Simple-minded gardener Chance has spent all his life in the Washington D.C. home of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run-in with a limousine, he ends up a guest of Eve and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.Written by
Scott Renshaw <firstname.lastname@example.org>
Peter Sellers was nominated for the Oscar for Best Actor. Some said the reason Sellers lost was because of the outtakes at the very end of the movie as the credits are rolling. Sellers himself later said the outtakes "broke the spell" of the movie. See more »
When the President is shown aboard Air Force One asking aids about "Chancey Gardner", immediately prior is shown a twin engine Boeing 737 taking off. A 737 has never been outfitted as a presidential plane. More accurately, a Boeing 707 taking off should have been shown. See more »
Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes. See more »
There are two known versions of the closing credits. One features outtakes from the film featuring Sellers during the scene where Chance is getting his leg examined. And the second version, added in at the behest of Peter Sellers who was not happy with its inclusion, features the credits rolling over static, accompanied by the film's theme and sound clips from various television programs, and closed by a clip from a Gatorade commercial from the era. Most prints on television and home video use the first version of the credits. Version #2 was used on the general theatrical release, and in the 1980 MGM/CBS Home Video release of the film. Version #1 was reinstated when the film was reissued on video by CBS/FOX Video in 1983. See more »
On the face of it, this was always going to be a cinematic treat. Hal Ashby, who in my opinion had the greatest sense of humour in Hollywood directing Peter Sellers, one of the finest comic actors of all time.
What i didn't expect was an excellent supporting cast with superb performances from Shirley MacLaine and Melvyn Douglas and a watertight script from Kosinski. What gave me the biggest pleasure was Ashby's subtle portrayal of his own politics. Sellers' character's rise and rise is set against, in the beginning at least, images of the socially deprived. In most of Ashby's films there is a strong sense of the anti-establishment but what is brilliant in this movie is that Ashby gets inside the establishment to ridicule it and yet at the same time bring across a strong sense of humanity in the richer character's isolation and loneliness.
Politics or not Ashby's perfect pacing bring the best out of Sellers whose film career, Strangelove aside, was hit and miss. This movie is definitely a hit from the most underrated film director Hollywood has ever had the arrogance to forget to miss.
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