7.9/10
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All That Jazz (1979)

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In 1 theater near Ashburn VA US [change]

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Director/choreographer Bob Fosse tells his own life story as he details the sordid life of Joe Gideon, a womanizing, drug-using dancer.

Director:

Bob Fosse
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1,652 ( 477)
Won 4 Oscars. Another 6 wins & 14 nominations. See more awards »

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Cast

Cast overview, first billed only:
Roy Scheider ... Joe Gideon
Jessica Lange ... Angelique
Leland Palmer ... Audrey Paris
Ann Reinking ... Kate Jagger
Cliff Gorman ... Davis Newman
Ben Vereen ... O'Connor Flood
Erzsebet Foldi Erzsebet Foldi ... Michelle
Michael Tolan ... Dr. Ballinger
Max Wright ... Joshua Penn
William LeMassena William LeMassena ... Jonesy Hecht
Irene Kane Irene Kane ... Leslie Perry (as Chris Chase)
Deborah Geffner ... Victoria
Kathryn Doby Kathryn Doby ... Kathryn
Anthony Holland ... Paul Dann
Robert Hitt Robert Hitt ... Ted Christopher
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Storyline

Joe Gideon is a Broadway director, choreographer and filmmaker, he in the process of casting the chorus and staging the dance numbers for his latest Broadway show, starring his ex-wife Audrey Paris in what is largely a vanity project for her in playing a role several years younger than her real age, and editing a film he directed on the life of stand-up comic Davis Newman. Joe's professional and personal lives are intertwined, he a chronic philanderer, having slept with and had relationships with a series of dancers in his shows, Victoria Porter, who he hired for the current show despite she not being the best dancer, in the former category, and Kate Jagger, his current girlfriend, in the latter category. That philandering has led to relationship problems, with Audrey during their marriage, and potentially now with Kate who wants a committed relationship with Joe largely in not wanting the alternative of entering the dating world again. Joe also lives a hard and fast life, he chain ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

All that work. All that glitter. All that pain. All that love. All that crazy rhythm. All that jazz. See more »

Genres:

Drama | Music | Musical

Certificate:

R | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | Spanish

Release Date:

20 December 1979 (USA) See more »

Also Known As:

All That Jazz See more »

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Box Office

Opening Weekend USA:

$86,229, 25 December 1979

Gross USA:

$37,823,676

Cumulative Worldwide Gross:

$37,823,676
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby

Color:

Color (Technicolor)

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

The only film that year nominated for Best Picture at the Academy Awards, and not in any Best Motion Picture category at the Golden Globe Awards. See more »

Goofs

In a closeup of back of Joe's head during Bye Bye Love number, a large strip of Scotch tape is inexplicably running across back of his head. See more »

Quotes

[first lines]
Joe Gideon: To be on the wire is life. The rest is waiting.
Angelique: That's very theatrical, Joe
Joe Gideon: Yeah, I know.
Angelique: Did you make that up?
Joe Gideon: I wish I had. Do you like it?
Angelique: Eh, it's all right.
See more »

Crazy Credits

There are no opening credits, only the company credits and the title, which resembles revolving Broadway lights. See more »

Connections

Referenced in Saturday Night Live: Burt Reynolds/Anne Murray (1980) See more »

Soundtracks

Bye Bye Love
(1957) (uncredited)
Written by Boudleaux Bryant and Felice Bryant
Performed by Ben Vereen and Roy Scheider with modified lyrics ("Bye Bye Life")
See more »

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User Reviews

 
A self-indictment.
24 May 2006 | by TOMASBBloodhoundSee all my reviews

All that Jazz is a great film that almost seems to have dropped off the radar screen of classic musicals. The film gives us the account of a choreographer named Joe Gideon (Scheider) whose relentless way of living drives him straight into the grave. The character is based on the real life of director Bob Fosse who suffered the same fate in 1987. Gideon is a womanizing, drug abusing, perfectionist who begins each morning with the same routine. He pops a few pills, takes some Alka-Seltzer, jumps in the shower (sometimes with a cigarette in his mouth!), and declares it's "showtime" after giving himself one last look in the mirror. When we meet him, he's currently putting the finishing touches on a film he's just directed, and he's beginning work on a new Broadway musical. The man looks absolutely exhausted. He's always smoking. He seems on the brink of collapse from angina, and he frequently grasps his left arm apparently in an effort to determine if his heart is still beating or not.

The main idea behind this film is that Gideon knows he's dying. The life he has lived has assured him only a brief stay on this earth. As the film plays out, we see how Gideon comes to grips with his impending fate. His final journey is often touching; sometimes joyful. But above all, it is compelling and once it's over, you'll probably wish Gideon had hung on longer. He seemed to have so much to live for. Even the people around him who he's hurt in life (his ex-wife and current girlfriend, for example) still are a big part of his life. He has a wonderful daughter who he's just getting to know, as well. Without him around, there would certainly be an enormous void left for all of the central characters in this film. We see him confess his life's sins to Jessica Lange who plays an angel waiting to usher him into the afterlife once he finally succumbs to his medical problems. The closer the two of them get, the closer he is to the grave.

Fosse's direction is exceptional. His musical numbers (particularly Airotica) are top-drawer as you'd expect them to be. And he's never afraid to shock you with his camera-work. At one point we get an up-close and personal look at Gideon's heart surgery, and that's a bit grotesque for a musical. Remember this is the same director that showed us Dorothy Stratton's face getting blown off with a shotgun in Star 80.

Fosse also understandably knows these characters better that they know themselves. By the end of the film, you really know Joe Gideon, and you feel like you've lived part of his life. Fosse saw the same fate coming to himself, and indeed it found him in 1987. We often wish exceptional individuals would stick around longer, but then again it's the way they live that makes them so exceptional.

This film is highly recommended. 9 of 10 stars.

The Hound.


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