Richard Dreyfuss was originally cast in the role of Joe Gideon but left the production during the rehearsal stage, citing a lack of confidence in the production. He later admitted that he made a mistake in passing up the chance to work with Bob Fosse.
Bob Fosse's 16-year-old daughter, Nicole Fosse, appears briefly as a dancer, doing stretches in front of a vending machine, who is asked, "Would you mind doing that somewhere else?" while Joe Gideon is introducing his new idea for the Air-otica number.
Columbia Pictures did not originally want Roy Scheider for the role of Joe Gideon. They wanted Warren Beatty or a more critically acclaimed actor for the role. Bob Fosse stuck to his choice and fought for Scheider, eventually securing him in the lead.
One of the first lines, "To be on the wire is life; the rest is waiting", is spoken voice-over as we see a man falling from a high wire into a net (and the speaker then admits he did not make it up). The quote is generally attributed to Karl Wallenda, who had died the year before the film came out, when he fell from a high wire without a net.
Many of the characters in the film are based on real-life characters from the New York theater world. Aside from Roy Scheider, Leland Palmer's character was based on his wife/frequent star Gwen Verdon. John Lithgow's character was also based somewhat on New York theater director Michael Bennett, the director of "Dreamgirls" with whom Bob Fosse had a longstanding rivalry. The character of producer Jonesy Hecht was based upon Fosse's fellow longtime rival Harold Prince. Ann Reinking was more or less playing herself. The character of songwriter "Paul Dann" is a swipe at Stephen Schwartz, with whom Fosse had unhappily worked on "Pippin". Jules Fisher, the lighting designer on many of Fosse's shows and later the producer of his show "Dancin'", makes an appearance as a lighting designer in the scene with Lithgow. The film is based on Fosse's real-life heart attack while both editing his film Lenny (1974) and simultaneously directing the original 1975 Broadway production of "Chicago".
According to Shirley MacLaine in her autobiography "My Lucky Stars", the idea for this film was hatched when Bob Fosse was hospitalized for a heart attack. MacLaine claims she was the one who gave him the idea to do "a musical about his death", though she said Fosse seemed to not remember this later. However, Fosse did offer her the role of Audrey Paris, she wrote.
The relationship between the characters Victoria and Joe Gideon was based on the relationship during rehearsals between director Bob Fosse and dancer Jennifer Nairn-Smith while working on the stage musical "Pippin". Nairn-Smith appears in this movie playing a Principal Dancer.
According to Roy Scheider, for the opening "cattle call" scene in which Joe Gideon picks out dancers for his show, Bob Fosse gave Scheider an earpiece and spoke to him during filming to help the actor appear as if he knew what he was doing.
The character of Davis Newman was based on Dustin Hoffman, who had played the title role in Bob Fosse's earlier film Lenny (1974). Gorman had initially portrayed Lenny Bruce in the original Broadway run of the play from which the film was adapted, but was passed over in favor of Hoffman for the film version.
Agent Sam Cohn recommended Roy Scheider for the lead role. Daniel Melnick initially decided that Scheider was wrong for the part and he didn't look appealing enough. Bob Fosse told Melnick that he would spend a week with the actor. At the end of that week, Fosse met with Melnick. Fosse said that he wasn't positive that Scheider would be believable playing a dancer, but he saw something in the actor and urged Melnick to give him the part. Melnick finally agreed.
On the audio commentary it is revealed that Roy Scheider had many "unusual lessons" from Bob Fosse throughout filming which included coughing lessons since Joe Gideon was a chain smoker who coughed very heavily and Fosse instructed Roy how to do it properly; and during the heart-attack scene at the hospital Fosse described to Scheider how painful it was, as if someone was pressuring a weight to his chest - and to perform the scene, off camera the first assistant director pressed one knee on Scheider's chest while the camera was capturing his painful expressions.
The budget blew up from $6.5 million to $10 million. Director Bob Fosse went over-budget before filming the famous "Bye, Bye Life" finale. Columbia Pictures refused to give him any more money. At an impasse, Columbia execs privately showcased much of what was already shot for the president of Twentieth Century-Fox. Impressed, he agreed that Fox would finance the remainder of the shoot; he also asked for and received distribution and cable rights. Profits from the picture were split according to the contract between the two studios, although Fox received top billing over Columbia in the credits.
Joe Gideon's catchphrase "it's showtime, folks!" was referenced in season 1 episode 2 of Better Call Saul (2015), when Saul Goodman points to the mirror a la Gideon and says "it's showtime folks!". When it is overheard he says, "it's from a movie!"
One of the first lines in the movie is, "To be on the high wire is life. The rest is waiting." is a slightly changed version of a quotation of the great German racing driver of the 1930s, Rudolf Caracciola, :"To race is to live. All the rest is simply waiting."