Being There (1979)

A simple, sheltered gardener becomes an unlikely trusted advisor to a powerful businessman and an insider in Washington politics.

Director:

Hal Ashby

Writers:

Jerzy Kosinski (novel), Jerzy Kosinski (screenplay)

Stars:

Peter Sellers, Shirley MacLaine, Melvyn Douglas

Won 1 Oscar. Another 12 wins & 15 nominations.

Cast

Cast overview, first billed only:
Peter Sellers	...	Chance
Shirley MacLaine	...	Eve Rand
Melvyn Douglas	...	Benjamin Rand
Jack Warden	...	President 'Bobby'
Richard Dysart	...	Dr. Robert Allenby
Richard Basehart	...	Vladimir Skrapinov
Ruth Attaway	...	Louise
David Clennon	...	Thomas Franklin (as Dave Clennon)
Fran Brill	...	Sally Hayes
Denise DuBarry	...	Johanna Franklin
Oteil Burbridge	...	Lolo
Ravenell Keller III	...	Abbaz
Brian Corrigan	...	Policeman by White House
Alfie Brown	...	Old Woman asked for lunch (as Alfredine Brown)
Don Jacob	...	David (as Donald Jacob)

Storyline

A simple-minded gardener named Chance has spent all his life in the Washington D.C. house of an old man. When the man dies, Chance is put out on the street with no knowledge of the world except what he has learned from television. After a run in with a limousine, he ends up a guest of a woman (Eve) and her husband Ben, an influential but sickly businessman. Now called Chauncey Gardner, Chance becomes friend and confidante to Ben, and an unlikely political insider.

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Plot Keywords:

gardener | businessman | washington d.c. | television | politics | 

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Taglines:

Life is a state of mind.

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Genres:

Comedy | Drama

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Certificate:

PG

Details

Country:

USA West Germany

Language:

English Russian Italian

Release Date:

26 May 1980 (Denmark)

Also Known As:

Being There

Filming Locations:

937 M Street NW, Washington, District of Columbia, USA

Box Office

Gross USA:

$30,177,511

Company Credits

Production Co:

BSB, CIP, Lorimar Film Entertainment

Technical Specs

Runtime:

130 min

Sound Mix:

Mono

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1

Did You Know?

Trivia

The film is included on Roger Ebert's "Great Movies" list.

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Goofs

When Chance is watching himself on the large screen in the store window display, he uses his home remote control to try and change the channels on that set, but it controls another TV instead. However the remote is of the earlier "ultrasonic" technology, and these sound waves DO NOT pass through glass at the required strength needed to work. Those of us born before the movie can recall that jiggling your keys would make a remote controlled TV unwittingly change channels, or turn off and on. At about this same time the now common "infrared" RCs were coming out, albeit at outrageous prices. These signals CAN in effect pass through glass, despite some losses due to reflection. For the scene to be technically correct they should have used an IR remote, which would not make those "ringing bell" metallic sounds.

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Quotes

[first lines]
Chance the Gardener: Good morning, Louise.
Louise: He's dead, Chance. The old man's dead.
Chance the Gardener: I see.
[Chance goes back to watching TV]

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Crazy Credits

Under the end titles of the theatrical release are outtakes of Peter Sellers as Chance recounting the encounter with Abbaz. Sellers breaks character and laughs during each attempt. The lines do not appear in the movie. Certain versions of the film have credits with white text on a black background without the outtakes.

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Alternate Versions

In different versions, the credits are either shown over retakes of Chance saying a line that was not in the movie, or (for TV and video) shown over TV white noise.

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Connections

Features Jezebel (1938)

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Soundtracks

Different Ways
Performed by Buffy Sainte-Marie and Caroll Spinney

User Reviews

A well-kept secret

This film is an absolute jewel. The main character, played by Peter Sellers, is the exact opposite of the film itself. Chauncey/Chance is simple, vapid, unconcerned and utterly unselfconscious, yet he radiates an image of being ponderous, calculating, and complex. The film is deceptively straightforward and uncomplicated on the surface, but is rich and complex upon reflection. The film is very enigmatic (even the title seems to make no sense, even though it seems like it should) and lends itself to interpretation. This is one of those films that you have to talk about after seeing it, and you'll find endless points of view to consider. More than that, however, this film is historically fascinating. Taken as a whole, the movie, the book, the behind the scenes intrigue, the place it holds in the careers of the Stars, the writers and the directors, makes this an exceptionally interesting and enjoyable film.