A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action, while attempting to liberate a twelve-year-old prostitute.
Robert De Niro,
A family heads to an isolated hotel for the winter where an evil spiritual presence influences the father into violence, while his psychic son sees horrific forebodings from the past and of the future.
After a space merchant vessel perceives an unknown transmission as a distress call, its landing on the source moon finds one of the crew attacked by a mysterious lifeform, and they soon realize that its life cycle has merely begun.
It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him! Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will...Written by
After Martin Sheen recovered from his heart attack, there was concern that he looked too healthy to be the war-weary cynical assassin that Willard was towards the end of his mission. See more »
When Johnson is painting the Playmate of the Year's face, you see a shot of her forehead already painted black. About a minute later, her forehead is clean and he is applying the black makeup, seemingly for the first time. See more »
Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
When I was home after my first tour, it was worse.
[grabs at flying insect]
I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room...
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There are no opening credits in the film. The title can be seen as graffiti in the Kurtz compound late in the film. See more »
Somewhere on IMDb there is a discussion about the greatest director of all times (Spielberg, Copolla and others are named there). The greatest argument was around Spielberg and whether he is or isn't a great director. The problem with Spielberg is that while he is a master technician, most of his films lack depth.Saving Ryan is really outstanding from a technical point of view, but its message is dull and while its very entertaining, it doesn't make you think about anything. AN is the best movie I ever saw because it combines great shooting with a deep philosophical perspective on so many things, starting from war in general, the clash of civilizations, the condition of soldier in wartimes (is a soldier a hero or an assassin? Brando says he is neither, the french lady says he is both ...) and many others. The problem with some people is that they try to argue about whether these points are true or false. But a great movie, and a great piece of art in general is supposed to spark arguments, not to solve them ... Maybe Coppola is right, or maybe he isn't, nobody holds the truth anyway. You can watch this movie for its outer beauty, amazing scenes, great acting and memorable quotes and you will be entirely satisfied. But what really make this movie a masterpiece is its inner quality. You can't help but make a comparison with the recent Fahrenheit documentary.Both Copolla and Moore tackle similar issues, but while Copolla presents matters from an outside , objective point of view, Moore takes a very partisan position that really compromises the whole point of a documentary ... It is really a shame that a film like Fahrenheit 9/11 won a prestigious award like Cannes. But anyway, if you want to start to understand a little of the Vietnam war, the Iraq war, the second World War and any war in general, you should definitely see this movie, and not the other one ...
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