1979)

While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion who is brought on board and stabled in the ship he is sailing on. When it tragically sinks ... See full summary »

Director:

Carroll Ballard

Writers:

Melissa Mathison (screenplay), Jeanne Rosenberg (screenplay)

Stars:

Kelly Reno, Mickey Rooney, Teri Garr

Nominated for 2 Oscars. Another 8 wins & 4 nominations.

Cast

Cast overview, first billed only:
Kelly Reno	...	Alec Ramsey
Mickey Rooney	...	Henry Dailey
Teri Garr	...	Alec's Mother
Clarence Muse	...	Snoe
Hoyt Axton	...	Alec's Father
Michael Higgins	...	Neville
Ed McNamara	...	Jake
Larbi Doghmi	...	Arab (as Dogmi Larbi)
John Burton	...	Jockey #1
John Buchanan	...	Jockey #2
Kristen Vigard	...	Becky
Fausto Tozzi	...	Rescue Captain
John Karlsen	...	Archeologist (as John Karlson)
Leopoldo Trieste	...	Priest
Frank Cousins	...	African Chieftain

Storyline

While traveling with his father, young Alec becomes fascinated by a mysterious Arabian stallion who is brought on board and stabled in the ship he is sailing on. When it tragically sinks both he and the horse survive only to be stranded on a desert island. He befriends it, so when finally rescued, both return to his home where they soon meet Henry Dailey, a once-successful trainer. Together they begin training the stallion to race against the fastest horses in the world.

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Plot Keywords:

black horse | horse | boy horse relationship | shipwreck | castaway | 

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Genres:

Adventure | Family | Sport

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Certificate:

G

Details

Official Sites:

Black Stallion, Inc. MGM

Country:

USA

Language:

English Arabic Italian

Release Date:

17 October 1979 (USA)

Also Known As:

El corcel negro

Filming Locations:

Liberty Theater - 1203 Commercial Street, Astoria, Oregon, USA

Box Office

Budget:

$2,700,000 (estimated)

Gross USA:

$37,799,643, 31 December 1980

Company Credits

Production Co:

Omni Zoetrope

Technical Specs

Runtime:

118 min

Sound Mix:

70 mm 6-Track (70 mm prints) Dolby (35 mm prints)

Color:

Color

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

Filming began in Toronto on July 4, 1977. The summer of 1977 in Canada was one of the wettest and hottest on record, and delays were caused by the torrents of rain that flooded the Woodbine Racetrack, creating a two-foot-deep layer of mud. At the end of August the film crew headed for the sunny Mediterranean, where they faced a new set of problems.

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Goofs

When the horse is frightened by trash collectors, it is seen to run down a lane. There is a red sports car parked at the end. The car is an MG model TD, which was put into production either late in 1951, or early 1952. It looks period, but isn't.

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Quotes

[first lines]
Alec Ramsey: Dad... you know what I saw? It's the most fantastic thing... come look!
Mr. Ramsey: [to the other poker players] My son.
Mr. Ramsey: Hey! Look, son, I'll tell you, I'm really busy, but... I'll tell you what I do need. I need some good luck.

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Connections

Followed by The Black Stallion Returns (1983)

User Reviews

A beautiful film about solitude, interdependence, survival, and achievement.

The first thing that strikes you when you see "The Black Stallion" is its cinematography. However the vivid colours are only the doorway into the film. It is important to remember that the title is not "The Stallion" but "The Black Stallion". It is the title's first announcement of bold colour and the connotations of power in "Stallion" that introduce a richness of dichotomies. There is the black horse and the white boy (would the film really have been the same with the ubiquitous white horse?). There is the contrast between the horse's power and the boy's frailty. The scenes on the island and the scenes in the city. Indeed, the film's running time is almost split down the middle between this last contrast. There is also the contrast between the boy and the old man he befriends, and many others. But most importantly, there is the contrast between solitude and companionship. There are a lot of lonely characters in this film. Everyone from the horse to the boy, to the trainer to the boy's mother seem to be trying to struggle through life on their own. It is this quest to deal with loneliness that is the film's most profound achievement. It is not so much a condemnation of solitude as an analysis between its benefits compared to the benefits of companionship. Whether or not "The Black Stallion" answers these questions is something the viewer will have to decide for themselves. I believe the film asks more questions than it answers. Although some may find the film's ending a bit too predictable and sacharine tasting, the overall effect of the film's beauty and its questions concerning solitude and survival, erase any minor faults the movie may contain. Part "Androcles and the Lion" and part "National Velvet", "The Black Stallion" is more than a childrens' movie. It brings together the "blackness" (as in the black void of space) of loneliness with the stallion's individual power to show how all of us are alone in a fundamental way but that we also have an ability within us to not only survive but draw great things from it. We can fulfill through our particular skills and abilities the necessary requirement of helping each other without losing the strength we receive from our individual independence and uniqueness.