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Apocalypse Now (1979)

Trailer
1:30 | Trailer

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During the Vietnam War, Captain Willard is sent on a dangerous mission into Cambodia to assassinate a renegade Colonel who has set himself up as a god among a local tribe.

Director:

Francis Ford Coppola (as Francis Coppola)

Writers:

John Milius, Francis Ford Coppola (as Francis Coppola) | 1 more credit »
Popularity
435 ( 100)
Top Rated Movies #49 | Won 2 Oscars. Another 18 wins & 31 nominations. See more awards »

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Cast

Cast overview, first billed only:
Marlon Brando ... Colonel Walter E. Kurtz
Martin Sheen ... Captain Benjamin L. Willard
Robert Duvall ... Lieutenant Colonel Bill Kilgore
Frederic Forrest ... Jay 'Chef' Hicks
Sam Bottoms ... Lance B. Johnson
Laurence Fishburne ... Tyrone 'Clean' Miller (as Larry Fishburne)
Albert Hall ... Chief Phillips
Harrison Ford ... Colonel Lucas
Dennis Hopper ... Photojournalist
G.D. Spradlin ... General R. Corman
Jerry Ziesmer ... Jerry, Civilian
Scott Glenn ... Lieutenant Richard M. Colby
Bo Byers Bo Byers ... MP Sergeant #1
James Keane ... Kilgore's Gunner
Kerry Rossall ... Mike from San Diego
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Storyline

It is the height of the war in Vietnam, and U.S. Army Captain Willard is sent by Colonel Lucas and a General to carry out a mission that, officially, 'does not exist - nor will it ever exist'. The mission: To seek out a mysterious Green Beret Colonel, Walter Kurtz, whose army has crossed the border into Cambodia and is conducting hit-and-run missions against the Viet Cong and NVA. The army believes Kurtz has gone completely insane and Willard's job is to eliminate him. Willard, sent up the Nung River on a U.S. Navy patrol boat, discovers that his target is one of the most decorated officers in the U.S. Army. His crew meets up with surfer-type Lt-Colonel Kilgore, head of a U.S Army helicopter cavalry group which eliminates a Viet Cong outpost to provide an entry point into the Nung River. After some hair-raising encounters, in which some of his crew are killed, Willard, Lance and Chef reach Colonel Kurtz's outpost, beyond the Do Lung Bridge. Now, after becoming prisoners of Kurtz, will... Written by Derek O'Cain

Plot Summary | Plot Synopsis

Taglines:

The Horror. . . The Horror. . .

Genres:

Drama | War

Motion Picture Rating (MPAA)

Rated R for disturbing violent images, language, sexual content and some drug use | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

American Zoetrope

Country:

USA

Language:

English | French | Vietnamese

Release Date:

15 August 1979 (USA) See more »

Also Known As:

Apocalypse Now: The Complete Dossier See more »

Filming Locations:

Philippines See more »

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Box Office

Budget:

$31,500,000 (estimated)

Opening Weekend USA:

$118,558, 19 August 1979, Limited Release

Gross USA:

$83,471,511
See more on IMDbPro »

Company Credits

Production Co:

Zoetrope Studios See more »
Show more on IMDbPro »

Technical Specs

Runtime:

| (Redux) | (workprint)

Sound Mix:

70 mm 6-Track (70 mm prints)| Dolby Digital (Redux version)| Dolby Stereo (35 mm prints)| DTS (Redux version)

Color:

Color (Technicolor)

Aspect Ratio:

2.39 : 1
See full technical specs »
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Did You Know?

Trivia

Randy Thom, one of the film's sound mixers, said that the sound mix took over nine months to complete. See more »

Goofs

When the PBR leaves the Do Lung bridge, it has a radar dome. When they cut to the next river day scene, it doesn't. then, when chef hands out the mail, it does. For the rest of the trip, it's not there. Captain Willard even sits on where it should be when they reach Kurtz's lair. See more »

Quotes

[first lines]
Willard (voice-over): Saigon... shit; I'm still only in Saigon... Every time I think I'm gonna wake up back in the jungle.
Willard (voice-over): When I was home after my first tour, it was worse.
[grabs at flying insect]
Willard (voice-over): I'd wake up and there'd be nothing. I hardly said a word to my wife, until I said "yes" to a divorce. When I was here, I wanted to be there; when I was there, all I could think of was getting back into the jungle. I'm here a week now... waiting for a mission... getting softer. Every minute I stay in this room...
See more »

Crazy Credits

There are four different treatments of the end credits, all four are available in different VHS, laserdisc, DVD and TV prints of the film...... When the film premiered in a limited 70mm format, it had no beginning or end credits, nothing but a one-line Omni Zoetrope copyright notice at the end. Programs were passed out to theater goers in lieu of any credits. When the film went into its wide release its format was 35mm. This version included end credits rolling over surrealistic explosions and burning jungle, showing the Kurtz compound being destroyed. When Coppola heard that people were assuming that the explosions during the end credits of the 35mm version meant that an air strike had been called in on the Kurtz compound (which is not what he wanted audiences to think) he quickly re-edited the 35mm version to have the end credits rolling over a simple black background and a slightly altered musical score. The "Redux" version also has the end credits over a black background but in different screen fonts and including additional "Redux" inserted cast members. See more »

Alternate Versions

The theatrical and Redux DVDs released by Paramount Pictures and Lions Gate Studios in the United States, as well as the earlier letterbox VHS and LaserDisc releases, were re-framed in DP 's preferred 2.00:1 "Univision" format. The Lions Gate US Blu-ray release, however, restores the film's original 2.39:1 aspect ratio (although the packaging reads 2.35:1). See more »

Connections

Referenced in Sarah Palin Media Addict (2011) See more »

Soundtracks

The End
by Jim Morrison (as The Doors), Ray Manzarek (as The Doors), Robby Krieger (as The Doors), John Densmore (as The Doors)
Performed by The Doors
Courtesy of Elektra/Asylum Records
See more »

Frequently Asked Questions

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User Reviews

 
One of the best and most important movies ever
12 January 2005 | by jande9See all my reviews

This movie changed the art of film making, telling a complex story in a powerful new way. The film mixes brutal realism with fantasy, intercutting a modern war with strange scenes full of technicolour smoke. The film uses music not as a score laid in later, but as a practical part of the scene playing from speakers, radios etc. Coppola uses a classic piece of literature as inspiration, taking scenes and characters, and putting them into entirely different surroundings. That is a tricky and brave thing to do. Then he takes a superstar, Brando, pays him a fortune, and films him so that you can barely see his face. The pure guts that such a move requires is astounding, and it works beautifully. This movie belongs in the top ten.


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